Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af László Pataky i vores katalog
Hurtigt svar
Roosters on Horses (1880) er László Patakys mest kendte maleri; originalen tilhører Slovak National Gallery, Bratislava. Cavalry Battle (1890) ligger som nummer to, Kuruci (1903) som nummer tre. Vores katalog indeholder 5 værker af László Pataky; her er de 3 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af László Pataky | Malerier fra denne liste |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Vælg et årti for at se dets mest populære maleri.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, rangerer som nummer ét, efterfulgt af Cavalry Battle (1890) og Kuruci (1903).
László Pataky var 23 år gammel: Roosters on Horses er dateret 1880, og László Pataky blev født i 1857.
5 værker af László Pataky er i vores katalog, dateret fra 1880 til 1903.
Primært i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Se museomtabelen ovenfor for den fulde liste.
Ældste på denne side: Roosters on Horses (1880). Nyeste: Kuruci (1903).
Slovak National Gallery, Bratislava har 2 af de malerier, der er rangeret her, herunder Roosters on Horses og Cavalry Battle.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
