Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 24 děl umělce August Becker v našem katalogu
Rychlá odpověď
Stags and Old Oak Near the Wallwitzburg near Dessau (1836) je nejznámějším dílem autora August Becker. The Jungfrau (1853) je na druhém místě, A view of Schloss Waldleiningen (1863) na třetím. Náš katalog obsahuje 24 děl umělce August Becker; zde je 24 nejznámějších, seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nacházejí, aby vám pomohly při výběru díla k objednání.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora August Becker | Obrazy z tohoto seznamu |
|---|---|---|---|
 Royal Collection |
Londýn | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Vyberte dekádu, abyste si prohlédli její nejvýznamnějšíjší obraz.
Na prvním místě je Stags and Old Oak Near the Wallwitzburg near Dessau (1836), následuje The Jungfrau (1853) a A view of Schloss Waldleiningen (1863).
August Becker byl ve věku 15: dílo Stags and Old Oak Near the Wallwitzburg near Dessau pochází z roku 1836 a August Becker se narodil v 1821.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral a Loch Callater. Rok a muzeum pro každé dílo jsou uvedeny v hodnocení výše.
V našem katalogu je 24 děl umělce August Becker, datovaných od 1836 do 1877.
Primárně v Royal Collection (Londýn). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1860s: 16 z 24 obrazů zařazených zde pochází z této doby, včetně A view of Schloss Waldleiningen.
Nejstarší na této stránce: Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Nejnovější: The Villa Hohenlohe (1877).
V muzeu Royal Collection, Londýn se nachází 23 z obrazů zařazených v tomto žebříčku, včetně The Jungfrau, A view of Schloss Waldleiningen a The Valley of the Dee near Braemar.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
