更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 56 件 斯特凡诺·吉奥瓦尼 作品收录于我们的目录中
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斯特凡诺·吉奥瓦尼 最著名的画作是 Madonna of Humility (1432)；原作收藏于 柏林 的 柏林州立博物馆。 Virgin with Child and Four Saints (detail) (1435) 和 Saint Francis and the Poor Knight, and Francis's Vision (1437) 是数字二和三。 在 斯特凡诺·吉奥瓦尼 的 56 件作品中，以下是为您精选的 56 件最著名的作品，按知名度排序并附有创作年份与馆藏信息，方便您挑选心仪的画作进行订购。
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · 底特律艺术学院
16
The Betrayal of Christ1437 · 底特律艺术学院
17
Madonna of Humility1437 · 国家美术馆
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · 柏林国家美术馆
22
The Wolf of Gubbio1450 · 国家美术馆
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · 布达佩斯美术博物馆
25
Damnation of the Soul of the Miser of Citerna1437 · 卢浮宫
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · 布达佩斯美术博物馆
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · 布达佩斯美术博物馆
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · 布达佩斯美术博物馆
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · 维多利亚州国立美术馆
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · 大都会艺术博物馆
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · 国家美术馆
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · 卢浮宫
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · 卢浮宫
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · 卢浮宫
42
St Thomas Before the Cross1423 · 梵蒂冈皮那科画廊
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · 柏林州立博物馆
44
St. Francis Kneeling before Christ on the Cross克利夫兰艺术博物馆
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · 布达佩斯美术博物馆
48
Madonna and Child with Angels大都会艺术博物馆
49
The Annunciation
50
The Meeting of St. Anthony and St. Paul国家美术馆
51
The Journey of the Magi1435 · 大都会艺术博物馆
52
Marriage of St Francis to Lady Poverty1437 · 康德博物馆
53
Saint Francis renounces his Earthly Father1437 · 国家美术馆
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · 乌菲兹美术馆
此排名中出现频率最高的四个主题及其代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 斯特凡诺·吉奥瓦尼 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家美术馆 |
伦敦 | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 布达佩斯美术博物馆 |
布达佩斯 | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
科尔托纳 | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 国家美术馆 |
华盛顿 | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 卢浮宫 |
巴黎 | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
锡耶纳 | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 底特律艺术学院 |
底特律 | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 大都会艺术博物馆 |
纽约 | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
选择一个年代，查看其代表作。
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432)（柏林州立博物馆, 柏林）位列第一，紧随其后的是Virgin with Child and Four Saints (detail) (1435)和Saint Francis and the Poor Knight, and Francis's Vision (1437)。
斯特凡诺·吉奥瓦尼 享年 40 岁：Madonna of Humility 创作于 1432 年，斯特凡诺·吉奥瓦尼 出生于 1392 年。
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret 及 Saint Apollonia。每件作品的创作年份及馆藏博物馆详见上方排名。
我们的目录中收录了 56 件 斯特凡诺·吉奥瓦尼 的作品，日期从 1412 到 1450。
主要收藏于 国家美术馆 (伦敦), 布达佩斯美术博物馆 (布达佩斯) 及 Museo Diocesano (科尔托纳)。完整列表请参阅上方的博物馆表格。
在 1430s 时期：此处排名的 56 幅画作中有 27 幅出自该时期，包括 Madonna of Humility。
本页最早作品：Saint John the Evangelist (1412)。最晚作品：Saint Francis before the Sultan (1450)。
在入选的 56 幅画作中：People (10), Gold background (9) 及 Woman (7)。
Tempera On Panel，共计 27 幅（在 56 幅入选作品中）。
基于本页作品排名，Early renaissance
国家美术馆, 伦敦 收藏了此处排名中的 6 幅画作，其中包括 Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis 及 Saint Francis before the Sultan。
是的。本页面的每一幅画作均可订购手绘油画复制品或版画。点击画作，选择尺寸并下单即可。
在意大利四世纪（Quattrocento）那段光辉灿烂的岁月里，很少有名字能像Stefano di Giovanni——即历史上更为亲切地被称为Sassetta——那样，如此深刻地唤起人们对从中世纪向现代过渡时期的细腻感怀。作为锡耶纳画派的关键人物，他的艺术成就构筑了一座深邃的桥梁，连接着晚期哥特式的装饰性优雅与文艺复禄时期蓬勃兴起的写实主义。尽管他生命的准确起源仍笼罩在历史的迷雾之中——学者们仍在争论他究竟出生于锡耶纳还是科尔托纳——但他对托斯卡纳艺术景观的影响是无可置疑的。他的作品承载着锡耶纳那富有节奏感且抒情般的灵魂，却又散发着一种全新的、观察式的生命力，暗示着这位艺术家正深度参与着他那个时代的变革浪潮。
Sassetta 的创作历程是一场精妙的融合。他拥有一种罕见的能力，既能致敬以繁复细节和精神深度为特征的传统锡耶纳风格，又能同时吸收来自佛罗伦萨的革命性创新。在他在空间关系掌控力以及光影运用上的演进中，可以感受到Masaccio、Masolino 以及 Gentile da Fabriano 等大师的影响。他并非仅仅是模仿这些新技术；相反，他将它们有机地整合在一起，为画中人物注入了一种自然主义的光泽，使光线能够令人信服地塑造形体，并在他的构图中创造出一种凝聚且富有呼吸感的空间。
Sassetta 的作品集是他精湛叙事绘画技巧的明证，在这里，每一笔触都服务于更高的精神追求。他的作品往往充当着通往神圣世界的窗口，利用考究的色调和富有节奏感的构图，引导观者穿梭于神圣的历史之中。在如最后的晚餐等杰作中，他展现了捕捉复杂情感状态的非凡技艺，通过使用大地色系和严谨的透视法，将深邃的宗教叙事植根于一种可感知的、庄重肃穆的现实之中。他能够平衡哥特传统的装饰美感与新兴的人文戏剧感，这使得他的祭坛画面板具有一种独特的迷人魅力。
除了规模较小的画板之外，Sassetta 还通过那些定义了当时宗教景观的重要祭坛画和多联画赢得了极高的声誉。他最显著的艺术成就包括：
Sassetta 的历史意义在于他既是守护者，也是创新者。他确保了锡耶纳画派独特的身份并未在佛罗伦萨的主导地位面前消失，而是通过演进吸收了写实与深度的全新语言。他的绘画并非仅仅是旧时代的遗物；它们是旧世界与新世界之间生动的对话。通过对光线的细腻处理、对象征性图像学的精通以及对作品主体深刻的同理心，Sassetta 在意大利艺术史上留下了不可磨灭的印记，确立了其作为锡耶纳文艺复兴时期最重要代表人物之一的地位。
