The Late Medieval shortlist
99 Famous Late Medieval فنانون: The Complete List
سيمون مارتيني (1284–1344) is the most famous Late Medieval فنان, best known for Maestà (Madonna with Angels and Saints) و البشارة والقديسان. Then أندريه روبليوف, أمبروجيو لورنزيتي, بيترو لورنزيتي و هوبرت فان إيك. The list covers 99 فنانون born between 1271 and 1366 in 21 countries, from Yuan Dynasty to هوبرت فان إيك.
Method. Scope: artists filed under Late Medieval in our catalogue. Order: our artist fame ranking. Excluded: artists born after 1955 without a Wikidata identifier. Wikipedia figure: languages with an article, out of our 32.
Key data
Late Medieval: key data
- 99الفنانون
- 1271–1366سنوات الميلاد
- 21بلدان الميلاد
- 1سيدات
- 5فنانون معاصرون
- 1514الأعمال الموجودة في كتالوجنا
- المتاحف التي تضم أهم الأعمال الفنية
- متحف المتروبوليتان للفنون (18), المعرض الوطني (5), معرض ييل الجامعي للفنون (4), متاحف هارفارد للفنون (4)
- سيدات هذه القائمة
- Mother Julian
Ranked list
99 Late Medieval فنانون, ranked with key works
6/ 99
تاديو غادي 1300–1366
إيطالي b. فلورنسا عصر النهضة المبكر Wikipedia 23/32
Trained Jacopo Del Casentino (Jacopo Landino) #51
12/ 99
سبينيلو أريتينو 1350–1410
إيطالي b. أرِتسَة حلقة وصل بين مدرسة جيوتو والمدرسة السيينية Wikipedia 16/32
Trained by Jacopo Del Casentino (Jacopo Landino) #51 · Trained Lorenzo di Bicci #32
17/ 99
أندريا دي تشيوني دي أركانجيلا (أوركانيا) 1308–1368
إيطالي b. فلورنسا القوطية - القوطية المتأخرة
18/ 99
Orcagna 1315–1368
Italian b. Florence Gothic-Late Gothic Wikipedia 20/32
The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century.
20/ 99
Barna Da Siena 1330–1380
Italian b. Siena Gothic Art Wikipedia 14/32
To traverse the hallowed halls of the Collegiata di San Gimignano is to encounter a ghost of the Trecento, an artist whose name, Barna da Siena, lingers in the air like incense in a medieval chapel. Known also as Berna di Siena, this figure remains one of the most tantalizing enigmas in the history of Italian art.
21/ 99
Wang Meng 1308–1385
Chinese b. Huzhou Yuan Dynasty Landscape Painting Wikipedia 14/32
Wang Meng’s compositions are often densely populated with elements—trees, rocks, mountains, streams—creating an immersive experience for the viewer. Wang Meng’s style was profoundly influenced by the landscape painters who preceded him – Wang Wei, Dong Yuan, and Juran – but he developed his own distinctive voice through his innovative use of brushwork and composition.
22/ 99
Cresques Abraham 1325–1387
Spanish b. Palma de Mallorca Nautical cartography
Background: Cresques was born into a Jewish family in Majorca, then part of the Crown of Aragon. Major Work: Cresques is most renowned for his authorship of the Catalan Atlas, completed around 1375 in collaboration with his son, Jehuda Cresques. Commissioned by: Prince John of Aragon, intended as a gift for Charles VI of France.
23/ 99
Nicolas Bataille 1330–1405
French Medieval Art, Religious Paintings
His tapestries, particularly the famed “Seven Seals” cycle now housed in the Saint-Nicolas du Chardonnet church in Paris, offer a window into a world grappling with anxieties about mortality, divine judgment, and the impending end times – a perspective rarely found in contemporary art.
25/ 99
Segna Di Buonaventure 1298–1326
Italian Trecento
It’s believed that Segna spent time in Florence during this period, absorbing influences from the burgeoning Florentine school, which was beginning to experiment with linear perspective and naturalistic representation. Beyond these iconic portraits, he created a " Crucifix " (circa 1320), a powerfully emotive depiction of Christ on the cross, characterized by its stark simplicity and emotional directness.
26/ 99
Cennino Cennini 1360–1440
Italian b. Colle di Val d'Elsa Late Gothic Wikipedia 18/32
In the twilight of the Middle Ages and the dawn of the Italian Renaissance, few figures bridge the gap between the medieval workshop and the modern era as intimately as Cennino Cennini. Born around 1360 in the picturesque landscape of Colle di Val d'Elsa, Cennini was a man whose very existence was woven into the fabric of Florentine artistic tradition.
Key works · Top 100 works
28/ 99
Taddeo di Bartolo 1362–1422
Italian b. Siena Early Renaissance Wikipedia 13/32
In works such as his Virgin and Child with Saints, one can witness the evolution of his hand—moving from the more rigid, ornamental patterns of the late Gothic style toward a more robust and naturalistic approach.
