Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Robert Mannix i vores katalog
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Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873) er Robert Mannixs mest kendte maleri; originalen tilhører National Gallery of Ireland, Dublin. Vores katalog indeholder 1 værker af Robert Mannix; her er de 1 mest berømte, rangeret med årstal og museum for hvert værk, så du kan vælge det rette at bestille.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Robert Mannix | Malerier fra denne liste |
|---|---|---|---|
 National Gallery of Ireland |
Dublin | 1 | Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' |
Hvert dateret Robert Mannix maleri, der er listet her, er fra 1873, i rangorden.
Vælg et årstal for at se dets malerier.
Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873) er nummer ét.
Robert Mannix var 32 år gammel: Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' er dateret 1873, og Robert Mannix blev født i 1841.
1 værker af Robert Mannix er i vores katalog.
Primært i National Gallery of Ireland (Dublin). Se museomtabelen ovenfor for den fulde liste.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Robert Mannix operated within the specific demands of late nineteenth-century portraiture, a period where the ability to capture a subject's social standing and theatrical presence was paramount. His work reflects the technical rigor required to translate human likeness into a permanent visual record. Looking at his output, one sees a focus on the intersection of identity and performance, particularly in how he handled the nuances of costume and facial expression.
His most significant contribution to the historical record is found in his ability to render specific personas. In 1873, he produced Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal', a work that resides in the National Gallery of Ireland, Dublin City. This piece demonstrates his capacity to navigate the complexities of theatrical characterization, moving beyond simple likeness to capture the essence of a dramatic role.
Mannix's output is most concentrated between 1880 and 1898, though his documented work dates back to 1873. He did not attempt to reinvent the medium; he focused on mastering the established visual language of his era. His technical approach relied on several specific elements:
The significance of Mannix lies in his role as a visual documentarian of his time. He captured the likenesses of individuals that would otherwise be lost to history, providing a tangible link to the social and theatrical landscapes of the late 1800s. His presence in the collections of the National Gallery of Ireland, Dublin City, confirms his standing as a professional of consequence during his active years. He was a visual artist who understood the weight of a sitter's gaze and the importance of accuracy in a changing world.
