Logging
104.0 x 65.0 cm
Horim Museum
إن العمل الفني المعروض في هذه الصفحة محمي بموجب قوانين حقوق الطبع والنشر، مما يعني أنه لا يحق لنا قانوناً إنشاء أو بيع نسخ مطابقة له. وتُطبق هذه الحماية بموجب الاتفاقيات الدولية مثل الـ اتفاقية برن ووفقاً للقوانين الوطنية، بما في ذلك تلك المنصوص عليها في قانون حقوق الطبع والنشر في الولايات المتحدة - الباب 17.
تتوافق هذه الطريقة تماماً مع لوائح حقوق النشر لأنها لا تتضمن نسخ أو تكرار العمل الفني المحمي، بل هي إعادة تفسير إبداعية؛ أي أنها لوحة جديدة مستوحاة من الأصل ولكنها ليست مطابقة له.
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اطلب نسخة مرسومة يدويًا
التحويل إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
أدخل العرض والارتفاع اللذين تحتاجهما، ليتناسب مع إطارك أو جدارك. يمكن قص المطبوعة فقط، ولا يمكن أبداً جعلها أكبر من الصورة الأصلية، لذا فإن أي مقاس بشكل مختلف سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (23 أكتوبر)
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان فاخر
تأمين شامل على الشحن
ضمان استرداد الرسوم الجمركية
ضمان دقة مطابقة الألوان
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
عرض خصم الكميات
Logging
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
إجمالي السعر
E£ 3308
أعمال فنية مشابهة
نبذة عن الفنان
A life between duty and the brush
Chae Yongsin lived through a period of profound change in Korea. Born in Seoul, he began his adult years far from the quietude of a studio, serving as a military officer. This background in the military was part of a family tradition of officials belonging to the yangban, or ruling gentry. In 1901, his path shifted when he was appointed as a royal portraitist. The transition from soldier to painter brought him into the presence of Emperor Gojong. The emperor noticed how Chae captured life with a precision that felt almost like a photograph, yet remained rooted in tradition. For this, he was granted the pen name Seokgang.
The years following 1905 were marked by a withdrawal from official court duties. As Korea lost its diplomatic sovereignty to Japan, Chae retired from his post. He moved away from the center of political life to focus entirely on his craft. During these later years, he turned his attention to the people around him, painting portraits of Korean nobles. These works were not merely records of faces but ways to honor a fading era.
The eye for detail
His technique relied on a specific kind of observation. Chae often worked directly from photographs, a method that allowed him to maintain accuracy even when his own mobility became limited by age. He combined the established rules of ancestral portraiture with the new realism brought by modern photography. This resulted in a style where every strand of hair or fold in a silk robe could be seen clearly. In works like Portrait of Ju Gyeong-il, the use of ink and colors on silk allows for a delicate rendering of features, such as the way an official hat sits or how a fan is held.
He frequently used studio-set backgrounds to ground his subjects. A painted folding screen might appear behind a scholar, creating a sense of space and status. His ability to blend these traditional elements with a heightened realism meant that his subjects appeared present and tangible. Even when painting from a photo, he maintained the weight and texture of the materials, such as the yellow glasses held in a subject's hand or the specific sheen of an official's attire.
A legacy in ink and silk
The works left behind by Chae Yongsin provide a window into the late Joseon Period and the early modern era. His portraits reached across social boundaries, capturing individuals from various levels of society. Some of his most significant subjects included:
- Emperor Gojong: A portrait that captured the likeness of the last king of the Joseon dynasty.
- Portrait of a scholar: A work dated to 1924, showing the use of ink and color on silk.
- Portrait of Choe Yeon-hong: A piece recognized for its historical importance in Korean art.
His paintings are held in collections such as the National Museum of Korea and the Metropolitan Museum of Art. These pieces remain as physical records of a time when traditional Korean painting was meeting the influence of new technologies. Through his brush, the faces of the past retain a clarity that feels remarkably close.
Chae Yongsin
1884 - 1962 , South Korea
لمحة سريعة
- Full Name: Chae Yongsin
- Place Of Birth: Seoul, South Korea
- Date Of Birth: 1884
- Date Of Death: 1962

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