29/ 99
Lippo Di Benivieni 1296–1327
Italian b. Florence Early Quattrocento
Despite the paucity of surviving paintings attributed to Lippo di Benivieni, his influence is palpable in several significant frescoes adorning churches throughout Siena and San Gimignano. Most notably, he collaborated with Bartolo di Fredi on the magnificent altar decoration of Santa Maria di Campagna, a testament to his skill as a muralist and his ability to synthesize Gothic and nascent Renaissance elements.
30/ 99
Zhao Yuan ولد في 1350
Chinese Landscape painting
Beyond Wang Meng, echoes of earlier masters like Fan Kuan (c. 937-1020), renowned for his monumental landscapes and powerful brushwork, can also be detected in Zhao Yuan’s treatment of rock formations and atmospheric effects. His most celebrated works include Qingchuan Songbie (Farewell at Qingchuan) and Hexi Caotang (Grassland Cottage at Hexi).
31/ 99
Andrea Di Bartolo 1360–1428
Italian b. Siena Sienese School Wikipedia 12/32
In the vibrant heart of the Sienese School, Andrea di Bartolo emerged as a master whose brush captured the profound spiritual intensity of his era. As the son and pupil of the prominent painter Bartolo di Fredi, Andrea’s artistic journey was deeply rooted in the traditions of his father's workshop.
![Madonna of Humility, The Blessing Christ, Two Angels, and a Donor [obverse] للفنان Andrea Di Bartolo](/media/artworks/images-thumb/f3/31/f3317163438ed194835309786408ef36.jpg)
32/ 99
Lorenzo di Bicci 1350–1427
Italian Florentine School
He eschewed the heavy, dark backgrounds favored by many of his contemporaries, opting instead for lighter, more airy compositions that allowed figures to emerge with clarity and grace. Lorenzo's career was marked by numerous collaborations, often working alongside other prominent artists such as Agnolo Gaddi and Niccolò di Pietro Gerini.
33/ 99
Melchior Broederlam 1355–1410
Belgian b. Ypres Early Netherlandish Painting Wikipedia 15/32
His influence can be traced through the lineage of the great Netherlandish painters, acting as a vital precursor to the technical perfection achieved by Jan van Eyck.
35/ 99
Gherardo Starnina 1354–1413
Italian b. Florence Venetian Renaissance Wikipedia 12/32
Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380.
36/ 99
Jean Pucelle 1300–1334
French Early Gothic painting
Jean Pucelle remains one of the most captivating enigmas in the annals of medieval art, a figure whose name is whispered with reverence by those who study the delicate transition from the rigid structures of the Middle Ages to the burgeoning humanism of the Renaissance.
37/ 99
أندريا دي بونايوتو (أندريا دا فلورنسا) 1343–1379
إيطالي b. فلورنسا الرسم التوسكاني Wikipedia 12/32
38/ 99
Guariento di Arpo 1310–1370
Italian b. Piove di Sacco Early Renaissance; Venetian painting; Gothic art Wikipedia 12/32
Guariento di Arpo (c. 1310–1370) stands as a monumental figure of the Trecento, acting as the essential bridge between the grounded, volumetric realism of Florence and the ethereal, ornamental splendor of the Venetian Gothic tradition. The foundations of Guariento’s genius were laid in the workshops of his contemporaries, where the shadows of masters like Giotto di Bondone and Giovanni Pisano loomed large.
39/ 99
Giovanni Del Biondo 1356–1399
Italian b. Pratovecchio Gothic & Early Renaissance Wikipedia 10/32
The story of Giovanni del Biondo is one woven into the very fabric of 14th-century Florence, a period of profound transition where the rigid elegance of the Gothic tradition began to breathe with the nascent vitality of the Early Renaissance.
41/ 99
Kokan Shiren 1278–1346
Japanese b. Kyoto Rinzai Zen, Gozan Bungaku
Kokan Shiren (虎関師錬; 9 May 1278 – 11 August 1347), a pivotal figure in 14th-century Japan, stands as a unique confluence of artistic expression, philosophical depth, and historical scholarship. Shiren’s influence extends far beyond his own lifetime, shaping the landscape of Gozan bungaku (the Literature of the Five Mountains) and leaving an indelible mark on the development of Japanese Zen aesthetics.
42/ 99
Jacopo di Cione 1325–1399
Italian b. Florence Gothic Wikipedia 7/32
Jacopo's dedication extended beyond commissions; he actively participated in shaping Florence’s cultural landscape through his involvement with the cathedral workshop and his role as consul of the Arte dei Medici e Speziali (1384, 1387, 1392).
44/ 99
Conrad von Soest 1360–1423
German b. Dortmund International Gothic soft style Wikipedia 13/32
Born around 1370, von Soest emerged not merely as a local painter but as the preeminent Westphalian master of his era.
45/ 99
Tuthmosis 1340–1300
Egyptian b. Amarna Amarna art style
He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. Perhaps Tuthmosis’s most celebrated achievement is undoubtedly the magnificent Bust of Queen Nefertiti, completed around 1340 BC.
