Self-portrait
Baroque
1711
87.0 x 61.0 cm
Maďarská národní galerie
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy. ( Přepnout na ručně malovanou reprodukci
Přepnout na obrázek)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (31 červenec)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
60denní lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při hromadné objednávce
Self-portrait
Giclée / Umělecký tisk
Rozměry reprodukce
-
Celková cena za výběr
$ 64
Podobná umělecká díla
Biografie umělce
Ádám Mányoki: A Hungarian Baroque Master Reflecting Light and Shadow
Ádám Mányoki (1673, Szokolya – 6 August 1757, Dresden) was a Hungarian Baroque portrait painter who achieved considerable renown during his lifetime and continues to be admired for his refined style and masterful depiction of human emotion. Born into a modest Protestant family in Szokolya, Hungary, Mányoki’s early life was marked by hardship—his father served as a pastor in a rural parish struggling financially—a circumstance that profoundly shaped his artistic trajectory. Recognizing his innate talent, Dölfer, a German staff officer who took responsibility for his upbringing, secured him an education at Lüneburg and Hamburg, laying the foundation for his burgeoning artistic career. These formative years instilled in Mányoki a deep appreciation for classical ideals of beauty and proportion, influences that would permeate his subsequent work. He honed his skills under the tutelage of Andreas Scheits in Hanover and Nicolas de Largillière in Paris—institutions renowned for fostering innovation within the Baroque tradition—expanding his artistic horizons beyond Hungary’s borders. The Parisian atelier proved particularly influential, exposing him to the burgeoning Enlightenment spirit and encouraging experimentation with new techniques. Mányoki's formal training culminated in a journey to Amsterdam where he immersed himself in the vibrant art scene of the Dutch Republic. This exposure solidified his commitment to capturing the subtleties of human psychology through portraiture—a medium he would champion throughout his prolific artistic output. His decision to relocate to Berlin in 1703 marked a pivotal moment, securing him patronage from King Frederick William I and establishing him as a prominent figure within Prussia’s cultural elite. During this period, Mányoki produced several celebrated portraits of royal family members, demonstrating his ability to convey dignity and gravitas with remarkable precision. However, Mányoki's artistic ambitions extended beyond the confines of court commissions. He actively sought opportunities to engage with broader artistic currents, traveling extensively throughout Europe—visiting Prague and Vienna—where he undertook commissions for emperors Charles VI and Maria Theresa. These expeditions broadened his understanding of European art history and fueled his desire to explore diverse stylistic approaches. His portraits of Maria Anna, Habsburg Empress and daughter of Charles VI, stand out as particularly evocative representations of aristocratic femininity, capturing both inner grace and outward composure. From 1724 to 1731, Mányoki returned to Hungary, where he captivated audiences with his depictions of Hungarian nobility—including Pál Ráday (hu) and his wife—and members of the Podmanitzky family. His meticulous attention to detail—particularly in capturing skin tones and facial expressions—became a hallmark of his style. Following this period, Mányoki resided in Dresden and Leipzig, securing royal patronage from Augustus III of Poland and continuing to produce works that reflected the artistic sensibilities of the era. He resigned his position as court painter in 1753 due to unresolved salary disputes, marking the end of an illustrious career—a poignant reminder of the challenges faced by artists striving for recognition during their time. Mányoki died peacefully in Dresden at the age of 84, leaving behind a legacy of exquisitely rendered portraits that continue to inspire admiration and scholarly study.- Notable Works: “Portrait of Jan Szembek,” “Portrait of Angelique Debargues”
- Influences: Classical Idealism, Baroque Tradition, Parisian Atelier
- Style Characteristics: Precise Detail, Subtle Expression, Mastery of Light and Shadow
- RKD Research
- Biography - askART
ádám mányoki
1673 - 1757
Rychlé fakta
- Artistic Movement Or Style: Baroque Painting
- Artists Or Movements Influenced By This Artist: ['Nicolas de Largillière']
- Artists Who Influenced This Artist: ['Andreas Scheits']
- Date Of Death: 1757
- Full Name: Ádám Mányoki
- Nationality: Hungarian
- Notable Artworks:
- Portrait of Jan Szembek.
- Portrait of Adam Mányoki
- Place Of Birth: Szokolya, Hungary

Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
