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      Ateliér · Založeno 2015 · Paříž, Francie
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      Catalogue entry

      Self-Portrait

      1919. Acrylic On Canvas, 75.0 x 60.0 cm.

      Fig. 1. Joan Miró, Self-Portrait, 1919. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Popis sbírného předmětu

      Joan Miró's 'Self-Portrait' (1919) is a bold Fauvist masterpiece showcasing the artist’s unique style and personal journey. Explore its vibrant colors, innovative technique & historical significance at AllPaintingsStore.

      Biografie umělce

      Křehká kráska v zrcadle – mistrovské dílo Joan Miró z roku 1919, plné symboliky a podivného kouzla. Objevte surrealistickou hloubku a osobní výpověď tohoto ikonického obrazu.

      § 3Commentary

      A Bold Statement of Inner Space: Joan Miró's 1919 Self-Portrait

      Joan Miró’s 1919 “Self-Portrait” isn’t merely a depiction of an artist; it’s a vibrant, almost explosive declaration of his artistic vision and a window into the tumultuous period of his early career. Created during a pivotal transition between Cubism and Surrealism, this painting immediately grabs the viewer with its audacious use of color and its distinctly personal iconography. Miró, deeply influenced by the Fauvist movement's embrace of intense hues, boldly renders his own face in a striking, almost aggressive red – a deliberate rejection of traditional portraiture’s restraint and a signal of his desire to break free from established artistic conventions.

      The painting’s power lies not just in its color but also in its technique. Heavy outlines define the shapes, creating a flattened effect reminiscent of Fauvist works while simultaneously hinting at the organic forms that would later characterize Miró's Surrealist style. Notice the nuanced treatment of his features – the slightly open mouth, the thoughtful gaze – suggesting a contemplative mood, inviting us to ponder the artist’s state of mind during this transformative time. The texture of the fabric, rendered with careful attention, adds depth and a tactile quality to the composition, grounding the fantastical elements within a recognizable reality.

      Fauvist Roots and Emerging Surrealism

      Miró's “Self-Portrait” firmly establishes him as a key figure in the Fauvist movement. The bold color palette – dominated by that intense red – is characteristic of this style, which sought to evoke emotion rather than represent reality with photographic accuracy. However, the painting also foreshadows Miró’s later foray into Surrealism. The inclusion of whimsical symbols—stars, birds, and amorphous shapes—begins a process of layering meaning, creating a visual language that transcends literal representation. This period represents a crucial bridge between his earlier influences and the dreamlike imagery he would become known for.

      Interestingly, this self-portrait was created during a time of significant personal and artistic upheaval for Miró. He had recently moved to Paris from Barcelona, immersing himself in the vibrant art scene and encountering artists like Picasso and Braque. The painting reflects this period of experimentation and exploration, marking a departure from his earlier, more structured work. It’s a testament to his willingness to challenge conventions and forge his own unique path.

      Symbolism and Personal Vision

      Beyond its formal qualities, the “Self-Portrait” is rich in symbolism. The red face can be interpreted as representing passion, energy, or even defiance – a bold assertion of Miró’s artistic identity. The scattered symbols—the stars, for instance—evoke notions of dreams, fate, and the subconscious. These elements are not simply decorative; they contribute to a complex visual narrative that speaks to Miró's inner world.

      Currently residing in the Musée Picasso in Paris, this painting offers a rare glimpse into the mind of one of 20th-century’s most imaginative artists. It stands as a powerful example of his innovative spirit and his enduring contribution to modern art. For those seeking to experience Miró's world firsthand, AllPaintingsStore.com offers meticulously crafted hand-painted reproductions that faithfully capture the vibrancy and emotional depth of this iconic work.

      Otázky a odpovědi

      Jaká je převládající barva díla „Self-Portrait“ od Joan Miró?

      „Self-Portrait“ má převládající Amber to Saffron tón.

      Kde mohu najít statistiky k dílu „Self-Portrait“ od Joan Miró?

      Pro dílo „Self-Portrait“ je k dispozici stránka Statistiky. Zobrazuje měsíční počet návštěv tohoto díla i dalších děl daného umělce s rozpadem podle zemí a jazyků.

      Jakým způsobem se styl díla "Self-Portrait" vztahuje k době svého tvůrce?

      Dílo "Self-Portrait" patří k období Fauvism/Surrealism, jehož tvůrce působil v éře Modernismus.

      § 4The artist

      Joan Miró

      Joan Miró

      1893 - 1983, Španělsko

      Quick facts about Joan Miró

      • Artistic Movement Or Style: Surrealismo
      • Artists Or Movements Influenced By This Artist: ['Fauvismus']
      • Artists Who Influenced This Artist:
        • Pablo Picasso
        • Cézanne
      • Date Of Birth: 20 aprile 1893
      • Date Of Death: 25 dicembre 1983
      • Full Name: Joan Miró i Ferrà
      • Nationality: Spagnolo
      • Notable Artworks:
        • La Poetisa
        • Dům s palmy
        • Tanečník s zrcadlem
      • Place Of Birth: Barcelona, Spagna

      Biografie umělce

      A Catalan Visionary: The Life and Art of Joan Miró

      Joan Miró i Ferrà, born in Barcelona in 1893, stands as one of the most significant figures in 20th-century art. His journey was not merely a progression through styles but an exploration of inner worlds, translating dreams, memories, and Catalan identity onto canvas with a uniquely poetic visual language. From humble beginnings marked by illness and initial parental reservations about his artistic pursuits, Miró persevered, driven by an innate need to express the intangible—the emotions, sensations, and subconscious currents that lie beneath the surface of reality. His early life was steeped in the traditions of Barcelona, a city brimming with architectural marvels thanks to Antoni Gaudí, whose organic forms would subtly influence Miró’s later abstractions. The goldsmithing profession of his father instilled an appreciation for meticulous craftsmanship, while the rugged Catalan landscape became a recurring motif and source of inspiration throughout his career.

