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      Atelier · Est. 2015 · Paris, Frankrig
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      Reason

      Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

      Spørgsmål & svar

      Hvordan balancerer "Reason" lys og mørke?

      De registrerede værdier for "Reason" af Kader Attia er: deep_shadow lysstyrke, Dark luminans.

      Hvornår blev "Reason" skabt?

      "Reason" af Kader Attia blev skabt i 2015.

      Hvordan forenes kontrast og harmoni i "Reason"?

      I "Reason" parres en Bold kontrast med en Discordant Palette harmoni.

      Hvordan kan jeg få et tryk af "Reason" af Kader Attia?

      Et print af "Reason" af Kader Attia kan bestilles direkte på denne side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.

      Kan jeg se "Reason" af Kader Attia på min egen væg, før jeg køber det?

      Siden AR-forhåndsvisning for "Reason" af Kader Attia bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.

      Hvor gammel var Kader Attia, da vedkommende skabte "Reason"?

      Kader Attia skabte "Reason" i en alder af 45. Kunstneren blev født i 1970, og værket er dateret 2015.

      Hvilken kunstner tilskrives "Reason"?

      "Reason" tilskrives Kader Attia.

      Kader Attia (1970 –)

      Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

      EVA International (Limerick City, Irland)

      Som Irlands førende biennale for samtidskunst transformerer EVA International Limerick med banebrydende udstillinger. Udforsk global kreativitet her.

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