46/ 99
Giovanni da Milano 1325–1370
Italian b. Valmorea Italian Gothic Wikipedia 13/32
In the bustling streets of Florence, where the air was thick with the scent of fresh pigment and the echoes of a changing era, a painter named Giovanni di Jacopo di Guido da Caversaccio began to make his mark. Hailing from Lombardy, he arrived in Tuscany as a man seeking his fortune, appearing in the city's records as Johannes Jacobi de Commo.
47/ 99
Master Bertram 1345–1415
German b. Minden International Gothic Wikipedia 13/32
While sharing similarities with other artists of the period, such as Master Francke (another prominent Hamburg painter), Bertram's work possesses a distinct character—a subtle restraint in emotional expression compared to Francke’s more overtly dramatic approach. The Victoria and Albert Museum in London houses a 45-scene depiction of the Apocalypse, likely created by Bertram's workshop, further demonstrating his influence within the artistic community.
Key works · Top 100 works
48/ 99
Agostino Di Giovanni 1285–1347
Italian b. Siena Gothic architecture/sculpture
Agostino di Siena, born around 1285 in the heart of Tuscany, emerged as a pivotal figure in the transition from late Gothic to early Renaissance sculpture.
49/ 99
Ashikaga Yoshimitsu 1358–1408
b. Kyoto
Late in his career, Yoshimitsu increasingly sought to legitimize his power through the lens of Buddhist kingship.
50/ 99
André Beauneveu 1335–1403
Netherlandish b. Valenciennes Pucellian revival
While contemporary chroniclers like Jean Froissart hinted at potential travels to England—suggesting a possible collaboration with artists like Jean de Liege—Beauneveu's primary impact remained rooted in the French and Low Countries territories.
Key works · Top 100 works
51/ 99
Jacopo Del Casentino (Jacopo Landino) 1330–1380
Italian b. Florence Renaissance
In the annals of Italian art, Jacopo remains a luminous figure, a painter who captured the very essence of Florentine devotion.
53/ 99
Francesco Traini 1321–1365
Italian b. Pisa Gothic Art Wikipedia 11/32
Orcagna's Legacy: Andrea Orcagna’s influence is undeniable in Traini’s compositional strategies and expressive dynamism.
54/ 99
Vitale Da Bologna 1289–1359
Italian b. Bologna International Gothic Wikipedia 12/32
His legacy is found in: The Synthesis of Styles: The seamless integration of Riminese color palettes with Giottesque structural depth.
55/ 99
Sheikh Zain Al-Din ولد في 1325
Kurdish b. Erbil Company Style
Zain al-Din’s prominence grew during a period of significant change in India, as the power of the Mughal Empire waned and British influence expanded.
Key works · Top 100 works
56/ 99
Pere Serra 1357–1406
Spanish Gothic-Italian
Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia.
58/ 99
Liaoan Qingyu 1288–1363
Chinese b. Taizhou Yuan dynasty calligraphy
Some of his most notable achievements include: Teaching on Enlightenment: A masterpiece written in running script that is currently held within the prestigious collection of the Tokyo National Museum in Japan, recognized as a National Treasure.
59/ 99
Marco Di Paolo Veneziano ولد في 1362
Italian Byzantine-influenced art; Gothic art
Born into a lineage of painters, likely the son of Martino and brother to Marco, Paolo’s very existence was woven into the fabric of Venetian artistic tradition.
60/ 99
Matteo Di Ser Cambio 1351–1424
Italian b. Perugia Renaissance
In the golden twilight of the Middle Ages, as the rigid structures of the Byzantine tradition began to soften under the burgeoning light of the Renaissance, there emerged a figure of profound architectural and decorative significance in the heart of Italy. Matteo di Ser Cambio, an artist whose name echoes through the halls of Perugia and Florence, served as a vital bridge between the medieval past and the humanist future.
61/ 99
Zhu Di 1360–1424
b. Nanjing
Zhu Di was not a visual artist in the traditional sense, but rather the third emperor of China's Ming dynasty, known to history by his era name, the Yongle Emperor. Born in Nanjing, China, he rose from the position of Prince of Yan to become a formidable military leader and statesman.
62/ 99
Ferrer Bassa 1285–1348
Catalan b. Avinyonet del Penedès Gothic painting
Ferrer Bassa emerged from the artistic landscape of 14th-century Catalonia as a pivotal figure, bridging the gap between established Gothic traditions and the burgeoning Italianate styles that would reshape European painting. His early commissions included creating miniatures for significant manuscripts such as the Uses of Barcelona and Costumes of Catalonia, demonstrating his exceptional skill in rendering detail and decorative artistry.