      Early Influences and the Path to Surrealism

      Miró's formal artistic training began at La Llotja in Barcelona, where he honed his skills in traditional techniques. However, it was exposure to the avant-garde movements sweeping through Paris that truly ignited his creative evolution. The vibrant colors of Fauvism and the fragmented forms of Cubism resonated deeply, prompting him to move to Paris in 1920. This period proved pivotal as he encountered artists like Pablo Picasso and began experimenting with increasingly abstract compositions. Yet, Miró didn’t simply adopt these styles; he synthesized them, forging a path toward his own distinctive aesthetic. He sought to distill forms to their essence, stripping away representational details in favor of symbolic shapes and evocative colors. This exploration led him to the Surrealist group in 1924, aligning him with artists such as Max Ernst and Salvador Dalí. While embracing the Surrealist interest in the subconscious, Miró maintained a unique sensibility—his work was less about shocking imagery or Freudian symbolism than it was about creating a world of playful forms and poetic suggestion. He believed that art should transcend rational thought and tap into the realm of dreams and intuition.

      The Catalan Landscape and Artistic Roots

      Miró’s formative years were profoundly shaped by his surroundings. Growing up in Barcelona, he absorbed the influence of Gaudí's architectural innovations—the undulating curves and organic textures of Sagrada Familia and Parc Güell—which instilled within him a fascination for natural forms and patterns. The Catalan landscape—characterized by pine forests, rocky mountains, and azure seas—became a constant source of inspiration for his paintings and prints. These elements would reappear throughout his oeuvre, symbolizing resilience, freedom, and the enduring spirit of Catalan culture. His father’s profession as a goldsmith instilled in him an appreciation for precision and craftsmanship, shaping his artistic approach and contributing to his meticulous attention to detail.

      Key Works: A Surrealist Universe

      Miró's artistic output spanned decades, encompassing painting, sculpture, ceramics, printmaking, and collage—each medium serving as a vehicle for exploring his distinctive vision. The Farm (1922) stands as a seminal achievement, embodying the artist’s synthesis of Fauvist color palettes with Cubist fragmentation. It depicts a stylized Catalan landscape populated by fantastical creatures—birds, snails, and amorphous shapes—creating a dreamlike atmosphere that reflects Miró's preoccupation with subconscious imagery. The series *Dutch Interiors (1928)* demonstrated his ability to reinterpret the Old Masters through a modernist lens, transforming familiar domestic scenes into abstracted compositions infused with Surrealist symbolism. His collaborative efforts with Max Ernst on *Grattage* canvases—particularly *The Elephant Bird*—marked an important stage in his artistic experimentation and showcased his innovative techniques for revealing textures beneath layers of paint. Painting (1933) exemplifies Miró’s commitment to simplifying forms and prioritizing color, resulting in striking images that convey a sense of immediacy and emotional intensity.

      Legacy and Enduring Influence

      Joan Miró's contribution to modern art is undeniable. He challenged conventional artistic norms and championed abstraction as a means of expressing inner experience—a legacy that continues to inspire artists today. His unwavering belief in the power of imagination and his refusal to compromise on his artistic vision solidified his place among the most influential figures of the 20th century. Miró established two foundations—the Fundació Joan Miró in Barcelona (1975) and the Fundació Pilar i Joan Miró in Palma de Mallorca (1981)—ensuring that his artistic legacy would endure, fostering creativity and promoting dialogue between art and society. His work remains a testament to the transformative potential of art—a vibrant celebration of Catalan identity and an enduring symbol of Surrealist innovation.

      § 5Comparanda

      § 6Questions

      Rychlé informace

      • Artistic style: Abstract, Expressionist
      • Movement: Fauvism, Surrealism
      • Year: 1919
      • Dimensions: 75 x 60 cm
      • Location: Musée Picasso, Paris
      • Title: Self-Portrait

      Artový kvíz

      U každé otázky je pouze jedna správná odpověď.

      Otázka 1:
      What artistic movement is most strongly associated with Joan Miró’s ‘Self-Portrait’?
      Otázka 2:
      The striking red color used in the ‘Self-Portrait’ primarily reflects which artistic intention?
      Otázka 3:
      During what historical period was Joan Miró’s ‘Self-Portrait’ created?
      Otázka 4:
      What technique is most evident in the ‘Self-Portrait’?
      Otázka 5:
      Where is Joan Miró’s ‘Self-Portrait’ currently housed?

      § 7Cite this entry

      AllPaintingsStore.com, “Joan Miró, Self-Portrait (1919)”, https://allpaintingsstore.com/cs/art/joan-miro-self-portrait-8XYBWU-en/ArtistReproduction/ (accessed 2 říjen 2026).

      § 8The reproduction

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      Rukou malované olejné plátno v libovolném rozměru i s rámem, vyrobené našimi umělci na zakázku. ( Přepnout na tisk Přepnout na digitální obraz)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Self-Portrait

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      Vyžaduje se odborná montáž – nejedná se o produkt pro svépomocnou realizaci (DIY).
      Sestava musí být složena a plátno napnuto zkušeným profesionálním rámovačem s použitím dřevěného lepidla (není součástí balení), kleští na napínání plátna a svorek pro udržení pravých úhlů křížů během schnutí lepidla. Nesprávná montáž nebo nerovnoměrné napnutí plátna může způsobit trvalé poškození uměleckého díla, které není kryto naší zárukou.

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      • Vyžaduje se profesionální nářadí, které není součástí sady: kleště na napínání plátna a svorky pro udržení kolmosti příček během schnutí lepidla.

      Důležité:
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