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Ateliér · Založeno 2015 · Paříž, Francie
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Still-life

During Tabaković’s Novi Sad and pre-war Belgrade periods, still-life was integrated into the category of private space-interior and implied a much broader, less conventional, if not bizarre repertoire of subjects, stage settings and scenes. His extraordinarily prolific Novi Sad period yielded a controversial, ambivalent repertoire and atmosphere, which was crowned at the end of the forth decade by Tabaković’s philosophy of stoicism and social melting pot in the emblematic painting Still-life (1940). The meager, ascetic, careless, poor, winter meal was painted during a harsh Belgrade winter in 1940 in the house of his sister and brother-in-law (the Ristić family) in Senjak. Apart from the plastic, pictorial and colouristic qualities, a recognizable harmonization of cold and warm colour relationships and the discreet application of complementary colour tones, the greatest merit of this painting is in its maximum reduction, exploration of the possibilities of a two-dimensional surface, and a (typically Tabaković-like) polysemy. Through it, Tabaković conceptually defined his atypical, eccentric “intimism” and manifested it in a painting which links together an idea of Bachelardian poetics and a Proustian world with the discourse of social intimism. The painting is simultaneously intimate, a diary entry, a moral stance and a discreet political statement.

ivan tabaković (1898 – 1977)

Discover Ivan Tabaković: Serbian painter known for evocative still lifes & landscapes. Explore his pioneering work from the 19th-20th centuries.

The Pavle Beljanski Memorial Collection (Novi Sad, Serbia)

Further research reveals that Pavle Beljanski's foresight extended beyond artistic selections; he envisioned a dedicated space for their display, resulting in a beautifully crafted building. The museum’s commitment to education is evident in its three-month course for students and the *Pavle Beljanski Award*, recognizing outstanding essays at Belgrade University.

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