63/ 99
Tommaso Da Modena 1326–1379
Italian b. Modena Late Gothic Wikipedia 15/32
His distinctive style, characterized by earthy realism blended with humanist ideals, cemented his reputation as a master craftsman and intellectual whose oeuvre continues to inspire admiration for its sensitivity and technical prowess. The fresco cycle commemorating Dominican scholars—a project undertaken at the behest of Cardinal Giovanni Buoncompagni—represents a pinnacle of Renaissance artistic achievement.
64/ 99
Jacopo Avanzi 1350–1416
Italian b. Bologna Renaissance, Proto-Renaissance
D'Avanzi’s style occupies a fascinating position within the transition from Gothic art to the early Renaissance.
65/ 99
باولو دي جيوفاني في 1345–1411
إيطالي b. سان كيريكو دورشيا الطبيعية، عصر النهضة المبكر Wikipedia 10/32
Key works · Top 100 works
The Coronation of the Virgin, and Saints
Madonna and Child
Madonna and Child Enthroned with Saint John the Evangelist, Saint Peter, Saint Agnes, Saint Catherine of Alexandria, Saint Lucy, an Unidentified Female Saint, Saint Paul, and Saint John the Baptist, with Eve and the Serpent; the Annunciation- 1414 works by باولو دي جيوفاني في
66/ 99
Giottino 1324–1372
Italian b. Florence Early Italian painter Wikipedia 14/32
Tempera on Wood: The Pietà of San Remigio, currently held in the Uffizi Gallery.
67/ 99
Wu Zhen 1280–1354
Yuan dynasty b. Jiashan County Wikipedia 12/32
The brush of Wu Zhen moved with a particular intent, seeking to capture the essence of the natural world through landscape paintings and the delicate forms of bamboo. His work Qing Jiang Chun Xiao remains a definitive example of how he achieved the integration of the Three Perfections, weaving together the intellectual weight of poetry and the fluid grace of calligraphy with the visual depth of his painting.
68/ 99
Jacopo del Casentino 1297–1358
Florentine b. Florence Later Gothic Wikipedia 10/32
While his roots remain firmly planted in the Florentine school, a distinct Sienese influence begins to emerge in his compositions.
69/ 99
Giusto De' Menabuoi 1330–1393
Italian b. Florence Early Renaissance Wikipedia 12/32
Unlike many of his contemporaries who embraced the burgeoning realism championed by artists like Altichiero and Jacopo d'Avanzi, Menabuoi prioritized conveying spiritual emotion over meticulous anatomical accuracy—a hallmark of Giotto’s artistic vision.
70/ 99
Jacquemart de Hesdin 1350–1410
French b. Hesdin International Gothic Wikipedia 13/32
Très Belles Heures du Duc de Berry (Brussels Hours): Considered his most significant work, showcasing elaborate scenes and detailed miniatures. Grandes Heures: Another important illuminated manuscript commissioned by the Duke of Berry.
71/ 99
Matteo Giovanetti 1322–1368
Italian b. Viterbo Early Italian Renaissance
In the heart of fourteenth-century Italy, amidst the spiritual awakening of the early Renaissance, the name Matteo Giovanetti emerged as a beacon of devotional mastery. His Annunciation, dated to approximately 1345, stands as a breathtaking testament to his ability to render the miraculous.
72/ 99
Reisai Gukyoku 1363–1452
Japanese b. Yamashiro Zen buddhism art
In the quiet corridors of Japan’s Muromachi period, where the spiritual and the aesthetic were inextricably linked, the figure of Reisai Gukyostu emerges as a profound voice of meditative stillness. A Japanese Buddhist monk-painter active during the late 14th and early 15th centuries, Gukyoku did not merely create art; he practiced a form of visual prayer.
73/ 99
Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'Eng 1274–1339
Chinese Zen Buddhism
In the quiet, meditative corridors of history, few figures loom as large or as transformative as Seisetsu Shōchō (1274–1339). Born in China during the vibrant Yuan Dynasty, his life was a bridge between two worlds, spanning the intellectual rigor of Chinese scholarship and the spiritual revitalization of Japanese Zen.
74/ 99
Bartolommeo Bulgarini 1305–1378
Italian b. Siena Sienese school
He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence.
75/ 99
Gikō Tettō 1295–1369
Japanese b. Hara Zen painting
Hsieh Ho’s approach to capturing atmospheric effects through subtle shifts in hue and tone resonated deeply with Tettō's own desire to convey emotion and spiritual depth within his works.
76/ 99
Barnaba Da Modena 1328–1386
Italian b. Modena Byzantine-influenced Lombard Painting Wikipedia 12/32
Notable Works & Patronage: Barnaba’s prolific output encompassed around fifty paintings—a remarkable achievement considering the period—primarily focused on depictions of the Virgin Mary and Christ, often framed within elaborate architectural settings reminiscent of Byzantine churches.
77/ 99
بيتر بارلر 1330–1399
German-Bohemian b. شوابيش غيموند Late Gothic
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe.
