Aphrodite, reverse
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy.
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (19 červenec)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní přepravní pojištění
Záruka vrácení celního poplatku
Záruka přesného barevného shodu
60denní lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při hromadné objednávce
Aphrodite, reverse
Giclée / Umělecký tisk
Rozměry reprodukce
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Celková cena za výběr
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Podobná umělecká díla
Biografie umělce
John Flanagan: Sculptor of Coinage and Remembrance
John Flanagan (1865 – March 28, 1952) stands as a pivotal figure in American sculptural history, recognized primarily for his contributions to coinage and commemorative medals—works that eloquently captured the spirit of their time. Born in Dublin, Ireland, Flanagan emigrated to the United States at a young age, establishing himself in New York City where he honed his craft under the tutelage of Augustus Saint-Gaudens, arguably America’s foremost sculptor of the Beaux Arts era. This formative relationship profoundly shaped Flanagan's artistic vision and technique, fostering an appreciation for monumental scale and meticulous detail—characteristics that would define his oeuvre. Saint-Gaudens’ influence extended beyond mere mentorship; it instilled in Flanagan a dedication to capturing emotion and narrative within sculptural form. Together they tackled ambitious projects like the bronze portrait bust of Saint Gaudens itself (1924), which resides in several prominent museums across the nation, showcasing Flanagan's mastery of lost wax casting—a technique favored for its ability to reproduce intricate surfaces with remarkable accuracy. This collaborative effort cemented Flanagan’s reputation as a sculptor capable of conveying profound psychological depth and artistic sophistication. Flanagan’s career blossomed during the early 20th century, marked by prolific activity in both sculpture and medal design. He quickly gained acclaim for his innovative approach to portraiture, producing numerous sculptures that captured the essence of their subjects with sensitivity and nuance. However, Flanagan's enduring legacy rests principally on his role as a coin designer—specifically, the Washington Quarter. Launched in 1932, this iconic piece of American coinage embodies Flanagan’s artistic sensibilities: a stylized depiction of George Washington rendered with understated elegance and precision. The initials “JF” are subtly embossed at the base of Washington's neck – a testament to Flanagan’s meticulous attention to detail and his desire to imbue even seemingly mundane objects with artistic merit. Beyond the Quarter, Flanagan undertook numerous commissions for commemorative medals, notably the Panama-Pacific International Exposition Medal (1915) and the Verdun Medal—a poignant tribute to the bravery of Allied soldiers during World War I. The Verdun Medal’s inscription “They shall not pass” encapsulates Flanagan's artistic ethos: conveying solemn remembrance through sculptural form. His work on this medal, alongside his contribution to the Society of Medalists series (particularly Hudson-Fulton Celebration), solidified his position as a leading figure in the field of medallic art—a genre that sought to commemorate significant historical events and honor heroic figures. Flanagan’s artistic journey culminated in membership into the National Academy of Design in 1911 and full academician status in 1928, recognizing his considerable contribution to American art. His enduring influence can be seen not only in his sculptures but also in the legacy of Saint Gaudens—a sculptor who championed Flanagan’s artistic ideals. The Rotunda Clock (1896), commissioned for the Library of Congress Thomas Jefferson Building, stands as a lasting monument to Flanagan's skill and vision—a symbol of American ingenuity and artistic excellence.John Flanagan
1865 - 1952
Rychlé fakta
- Artistic Movement Or Style: Sculpture
- Artists Who Influenced This Artist: ['Augustus Saint-Gaudens']
- Date Of Birth: 1865
- Date Of Death: 1952
- Full Name: John Flanagan
- Nationality: American
- Notable Artworks:
- Washington Quarter
- Panama-Pacific Exposition Medal
- Verdun Medal
- Rotunda Clock
- Aphrodite, obverse
- Aphrodite, reverse
- Poilu at Verdun



Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
