Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 22 værker af John Simpson i vores katalog
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The Duke of Wellington (1769–1852) er John Simpsons mest kendte maleri; originalen tilhører Royal Hospital Chelsea, London. Clarkson Frederick Stanfield (1829) ligger som nummer to, D. Maria II, Queen of Portugal (1819-1853) (1837) som nummer tre. Vores katalog indeholder 22 værker af John Simpson; her er de 20 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…
A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…
The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…
This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…
John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.
The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…
The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…
In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…
The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…
In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…
Sir Charles Napier (1786–1860), Admiral1841 · Scottish National Portrait Gallery
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Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG1835 · English Heritage
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De fire mest hyppige motiver i denne rangliste, med det øverste maleri for hvert.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Simpson | Malerier fra denne liste |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor |
 National Maritime Museum |
London | 2 | Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867) |
 Royal Hospital Chelsea |
London | 1 | The Duke of Wellington (1769–1852) |
 Imperial Museum of Brazil |
Petrópolis | 1 | D. Maria II, Queen of Portugal (1819-1853) |
 Soares dos Reis National Museum |
Porto | 1 | Portrait of the Duke of Terceira |
 Leeds Civic Hall |
Leeds | 1 | George Goodman, Mayor (1836) |
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Charles Napier (1786–1860), Admiral |
 English Heritage |
London | 1 | Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG |
Vælg et årti for at se dets mest populære maleri.
A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…
The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…
The Duke of Wellington (1769–1852), Royal Hospital Chelsea, London, rangerer som nummer ét, efterfulgt af Clarkson Frederick Stanfield (1829) og D. Maria II, Queen of Portugal (1819-1853) (1837).
The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) og Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Årstal og museum for hver enkelt findes i ranglisten ovenfor.
22 værker af John Simpson er i vores katalog, dateret fra 1822 til 1841.
Primært i National Portrait Gallery (London), National Maritime Museum (London) og Royal Hospital Chelsea (London). Se museomtabelen ovenfor for den fulde liste.
I 1830s: 9 af de 20 malerier, der er rangeret her, stammer fra den tid, herunder D. Maria II, Queen of Portugal (1819-1853).
Ældste på denne side: Captain Peter Heywood (1773–1831) (1822). Nyeste: Sir Charles Napier (1786–1860), Admiral (1841).
Blandt de 20 malerier, der er rangeret her: Man (12), Dark background (5) og Portrait (4).
Oil On Canvas, for 10 af de 20 malerier, der er rangeret her.
National Portrait Gallery, London har 3 af de malerier, der er rangeret her, herunder Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) og Sir Herbert Taylor.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