![[Appointment of Romeu Desplà as administrator and notary for the works of the galleys at the Drassanes (shipyards) of Barcelona]\n\nAppointment للفنان بونانات ديسكول إي دي سانتكليمنت](/media/artworks/images-thumb/64/e7/64e7531469fd5686ef82dea4779099f0.jpg)
79/ 99
Yuan Dynasty 1271–1368
Chinese b. Beijing Landscape Art
The Four Masters: The Yuan Dynasty is particularly renowned for its “Four Masters” – Huang Xuan, Zhao Menggui, Wang Meng, and Ni Zan —who redefined the conventions of landscape painting and established a new aesthetic centered on simplicity, spontaneity, and profound contemplation.
80/ 99
Giovanni Di Rigino ولد في 1315
Italian b. Verona Trecento art
Giovanni di Rigino, a name resonating softly through the annals of Trecento sculpture, emerged from the vibrant artistic milieu of Verona in approximately 1315 or 1320. He ascended to become the chancellor for both Cansignorio della Scala and his successor, Antonio – powerful lords who governed Verona with ambition and a keen eye for cultural prestige.
81/ 99
Domenico Di Agostino 1317–1366
Italian b. Siena Gothic Art
His most recognizable works center on themes of the Annunciation, the Madonna and Child, and scenes from the life of Christ.
82/ 99
Agnolo Di Ventura 1290–1349
Italian Gothic Art Italy
The city boasted a vibrant sculptural tradition, influenced by both French Gothic precedents and the burgeoning Italian style. The Monument to Bishop Tarlati is not only a testament to Agnolo's technical skill but also his ability to synthesize diverse artistic elements into a cohesive and emotionally compelling whole.
83/ 99
Giovanni Da Campione 1320–1375
Italian b. Milan Gothic
Composition & Technique: The tomb’s central panel showcases Dante and Virgil confronting Lucifer, capturing the terror and grandeur of Hell with astonishing accuracy.
84/ 99
Francesco Di Petracco 1304–1374
Italian b. Arezzo Humanist poetry
His father, Ser Parenzo, held positions of considerable authority, including serving as Chancellor of the Commission for Reforms, demonstrating a family legacy rooted in public service and intellectual pursuits.
85/ 99
Giovanni d'Agostino 1285–1347
b. Siena
A significant partnership was formed with Agnolo di Ventura, culminating in their joint execution of the cenotaph of Guido Tarlati in the Cathedral of Arezzo (signed and dated 1330). While individual attribution can be challenging due to collaborative practices, D'Agostino’s contributions are evident in several key works: Cenotaph of Guido Tarlati (Arezzo Cathedral): A prime example of his sculptural skill and collaboration with Agnolo di Ventura.
86/ 99
Sesson Yūbai 1290–1347
Japanese b. Tokyo Zen Buddhism
Sesson Yūbai (雪村 友梅; 1290 – 14th day of the 1st month, 1347) stands as one of Japan’s most revered Zen Buddhist poets and monks—a figure inextricably linked to the profound aesthetic principles that define the Five Mountains School of Zen.
87/ 99
Sultan Al-Malik Al-Zahir Abu Sa’Id Barquq 1339–1399
Egyptian b. Cairo Islamic Art
Sultan Al-Malik Al-Zahir Abu Sa’id Barquq, a name resonating through the annals of Mamluk Egypt, stands as a pivotal figure in the 14th-century Islamic world. Born in Cairo in 1339, his ascent to power marked not merely a change in leadership but a transition into the Burji period—a new era defined by Circassian dominance within the Mamluk Sultanate.
88/ 99
Giovanni Di Chellino Boccaccio 1313–1375
Italian b. Certaldo Humanism precursor
Born amidst the rolling landscapes of Certaldo in 1313, Giovanni Boccaccio emerged as a vital force in the cultural landscape of the fourteenth century. As one of the legendary "Three Crowns" of Italian literature—standing alongside the giants Dante Alighieri and Petrarch—his life served as a bridge between the medieval world and the dawning light of the Renaissance.
89/ 99
Emperor Kōgon 1313–1364
Japanese Buddhist Art
The historical significance of Emperor Kōgon lies in his ability to transform a period of political chaos into an era of artistic flourishing.
90/ 99
Jakushitsu Genkō 1290–1367
Japanese b. Tokyo Rinzai Zen
Jakushitsu Genkō (寂室 元光, june 23, 1290 – september 25, 1367) stands as a singular figure in fourteenth-century Japan—a Rinzai Zen master whose artistic output transcended mere craftsmanship to embody the very essence of contemplative practice.
91/ 99
Bernat Saulet I El Taller De Sant Joan De Les Abadesses 1341–1342
Italian b. Sant Joan de les Abadès Sienese painting, Gothic influence
altarpiece of the passion, death, resurrection, and ascension of christ (1341-1342, museu episcopal de vic, spain) - a prime example of his alabaster sculpture work. virgin of boixadors (episcopal museum of vic, spain) - demonstrates his range in sculpting delicate, emotive pieces.
