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      Updating Yamantaka

      Tenzing Rigdol's 'Updating Yamantaka' blends Tibetan tradition with modern commentary. Featuring Osama bin Laden, it confronts mortality & global conflict through a powerful thangka reimagining.

      Tenzing Rigdol is a Tibetan-American contemporary artist renowned for blending thangka art with modern expression. His thought-provoking installations explore cultural identity, displacement & dialogue, exhibited globally including the Metropolitan M

      Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.

      Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.

      Giclée / Umělecký tisk

      Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Koupit ručně malovaný obraz Přepnout na digitální obraz)

      Corner sample of the P118B picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P919BZ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Kč10
      Corner sample of the P959ZH picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: tvarovaný polystyren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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      Corner sample of the W218G picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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      Corner sample of the W218JH picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W398PJ Kč8
      Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500HY Kč15
      Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500JH Kč15
      Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
      W692G Kč12
      Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W849H Kč8
      Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
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      Celková cena

      Kč 1369

      Updating Yamantaka

      Giclée / Umělecký tisk

      Rozměry reprodukce

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      Celková cena za vybrané možnosti reprodukcí

      Kč 1369

      Rychlé informace

      • Year: 2010
      • Subject/theme: Yamantaka, death
      • Location: Rubin Museum, NYC
      • Influences: Tibetan Buddhism
      • Dimensions: 68.9 x 62.9 cm
      • Medium: Pastel & scripture

      Artový kvíz

      U každé otázky je pouze jedna správná odpověď.

      Otázka 1:
      What is the primary symbolic meaning conveyed by Tenzing Rigdol’s artwork, ‘Updating Yamantaka’?
      Otázka 2:
      In the artwork, what is unusual about the figure traditionally depicted beneath the buffalo?
      Otázka 3:
      Tenzing Rigdol’s artistic background includes training in which traditional Tibetan art forms?
      Otázka 4:
      The artwork ‘Updating Yamantaka’ was created in which year?
      Otázka 5:
      What does the inclusion of Osama bin Laden’s face in ‘Updating Yamantaka’ suggest, according to the artist?

      The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”

      Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.

      The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.

      A Dialogue Between Tradition and Modernity

      Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.

      Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.

      Symbolism and its Shifting Meanings

      The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.

      Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.

      A Reproduction Worth Considering

      “Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. AllPaintingsStore offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.

      Otázky a odpovědi

      Mohu si před koupí prohlédnout „Updating Yamantaka“ od Tenzing Rigdol na své vlastní stěně?

      Stránka Náhled v rozšířené realitě pro dílo „Updating Yamantaka“ od Tenzing Rigdol využívá rozšířenou realitu k tomu, abyste si toto umělecké dílo mohli pomocí kompatibilního zařízení prohlédnout přímo ve svém vlastním prostoru.

      K kterému uměleckému směru patří „Updating Yamantaka“ od Tenzing Rigdol?

      Umělecký směr, ke kterému patří dílo „Updating Yamantaka“ od Tenzing Rigdol, je Contemporary Tibetan. Tato klasifikace toto dílo umísťuje mezi související umělce a další umělecká díla.

      Kolik let bylo Tenzing Rigdol, když v roce 2010 vytvořil(a) dílo „Updating Yamantaka“?

      Tenzing Rigdol bylo 28 let, když v roce 2010 vytvořilo dílo „Updating Yamantaka“. Věk je vypočítán z roku narození umělce, 1982.


      Biografie umělce

      Early Life and Education

      • Born: Kathmandu, Nepal (1982)
      • Nationality: Tibetan-American
      • Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
      • Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
      • Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
      • Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

      Artistic Development and Influences

      • Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
      • Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
      • Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
      • Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

      Major Works and Projects

      • "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
      • 20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
      • "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
      • Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

      Dialogue Artist Residency (DAR) and Collaborative Efforts

      • Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
      • Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
      • Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

      Recognition and Historical Significance

      • Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
      • Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
      • Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
      • Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.
      Tenzing Rigdol

      Tenzing Rigdol

      1982 - , Nepal

      Rychlé informace o umělci

      • Full Name: Tenzing Rigdol
      • Nationality: Tibetan-American
      • Date Of Birth: 1982
      • Place Of Birth: Kathmandu, Nepal
      • Notable Artworks:
        • Pin drop silence: Eleven-headed Avalokiteshvara
        • Updating Yamantaka
      • Artistic Movement Or Style: Contemporary art, Thangka art