Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 14 værker af Daniel Gran i vores katalog
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Allegory of the Dawn (1723) er Daniel Grans mest kendte maleri. Mary with Child and Saints, Enthroned on Clouds (1730) ligger som nummer to, Diana's Admission to Olympus (1732) som nummer tre. Vores katalog indeholder 14 værker af Daniel Gran; her er de 14 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daniel Gran | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Nationalmuseet i Kraków |
Kraków | 1 | Apollo with the Muses – Project for a Plafond |
Vælg et årti for at se dets mest populære maleri.
Allegory of the Dawn (1723) rangerer som nummer et, efterfulgt af Mary with Child and Saints, Enthroned on Clouds (1730) og Diana's Admission to Olympus (1732).
Daniel Gran var 29 år gammel: Allegory of the Dawn er dateret 1723, og Daniel Gran blev født i 1694.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child og unleserlich. Årstal og museum for hver enkelt findes i ranglisten ovenfor.
14 værker af Daniel Gran er i vores katalog, dateret fra 1723 til 1747.
Primært i Nationalmuseet i Warszawa (Warszawa), Szépművészeti Múzeum (Budapest) og Nationalmuseet i Kraków (Kraków). Se museomtabelen ovenfor for den fulde liste.
I 1730s: 4 af de 14 malerier, der er rangeret her, stammer fra den tid, herunder Mary with Child and Saints, Enthroned on Clouds.
Ældste på denne side: Allegory of the Dawn (1723). Nyeste: Allegory of the Morning (1747).
Nationalmuseet i Warszawa, Warszawa har 2 af de malerier, der er rangeret her, herunder Greeting of Venus at Mount Olympus og Bacchus and Ceres.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