92/ 99
Mother Julian ولد في 1343
English b. Norwich Medieval Mysticism
Through these spiritual windows, she glimpsed a God characterized not by distant judgment, but by an overwhelming, compassionate intimacy.
93/ 99
Nardo di Cione 1320–1366
Italian b. Florence Renaissance Painting Wikipedia 10/32
To study Nardo is to witness the evolution of the Florentine spirit: Technical Versatility: The seamless integration of sculptural depth with painterly fluidity.
![Saint Peter [left panel] للفنان Nardo di Cione](/media/artworks/images-thumb/45/65/4565bd93c5ceb8d7a9e277b4bdd827fe.jpg)
94/ 99
Tutankhamen 1345–1327
Egyptian b. Amarna Ancient Egyptian Art
Born as Tutankhaten, the Living Image of Aten, his early years were defined by the radical, monotheistic shadows cast by his predecessor, Akhenaten. Yet, the boy who would become Tutankhamun possessed a destiny far greater than mere survival.
95/ 99
Serafino Serafini 1324–1393
Italian b. Modena Giottesque & Bolognese
One of his most celebrated achievements, the Coronation of the Virgin, bears a proud inscription dating the work to March 1385, serving as a permanent testament to his hand.
96/ 99
Filippo Calendario 1315–1355
Italian Venetian Gothic
Filippo Calendario stands as a pivotal figure in the artistic landscape of fourteenth-century Venice, primarily recognized for his monumental contributions to the construction and decoration of the Doge’s Palace—a testament to Venetian architectural prowess during its golden age. Born around 1315, likely in Florence, Calendario’s early life was shaped by the rigorous traditions of Italian craftsmanship.
Key works · Top 100 works
97/ 99
Antonio Baboccio Da Piperno 1351–1435
Italian b. Pietrantonella Late Medieval Art
He was a progenitor of style, fostering a school of artists that included luminaries such as Agnello del Fiore and Guglielmo Monaco.
98/ 99
Zekkai Chūshin 1336–1405
Italian b. Tosa Byzantine art
Equally significant was the work of Maso di Banco, a prominent Sienese painter known for his dramatic compositions and expressive figures. His frescoes, particularly the depiction of the Madonna and Child in the Church of San Domenico in Pistoia, reveal a deep understanding of religious iconography and narrative.
99/ 99
Ryūshū Shūtaku 1307–1388
Japanese Zen Buddhist Art
Ryūshū Shūtaku, also known by his monastic name Myōtaku, was far more than a mere painter; he was a Zen monk-scholar whose life and art were inextricably woven into the fabric of Buddhist devotion. Born in 1307, Shūtaku’s existence was shaped by the rigorous discipline of the Zen tradition.
Best-known works
Famous Late Medieval paintings by artist
Chronology
Late Medieval chronology
- 1315
- 1324
- 1324
- 1325
- 1334
- 1336
- 1338
- 1340
- 1340
- 1345
- 1350
- 1353
- 1355
- 1359
Statistics
Counts by country, period and museum
| Italy | 35 |
|---|---|
| إيطاليا | 20 |
| Japan | 9 |
| China | 4 |
| Spain | 3 |
| France | 3 |
| Egypt | 3 |
| People's Republic of China | 2 |
| 1270s | 4 |
|---|---|
| 1280s | 9 |
| 1290s | 11 |
| 1300s | 9 |
| 1310s | 8 |
| 1320s | 12 |
| 1330s | 13 |
| 1340s | 9 |
| 1350s | 15 |
| 1360s | 9 |
| متحف المتروبوليتان للفنون | 18 |
|---|---|
| المعرض الوطني | 5 |
| معرض ييل الجامعي للفنون | 4 |
| متاحف هارفارد للفنون | 4 |
| المعرض الوطني للفنون | 4 |
| متحف الفنون الجميلة | 4 |
| متحف كليفلاند للفنون | 4 |
| معرض أوفيزي | 3 |
Index
Full list of 99 famous Late Medieval فنانون
- 1
سيمون مارتينيإيطالي · 1284–1344 - 2
أندريه روبليوفروسي · 1360–1430 - 3
أمبروجيو لورنزيتيإيطالي · 1290–1348 - 4
بيترو لورنزيتيإيطالي · 1280–1348 - 5
هوبرت فان إيكالجنسية · 1366–1426 - 6تاديو غاديإيطالي · 1300–1366
- 7
أنيولو جاديإيطالي · 1350–1396 - 8
ثيوفانيس اليونانييوناني · 1335–1410 - 9
باولو فينيتسيانوإيطالي · 1333–1358 - 10
