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      Ateliér · Založeno 2015 · Paříž, Francie
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      The couple

      Explore Man Ray’s ‘The Couple,’ a captivating Cubist painting from 1914. Discover its warm tones, intimate embrace & influence of Picasso/Braque. A unique piece for art collectors.

      Man Ray (1890-1976) byl americký umělec, průkopník Dadaismu & Surrealismu. Slavný rayografy, portréty a experimentální filmy – klíčová postava 20. století.

      Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.

      Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.

      Giclée / Umělecký tisk

      Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Objednat ručně malovanou reprodukci Přepnout na digitální verzi obrazu)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH Kč12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH Kč12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H Kč10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z Kč10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ Kč10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G Kč10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ Kč10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH Kč10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ Kč12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C Kč8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G Kč10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH Kč8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y Kč10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ Kč10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G Kč10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ Kč8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ Kč8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J Kč10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY Kč15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH Kč15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G Kč12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H Kč8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG Kč15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
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      Standardní velikost
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      Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.

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      Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
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      Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (9 říjen)

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      Celková cena

      Kč 1336

      The couple

      Giclée / Umělecký tisk

      Velikost reprodukce

      -

      Celková cena

      Kč 1336

      Rychlé informace

      • Subject or theme: Intimate embrace of two figures
      • Influences:
        • Picasso
        • Braque
      • Artist: Man Ray
      • Movement: Cubism
      • Year: 1914
      • Medium: Oil paint on canvas
      Born Emmanuel Radnitzky in 1890 in Philadelphia, Man Ray was a leading artist of 20th century America. Man Ray awakened to the European avant-garde art at Armory Show in 1913 in New York. In 1915 he met Marcel Duchamp who came from Paris to the United States, and subsequently started the New York Dada movement around 1917. In 1921, Ray moved to Paris where he interacted with Surrealist artists and became active in various fields, including photography, filmmaking, and object creation. A number of humorous objects aiming to deviate from traditional art concepts were produced. The couple was produced in 1914, a year before Man Ray met Duchamp. Influenced by Picasso and Braque whose works Man Ray saw at Armory Show, he drew the couple lying over each other near trees in this cubism painting. Ray stopped producing oil paintings with nature as a motif after 1914.

      Otázky a odpovědi

      Jaká témata se objevují v díle „The couple“ od Man Ray?

      Motivy díla „The couple“ jsou intimate embrace, cubist figures, warm earth tones, abstract forms, human connection, geometric shapes, early 20th century.

      Kdo je autorem díla "The couple"?

      Autorem díla „The couple“ je Man Ray. Práce je v katalogu uvedena pod jménem Man Ray.

      Kolik let bylo Man Ray, když v roce 1914 vytvořil(a) dílo „The couple"?

      Když bylo dílo „The couple“ vytvořeno v roce 1914, měl/a Man Ray – narozen/a 1890 – 24 let.

      Který umělec a jaký styl stojí za dílem "The couple"?

      Man Ray vytvořil dílo „The couple“ v rámci směru Cubism.

      V jakém roce bylo vytvořeno dílo „The couple“ od Man Ray?

      Dílo „The couple“ od Man Ray vzniklo v roce 1914.

      Z jakého materiálu je vyrobeno dílo "The couple"?

      „The couple“ je vytvořeno v technice Oil On Canvas.

      Je „The couple“ od Man Ray portrét, krajina nebo čtvercová kompozice?

      Formát díla „The couple“ je Landscape. To se hodí při plánování umístění reprodukce.


      Biografie umělce

      A Life Illuminated by Shadows

      Emmanuel Radnitzky, a name forever intertwined with the enigmatic “Man Ray,” was more than just an artist; he was a restless spirit who defied easy categorization and relentlessly pursued the boundaries of perception. Born in Philadelphia in 1890 to Russian Jewish immigrant parents, his journey from aspiring painter to pioneering photographer and filmmaker encapsulates the radical artistic ferment of the early 20th century – a period defined by both immense upheaval and exhilarating creative experimentation. The shift from “Manny” Radnitzky to the iconic Man Ray wasn’t merely a stylistic choice; it represented a deliberate assertion of identity, a rejection of conventional labels in favor of an artistic persona unbound by expectation. His family's move to New York City proved to be a pivotal moment, plunging him directly into the heart of the burgeoning modernist scene and instilling within him a lifelong fascination with innovation and challenging established norms. Early influences – the European avant-garde showcased at Alfred Stieglitz’s 291 gallery, and the gritty realism of the Ashcan School – subtly shaped his artistic sensibilities, creating a unique blend that would inform his later work. Though initially dedicated to painting, it was photography that ultimately became his most potent medium for exploring the very nature of seeing and representation. Man Ray wasn't simply capturing images; he was inventing new ways to *perceive* the world around him.

