Pengene tilbage-garanti · 100 dage Gratis levering i hele verden
612.262kunstværker 52.888kunstnere 5.406museer 32sprog
Portræt af James Weeks

James Weekss malerier: De 1 mest berømte, rangeret

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af James Weeks i vores katalog

Hurtigt svar

Det mest berømte maleri af James Weeks er Boating in the Park (1980); originalen findes på Boca Raton Museum of Art, Boca Raton. Ud af de 2 værker af James Weeks i vores katalog er dette de 1 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.

1922 – 1998, Oakland Flest værker: Boca Raton Museum of Art

Top 10 James Weeks malerier, rangeret

Museer der udstiller James Weekss originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af James Weeks Malerier fra denne liste
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 Boating in the Park

James Weeks efter år: de bedste malerier

Alle daterede James Weeks malerier på denne side er fra 1980 og er her opført efter rang.

Værker per år

Vælg et årstal for at se dets malerier.

James Weeks malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af James Weeks?Vis svar

Boating in the Park (1980) er nummer ét.

Hvor gammel var James Weeks, da Boating in the Park blev malet?Vis svar

James Weeks var 58 år gammel: Boating in the Park er dateret 1980, og James Weeks blev født i 1922.

Hvor mange værker af James Weeks har du på listen?Vis svar

2 værker af James Weeks er i vores katalog.

Hvor opbevares de originale James Weeks-malerier?Vis svar

Primært i Boca Raton Museum of Art (Boca Raton). Se museomtabelen ovenfor for den fulde liste.

Om kunstneren: James Weeks

A Life Shaped by Form and Instruction

James Darrell Northrup Weeks lived a life deeply rooted in the academic and creative landscapes of California and beyond. Born in Oakland, United States of America, in 1922, he was the son of Anson Weeks and Ruth Daly, both of whom were musicians. This early connection to rhythm and melody likely informed his approach to the canvas. After graduating from Lowell High School in 1940, he began his studies at the California School of Fine Arts. His education was briefly interrupted by service in the US Air Force during World War II, but he returned to his studies in 1946, eventually graduating in 1947.

His path as an educator was as significant as his work in the studio. He spent many years sharing his knowledge with students at several institutions:

  • The San Francisco Art Institute, where he taught from 1958 to 1967.
  • The University of California, Los Angeles, from 1967 to 1970.
  • Boston University, where he served as Chairman of the Art Department after moving there in 1970.

To support his life and teaching, Weeks took on practical, humble roles, including working at a sandwich factory to supplement his income. This grounded reality sat alongside his high-level academic responsibilities.

The Language of the Bay Area

As an early member of the Bay Area Figurative Movement, Weeks occupied a unique space among his peers. While many in this group moved toward non-representational styles, Weeks remained tied to the recognizable world. He preferred modernist figurative, genre, landscape, and interior paintings. His approach was not about pure expression through loose brushwork, but rather about using abstraction within the very ideas of painting itself.

His figures often possessed a certain rigidity. This quality was noted by those who observed his work, suggesting that his aim was less about emotional release and more about achieving comprehension through form. He studied under notable figures like William Gaw and David Park at the California School of Fine Arts, and later expanded his horizons in 1952 by studying at the Escuela de Pintura y Escultura in Mexico City. This period of study helped refine a style that balanced the structural integrity of his subjects with an abstract sensibility.

A Lasting Presence

The work of James Weeks continues to be recognized in significant collections and auction houses. His paintings, such as Boating in the Park, have reached notable values at auction, reflecting a lasting interest in his specific vision of the figurative tradition. He passed away in 1998, leaving behind a legacy defined by both his disciplined hand and his dedication to the art of teaching.