Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Cornelis Beeldemaker i vores katalog
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Gundogs against landscape (1732) er Cornelis Beeldemakers mest kendte maleri; originalen tilhører Nationalmuseet i Warszawa, Warszawa. Vores katalog indeholder 1 værker af Cornelis Beeldemaker; her er de 1 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Cornelis Beeldemaker | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 1 | Gundogs against landscape |
Hvert dateret Cornelis Beeldemaker maleri, der er listet her, er fra 1732, i rangorden.
Vælg et årstal for at se dets malerier.
Gundogs against landscape (1732) er nummer ét.
Cornelis Beeldemaker var 61 år gammel: Gundogs against landscape er dateret 1732, og Cornelis Beeldemaker blev født i 1671.
1 værker af Cornelis Beeldemaker er i vores katalog.
Primært i Nationalmuseet i Warszawa (Warszawa). Se museomtabelen ovenfor for den fulde liste.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Leiden, 1671. Cornelis Beeldemaker enters a world defined by the brushstrokes of his father, Adriaen Cornelisz. Beeldemaker is born into a lineage of painters, the son of a man already established in the craft. He grows up alongside his younger brother, Frans Beeldemaker. The household functions as a workshop where the boundaries between family life and professional training are nonexistent.
The apprenticeship begins at home. Cornelis Beeldemaker studies under his father, absorbing the technical foundations of the trade through direct observation and practice. This familial instruction provides the groundwork for his formal education. In 1689, the trajectory shifts from the private studio to the public academy. He is sent to The Hague to attend the drawing academy, seeking to refine the skills inherited from his father.
The final chapter of Beeldemaker's life centers on his movement toward Middelburg. By 1736, his professional trajectory led him to this city, where he sought formal recognition within the local artistic community. He enrolled in the guild that same year, a significant step for a painter establishing his standing in a new locale.
His presence in Middelburg appears to be the final stage of his career. Records indicate he likely died in the city around c. 1737, though some estimates place his passing between 1736 and 1738. This period marks the end of a life spent working in oil, following the traditions of his father and brother.