      Dada, Surrealism, and the Pursuit of the Impossible

      Man Ray’s artistic trajectory took a dramatic turn with his encounter with Marcel Duchamp in New York around 1915. This meeting sparked a shared fascination with dismantling traditional notions of art, leading to explorations of “ready-mades” – ordinary manufactured objects elevated to the status of artwork. This rebellious spirit propelled him directly into the heart of the Dada movement, an anti-art protest born from the disillusionment following World War I. Dada artists sought to expose the absurdity and irrationality of modern life, rejecting established values and embracing chance, humor, and provocation. Man Ray’s involvement with Dada wasn't merely a fleeting association; he became a key figure in the movement, collaborating on numerous projects and contributing significantly to its aesthetic and philosophical core. Simultaneously, he was drawn to the burgeoning Surrealist movement, led by André Breton, which sought to unlock the power of the unconscious mind, dreams, and irrationality. Man Ray’s work during this period reflects a fascinating synthesis of these two influential movements – a willingness to embrace chance and spontaneity while simultaneously exploring the hidden depths of the human psyche. He wasn't interested in creating realistic representations; instead, he aimed to capture the *feeling* of reality—its fragmented nature, its underlying anxieties, and its potential for transformation.

      Rayographs and the Alchemy of Light

      Perhaps Man Ray is most famously recognized for his invention of the “rayograph,” a groundbreaking technique that fundamentally altered the possibilities of photography. This serendipitous discovery occurred almost accidentally in 1922 when he began experimenting with placing objects directly onto light-sensitive paper and exposing them to light – without using a camera lens. The resulting images—ethereal, ghostly compositions often imbued with an otherworldly quality—were unlike anything seen before. Rayographs weren’t simply alternative photographic methods; they represented a profound philosophical shift in the way photography was conceived. By eliminating the traditional camera lens, Man Ray stripped away the illusion of objectivity, revealing the inherent subjectivity of the medium itself. These images weren't representations *of* things; they were direct imprints *from* them—capturing not just their physical appearance but also their essence and atmosphere. The process was a form of alchemy, transforming ordinary objects into extraordinary visual experiences. Beyond rayographs, his photographic portraits – particularly those of artists like Lee Miller (who would become both his muse and collaborator) – are renowned for their striking compositions and psychological depth. He experimented relentlessly with solarization—a technique that reverses the tones in an image—multiple exposures, and darkroom manipulation, pushing the boundaries of what photography could achieve and creating a distinctive visual language.

      Beyond Stillness: Film and a Lasting Legacy

      Man Ray’s artistic curiosity extended far beyond still images into the realm of filmmaking. His experimental films, such as *Le Retour à la Raison* (1923) and *L'Étoile de Mer* (1928), were characterized by their surreal imagery, unconventional editing techniques, and a deliberate rejection of traditional narrative structures. These weren’t stories told in a linear fashion; they were visual poems— explorations of form, rhythm, and the subconscious. He employed innovative techniques like stop-motion animation and superimposition to create disorienting and dreamlike effects, often blurring the lines between reality and illusion. While his film work remained relatively small in volume compared to his photography, it was profoundly influential on subsequent generations of avant-garde filmmakers—demonstrating a willingness to challenge cinematic conventions and explore new forms of visual expression. Throughout his long career, Man Ray continued to defy categorization, refusing to be confined by labels or expectations. He died in Paris in 1976, leaving behind a remarkably diverse body of work that continues to inspire and provoke debate. His legacy isn’t simply defined by his technical innovations but also by his unwavering commitment to artistic freedom—a true pioneer who fundamentally altered our understanding of art and its potential.

      A Continuing Influence

      • Photography: Man Ray's techniques, particularly rayography and solarization, continue to be explored and emulated by contemporary photographers seeking innovative ways to capture light and form.
      • Surrealism: His contributions significantly shaped the visual language of Surrealism, influencing countless artists across various disciplines.
      • Experimental Film: His pioneering work in film laid a crucial foundation for future generations of avant-garde filmmakers who sought to break free from traditional narrative constraints.
      • Fashion Photography: Man Ray’s innovative approach to portraiture and composition profoundly influenced the development of modern fashion photography, emphasizing mood, atmosphere, and psychological depth.
      Man Ray's impact extends far beyond his own lifetime, continuing to resonate with artists and audiences today. His willingness to experiment fearlessly, his rejection of convention, and his unwavering commitment to artistic freedom serve as a powerful inspiration for those who strive to push the boundaries of creative expression. He remains a pivotal figure in 20th-century art—a visionary whose work continues to challenge, provoke, and captivate us all.
      Man Ray

      Man Ray

      1890 - 1976 , Spojené státy americké

      Rychlé informace

      • Artistic Movement Or Style: Dada, Surrealismus
      • Artists Or Movements Influenced By This Artist: ['Surrealismus']
      • Artists Who Influenced This Artist: ['Marcel Duchamp']
      • Date Of Birth: 27. srpna 1890
      • Date Of Death: 18. listopadu 1976
      • Full Name: Emmanuel Radnitzky
      • Nationality: Američan
      • Notable Artworks:
        • Rayography
        • Le Retour à la raison
        • L'Étoile de Mer
      • Place Of Birth: Philadelphia, USA
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