ليبو ممي1291–1356 - 11
ألتشيروإيطالي · 1330–1390 - 12سبينيلو أريتينوإيطالي · 1350–1410
- 13
برناردو داديإيطالي · 1290–1348 - 14
أندريا بيسانوإيطالي · 1290–1348 - 15
نيكولو دي توماسوإيطالي · 1346–1376 - 16
ني تزانصيني · 1301–1374 - 17أندريا دي تشيوني دي أركانجيلا (أوركانيا)إيطالي · 1308–1368
- 18OrcagnaItalian · 1315–1368
- 19
جوفاني دا ميلانوإيطالي · 1346–1369 - 20Barna Da SienaItalian · 1330–1380
- 21Wang MengChinese · 1308–1385
- 22Cresques AbrahamSpanish · 1325–1387
- 23Nicolas BatailleFrench · 1330–1405
- 24
لورينزو فينيزيانوإيطالي · 1336–1379 - 25Segna Di BuonaventureItalian · 1298–1326
- 26Cennino CenniniItalian · 1360–1440
- 27
أوجولينو دي نيريوإيطالي · 1280–1330 - 28Taddeo di BartoloItalian · 1362–1422
- 29Lippo Di BenivieniItalian · 1296–1327
- 30Zhao YuanChinese · ولد في 1350
- 31Andrea Di BartoloItalian · 1360–1428
- 32Lorenzo di BicciItalian · 1350–1427
- 33Melchior BroederlamBelgian · 1355–1410
- 34
بيتشي دي لورينزوإيطالي · 1350–1427 - 35Gherardo StarninaItalian · 1354–1413
- 36Jean PucelleFrench · 1300–1334
- 37أندريا دي بونايوتو (أندريا دا فلورنسا)إيطالي · 1343–1379
- 38Guariento di ArpoItalian · 1310–1370
- 39Giovanni Del BiondoItalian · 1356–1399
- 40
كلاوس سلوترهولندي · 1355–1406 - 41Kokan ShirenJapanese · 1278–1346
- 42Jacopo di CioneItalian · 1325–1399
- 43
بارتولو دي فريدي1330–1410 - 44Conrad von SoestGerman · 1360–1423
- 45TuthmosisEgyptian · 1340–1300
- 46Giovanni da MilanoItalian · 1325–1370
- 47Master BertramGerman · 1345–1415
- 48Agostino Di GiovanniItalian · 1285–1347
- 49Ashikaga Yoshimitsu1358–1408
- 50André BeauneveuNetherlandish · 1335–1403
- 51Jacopo Del Casentino (Jacopo Landino)Italian · 1330–1380
- 52
موسو سوسيكيياباني · 1275–1351 - 53Francesco TrainiItalian · 1321–1365
- 54Vitale Da BolognaItalian · 1289–1359
- 55Sheikh Zain Al-DinKurdish · ولد في 1325
- 56Pere SerraSpanish · 1357–1406
- 57
إمبراطورية الأزتيكمكسيكي · 1300–1521 - 58Liaoan QingyuChinese · 1288–1363
- 59Marco Di Paolo VenezianoItalian · ولد في 1362
- 60Matteo Di Ser CambioItalian · 1351–1424
- 61Zhu Di1360–1424
- 62Ferrer BassaCatalan · 1285–1348
- 63Tommaso Da ModenaItalian · 1326–1379
- 64Jacopo AvanziItalian · 1350–1416
- 65باولو دي جيوفاني فيإيطالي · 1345–1411
- 66GiottinoItalian · 1324–1372
- 67Wu ZhenYuan dynasty · 1280–1354
- 68Jacopo del CasentinoFlorentine · 1297–1358
- 69Giusto De' MenabuoiItalian · 1330–1393
- 70Jacquemart de HesdinFrench · 1350–1410
- 71Matteo GiovanettiItalian · 1322–1368
- 72Reisai GukyokuJapanese · 1363–1452
- 73Qingzhuo Zhengcheng, Ch'Ing-Cho Cheng-Ch'EngChinese · 1274–1339
- 74Bartolommeo BulgariniItalian · 1305–1378
- 75Gikō TettōJapanese · 1295–1369
- 76Barnaba Da ModenaItalian · 1328–1386
- 77بيتر بارلرGerman-Bohemian · 1330–1399
- 78
بونانات ديسكول إي دي سانتكليمنتإيطالي · 1310–1390 - 79Yuan DynastyChinese · 1271–1368
- 80Giovanni Di RiginoItalian · ولد في 1315
- 81Domenico Di AgostinoItalian · 1317–1366
- 82Agnolo Di VenturaItalian · 1290–1349
- 83Giovanni Da CampioneItalian · 1320–1375
- 84Francesco Di PetraccoItalian · 1304–1374
- 85Giovanni d'Agostino1285–1347
- 86Sesson YūbaiJapanese · 1290–1347
- 87Sultan Al-Malik Al-Zahir Abu Sa’Id BarquqEgyptian · 1339–1399
- 88Giovanni Di Chellino BoccaccioItalian · 1313–1375
- 89Emperor KōgonJapanese · 1313–1364
- 90Jakushitsu GenkōJapanese · 1290–1367
- 91Bernat Saulet I El Taller De Sant Joan De Les AbadessesItalian · 1341–1342
- 92Mother JulianEnglish · ولد في 1343
- 93Nardo di CioneItalian · 1320–1366
- 94TutankhamenEgyptian · 1345–1327
- 95Serafino SerafiniItalian · 1324–1393
- 96Filippo CalendarioItalian · 1315–1355
- 97Antonio Baboccio Da PipernoItalian · 1351–1435
- 98Zekkai ChūshinItalian · 1336–1405
- 99Ryūshū ShūtakuJapanese · 1307–1388
FAQ
Late Medieval: quick answers
Who was the greatest Late Medieval فنان?
