- الرئيسية
- طباعة على كانفاس
- Olin Levi Warner
- Daniel Cottier
اطلب نسخة مرسومة يدوياً شراء الصورة بدقة عالية
مشاركة
مشاركة
التفاصيل
أضف إلى المفضلة
تحميل الملف
قطع مشابهة
الأشعة السينية
عرض شرائح
Daniel Cottier
عرض المزيد
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب.
اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 23 يوليو
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شحن شامل
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب عدة قطع
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
Daniel Cottier
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
السعر الإجمالي النهائي
-
أعمال فنية ذات صلة
السيرة الذاتية للفنان
Olin Levi Warner: Pioneer of Bas Relief Portraiture
Olin Levi Warner (1844-1896) stands as a significant figure in late 19th-century American sculpture, largely recognized for his masterful execution of bas relief portrait medallions and busts—a technique that profoundly impacted the artistic landscape of his time. Born in Suffield, Connecticut, Warner’s lineage traced back to Seth Warner, a Revolutionary War hero, imbuing him with an early appreciation for historical commemoration and sculptural representation. His formative years were marked by practical skills honed as an artisan and experience gained as a telegraph operator—skills that would prove invaluable during his artistic pursuits. A pivotal moment arrived in 1869 when Warner embarked on a transformative journey to Paris, France, fueled by ambition and a desire for formal training. He enrolled at the École nationale supérieure des beaux-arts under François Jouffroy, immersing himself in the traditions of French academic sculpture. This immersion solidified his understanding of classical ideals and established Jean-Baptiste Carpeaux as an influential mentor—Carpeaux’s influence is evident in Warner's stylistic choices and dedication to capturing human form with meticulous realism. During the Franco-Prussian War of 1870, Warner enlisted in the Foreign Legion, continuing his studies amidst turbulent geopolitical circumstances. He returned to New York City in 1872, establishing a studio where he cultivated a burgeoning reputation as a sculptor. Warner’s commitment to artistic excellence was recognized by organizations such as the Society of American Artists (founded in 1877) and the National Academy of Design (affiliated in 1888), demonstrating his integration into the prominent artistic circles of the era. An expedition to the Northwest Territory sparked Warner's fascination with Native American culture, resulting in a series of striking portrait medallions that captured the dignity and solemnity of indigenous subjects—a testament to his ability to convey emotion through sculptural form. Notably, he served as designer for the Columbian Exposition held in Chicago in 1893, crafting a commemorative half dollar that symbolized America’s burgeoning role on the world stage. Despite facing commercial challenges, Warner retreated to Vermont, where he continued to practice and refine his craft alongside his family farm—a period of quiet contemplation informing his later artistic endeavors. Warner's sculptures gained considerable acclaim toward the end of his life, reaching a wider audience than initially anticipated. His legacy resides not only in his individual artworks but also in his contribution to popularizing bas relief sculpture—a technique that had previously been largely confined to monumental architectural projects. Among Warner’s most celebrated creations are “Thomas Fenton,” a plaster sculpture housed at the Smithsonian American Art Museum, and "Portrait of a Man," a bronze medallion embodying neoclassical ideals. These pieces exemplify Warner's dedication to capturing human likeness with unparalleled precision and conveying profound emotion through sculptural form—a lasting testament to his artistic vision and enduring influence on American art history.
Olin Levi Warner
1844 - 1896 , United States of America
حقائق سريعة
- Artistic Movement Or Style: Bas relief sculpture
- Artists Or Movements Influenced By This Artist: ['Neoclassical']
- Artists Who Influenced This Artist: ['Jean-Baptiste Carpeaux']
- Date Of Birth: Suffield, United States
- Date Of Death: 1896
- Full Name: Olin Levi Warner
- Nationality: American
- Notable Artworks:
- Thomas Fenton
- Portrait of a Man
- Place Of Birth: Connecticut
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