Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 4 děl umělce Petr Parléř v našem katalogu
Rychlá odpověď
Mezi obrazy umělce Petr Parléř je na prvním místě dílo Self-portrait (1379), jehož originál se nachází v Katedrála, Praha. Na druhém a třetím místě: Head of Charles IV (1375) a Sebeportrét (1379). Náš katalog obsahuje 4 děl umělce Petr Parléř. Zde je vybráno 4 nejznámějších děl seřazených podle popularity, včetně roku vzniku a muzea, ve kterém se nachází originál každého díla.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Portrét Petra Parlera – Výrazné dílo pozdní gotiky Peter Parler, architekt a sochař významného původu, dokázal vyjádřit svou osobnost způsobem dosud unikátním v historii portrétu. Jeho dílo „Portrét Petra Parlera“ je monumentální ukázkou estetiky pozdní gotiky, která oslňuje svou komplexností a důrazem na detail. Tento obraz zachycený ve St. Vitusově katedrále v Praze představuje osobní prohlášení umělce o jeho filozofických úvahách a intelektuálnímu zájmu. Původní Kontext Historický: Dílo vzniklo roku…
Čtyři nejčastější témata v tomto žebříčku, včetně nejvýraznějšího díla pro každé z nich.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Petr Parléř | Obrazy z tohoto seznamu |
|---|---|---|---|
 Katedrála |
Praha | 3 | Self-portrait, Head of Charles IV, Sebeportrét |
 Katedrála svatého Víta |
Praha | 1 | Tomb of Ottokar II |
Krátké období 5 let, od 1375 do 1379, zahrnuje historická díla umělce Petr Parléř na této stránce. Prohlédněte si je rok po roce.
Vyberte rok a prohlédněte si jeho obrazy.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
Další obrazy z období 1379
Self-portrait (1379), Katedrála, Praha, zaužívá první místo, za nímž následují Head of Charles IV (1375) a Sebeportrét (1379).
Petr Parléř byl ve věku 49: dílo Self-portrait pochází z roku 1379 a Petr Parléř se narodil v 1330.
V našem katalogu je 4 děl umělce Petr Parléř, datovaných od 1375 do 1379.
Primárně v Katedrála (Praha) a Katedrála svatého Víta (Praha). Pro úplný seznam se podívejte do tabulky muzeí výše.
V období 1379: 2 z 4 obrazů zařazených zde pochází z této doby, včetně Self-portrait.
Nejstarší na této stránce: Head of Charles IV (1375). Nejnovější: Self-portrait (1379).
Stone, u 2 z 4 obrazů zařazených v tomto žEBŘÍČKU.
V muzeu Katedrála, Praha se nachází 3 z obrazů zařazených v tomto žebříčku, včetně Self-portrait, Head of Charles IV a Sebeportrét.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci nebo jako tisk. Otevřete obraz, zvolte velikost a dokončete objednávku.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
