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Portræt af Daniel Saint

De top 5 Daniel Saint malerier, rangeret efter berømmelse

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 7 værker af Daniel Saint i vores katalog

Hurtigt svar

Portrait de Mme Savary, duchesse de Rovigo (1840) er Daniel Saints mest kendte maleri. Portrait of the duchess of berry ligger som nummer to, Unknown Man som nummer tre. Vores katalog indeholder 7 værker af Daniel Saint; her er de 5 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.

1778 – 1847, Saint-Lô Flest værker: Nationalmuseum

Daniel Saint: de 10 bedst rangerede malerier

5
Lady with a Greyhound (1842) af Daniel Saint

Lady with a Greyhound

1842

Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

Håndmalet oliereproduktion fra $170 24 × 41 cm
Vælg en størrelse Se detaljer

Museer der udstiller Daniel Saints originalværker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Daniel Saint Malerier fra denne liste
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

Top Daniel Saint malerier efter år

De daterede Daniel Saint-malerier, der er listet her, stammer fra 3 år, fra 1840 til 1842; se dem år for år.

Værker per år

Vælg et årstal for at se dets malerier.

Hvad du skal vide om Daniel Saint malerier

Hvilket berømt maleri af Daniel Saint topper ranglisten?Vis svar

Portrait de Mme Savary, duchesse de Rovigo (1840) rangerer som nummer et, efterfulgt af Portrait of the duchess of berry og Unknown Man.

Hvor gammel var Daniel Saint i året for Portrait de Mme Savary, duchesse de Rovigo?Vis svar

Daniel Saint var 62 år gammel: Portrait de Mme Savary, duchesse de Rovigo er dateret 1840, og Daniel Saint blev født i 1778.

Hvor mange værker af Daniel Saint er der i din katalogliste?Vis svar

7 værker af Daniel Saint er i vores katalog, dateret fra 1840 til 1842.

Hvor kan de originale værker af Daniel Saints berømte malerier ses?Vis svar

Primært i Nationalmuseum (Stockholm) og Château de Chambord (Chambord). Se museomtabelen ovenfor for den fulde liste.

Hvilke berømte Daniel Saint malerier er de tidligste og de seneste?Vis svar

Ældste på denne side: Portrait de Mme Savary, duchesse de Rovigo (1840). Nyeste: Lady with a Greyhound (1842).

Hvilke malerier af Daniel Saint er i Nationalmuseums samling?Vis svar

Nationalmuseum, Stockholm har 2 af de malerier, der er rangeret her, herunder Unknown Man og Charles X, King of France and Navarre.

Sælger I reproduktioner af Daniel Saints malerier?Vis svar

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.

Daniel Saint: liv og karriere

The Delicate Touch of Parisian Miniature Painting

Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

A Revolution of Light and Texture

What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

Legacy and Imperial Recognition

The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

  • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
  • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
  • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
  • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.