سيمون مارتيني (#1) comes first, ahead of أندريه روبليوف (#2) and أمبروجيو لورنزيتي (#3).
Which five Late Medieval فنانون should everyone know?
سيمون مارتيني (#1), أندريه روبليوف (#2), أمبروجيو لورنزيتي (#3), بيترو لورنزيتي (#4) و هوبرت فان إيك (#5).
Which Late Medieval فنانون from إيطاليا are the most famous?
The highest-ranked فنانون born in إيطاليا are سيمون مارتيني (#1), أمبروجيو لورنزيتي (#3), بيترو لورنزيتي (#4), تاديو غادي (#6) و أنيولو جادي (#7).
Who was the first Late Medieval فنان?
The earliest-born فنان in this list is Yuan Dynasty (#79), born in 1271.
Which city produced the most Late Medieval فنانون?
Florence: 9 of the فنانون in this list were born there.
Which Late Medieval masters trained other famous فنانون?
تاديو غادي (#6) taught Jacopo Del Casentino (Jacopo Landino) (#51); سبينيلو أريتينو (#12) taught Lorenzo di Bicci (#32).
Which Late Medieval فنانون from Italy are the most famous?
The highest-ranked فنانون born in Italy are Orcagna (#18), Barna Da Siena (#20), Cennino Cennini (#26), Taddeo di Bartolo (#28) و Lippo Di Benivieni (#29).
In which period did Late Medieval art flourish?
Most فنانون in this list were born in the 1350s (15 of 99), between 1271 and 1366 overall.
Which techniques define Late Medieval art?
“The frescoes in San Gimignano serve as a profound testament to a style that balances emotional depth with meticulous detail.” — from our biography of Barna Da Siena (#20).
Who are the most famous living Late Medieval فنانون?
The highest-ranked living فنانون in this list are Zhao Yuan (#30), Sheikh Zain Al-Din (#55), Marco Di Paolo Veneziano (#59), Giovanni Di Rigino (#80) و Mother Julian (#92).
Which country produced the most Late Medieval فنانون?
Italy: 35 of the 99 فنانون in this list were born there, then إيطاليا (20) و Japan (9).
Where can I buy Late Medieval art?
Our catalogue holds 1,514 works by these فنانون. Each one can be ordered as a hand-painted oil reproduction or a print.
Guides
AllPaintingsStore.com guides
Other lists
Famous artists by movement
فنانون مشهورون من Baroqueالحارس الليلي · رامبرانت
فنانون مشهورون من Contemporary Realistالجامعات · جان فرانسوا ميليه
فنانون مشهورون من Impressionistليلة مرصعة بالنجوم (نيويورك، متحف الفن الحديث) · فنسنت فان خوخ
فنانون مشهورون من Romanticistزحل وهو يلتهم ابنه · فرانثيسكو غويا
فنانون مشهورون من NeoclassicistThe Death of Marat · جاك لوي دافيد
فنانون مشهورون من Realistأصل العالم · غوستاف كوربيه
فنانون مشهورون من Renaissanceالموناليزا (لا جوكوندا) · ليوناردو دا فينشي
فنانون مشهورون من Dutch Golden Ageالفتاة ذات القرط المنصوع من اللؤلؤ · يوهانس فيرمير
فنانون مشهورون من Expressionistتكوين السابع · فاسيلي كاندينسكي
فنانون مشهورون من Rococoجين-أنتوان واتو
1717
الإنزال إلى سيثيرا: تحفة من أناقة الروكوكو
"الإنزال إلى سيثيرا" لجين-أنتوان واتو مثال نموذجي على أسلوب الروكوكو، حيث يلتقط روح المرح والرومانسية في القرن الثامن عشر الفرنسي. تدعو هذه اللوحة الساحرة، التي تم إنشاؤها عام 1717، المشاه · أنطوان واتوBy period
Famous artists by period
فنانون مشهورون من Early MedievalSnowy River · وانج وي
فنانون مشهورون من High Medievalالعذراء في العظمة (عذراء أوني سانتيني) · جوتو دي بوندوني
فنانون مشهورون من Renaissanceخلق آدم · ميكيلانجيلو
فنانون مشهورون من Early Modernنداء القديس متى · كارافاجيو
فنانون مشهورون من 19th Centuryالزنابق المائية (أو النيمفيا) · كلود مونيه
فنانون مشهورون من Modernغرنيكا · بابلو بيكاسو
فنانون مشهورون من ContemporaryWind Sculpture III (one in a series of nine) · Yinka ShonibareRelated lists