Представи си го
Изпрати
Сподели
Детайли
Изтегляне
Подобни
Рентгенова снимка
СлайдшоуAlbum Page
1982
45.0 x 75.0 cm
Прочетете повече
Жикле / Художествен принт
Giclée печат или принт върху платно с музейно качество, бързо производство и гъвкави опции за завършен вид. (
Купете ръчно рисувана картина Купете изображение)
Изберете от предварително зададените размери, които съответстват на оригиналните пропорции на произведението.
Можете да въведете собствени размери, за да паснат на конкретна рамка или пространство. Ако избраният от Вас размер не съвпада с пропорциите на оригиналното изображение, ние ще изрежем произведението или ще разширим изображението с огледален или едноцветен ръб. Дигитален макет ще бъде изпратен за Ваше одобрение преди започването на производството.
Моля, имайте предвид, че предпрегледът на екрана не отразява реалното изрязване или разширяване. Само макетът ще покаже точно финалната композиция.
Въпреки че са налични персонализирани размери, препоръчваме да изберете размер от предварително дефинирания списък, за да запазите оригиналните пропорции.
Доставка по целия свят () в рамките на 2 седмици вместо стандартните 4/5 седмици. (12 Август)
Безплатна експресна доставка по целия свят
Висококачествено ленено платно
Пълно застраховане при доставка
Гаранция за възстановяване на митнически такси
Гаранция за цветова точност
60-Дневен период за връщане (Само при дефекти)
100% Гаранция за връщане на парите
Предложение за отстъпка при поръчка на едро
Стъклото е налично само в размери под 110 см
Album Page
Жикле / Художествен принт
Размер на репродукцията
-
Обща цена
$ 64
Описание на колекционерския предмет
Подобни произведения
Биография на художника
Dick Higgins: Pioneer of Intermedia and Danger Music
Dick Higgins (15 March 1938 – 25 October 1998) stands as a singular figure in the landscape of experimental art and music, inextricably linked to the Fluxus movement and its radical reimagining of artistic practice. Born in Cambridge, England, to American parents Carter Chapin Higgins and Katherine Huntington Bigelow—a lineage that would later include his murdered younger brother Mark Huntington Higgins—Higgins’s formative years were spent traversing America's New England region, fostering a worldview shaped by both intellectual curiosity and profound personal loss. This early experience instilled in him an unwavering commitment to challenging conventional artistic boundaries. His academic pursuits centered around composition with John Cage at the New School for Social Research in New York during the late 1950s, marking the genesis of his groundbreaking explorations into performance art and sound-based interventions. Cage’s influence proved pivotal, prompting Higgins to conceive of “events” that deliberately disrupt everyday routines—transforming mundane activities into theatrical performances imbued with musical elements. This conceptual approach foreshadowed the burgeoning field of intermedia, a term Higgins coined in 1965 – an ambitious descriptor for artistic endeavors transcending disciplinary distinctions and embracing diverse mediums like sound, image, text, and performance. His seminal essay defining intermedia established it as “the interpenetration of disciplines,” encapsulating the spirit of Fluxus’s core ethos. The founding of Something Else Press in 1963 solidified Higgins's role as a champion of avant-garde thought and artistic dissemination. This publishing house became a conduit for disseminating influential texts by luminaries such as Gertrude Stein, Marshall McLuhan, Cage himself, Merce Cunningham, Henry Cowell, and fellow Fluxus artists like Hans Ulrich Röhrig and Alistair Grundy—artists who similarly questioned established conventions. The “Great Bear Pamphlets,” documenting early Fluxus performances, stand as invaluable records of this transformative period in artistic history. Higgins’s collaborative spirit extended beyond publishing; he actively participated in the Wiesbaden Fluxus Festival in 1962 alongside Cage and other pioneering figures, cementing his position at the forefront of Fluxus's genesis. Beyond Fluxus, Higgins pursued diverse artistic endeavors encompassing printmaking, poetry, and conceptual art projects. His prints—often characterized by meticulous detail and striking visual juxtapositions—demonstrated a mastery of technique while simultaneously reflecting his preoccupation with exploring complex ideas. Notably, “Graphis No. 19 (Act One of Saint Joan at Beaurevoir)” exemplifies Higgins’s commitment to pushing artistic boundaries through innovative approaches to printmaking. His exploration of danger music – a genre he championed and developed—further solidified his reputation as an artist dedicated to confronting uncomfortable truths and challenging listeners' perceptions. Dick Higgins passed away unexpectedly in Quebec City, Canada, in 1998, leaving behind a legacy that continues to inspire artists and scholars alike. He is remembered not merely for his artistic output but also for his intellectual rigor and unwavering belief in the transformative potential of experimental art—a conviction that cemented his place as one of the most significant voices within the Fluxus movement and the broader history of intermedia art.
Dick Higgins
1938 - 1998 , United Kingdom
Бързи факти
- Artistic Movement Or Style: Fluxus
- Artists Or Movements Influenced By This Artist: Fluxus Movement
- Artists Who Influenced This Artist: John Cage
- Date Of Birth: March 15, 1938
- Date Of Death: October 25, 1998
- Full Name: Dick Higgins
- Nationality: American
- Notable Artworks:
- Danger Music No. 17
- Graphis No. 19
- Place Of Birth: Cambridge, United Kingdom
