Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 16 værker af Francesco Primaticcio i vores katalog
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Det mest berømte maleri af Francesco Primaticcio er Ulysses and Penelope (1545); originalen findes på Toledo Kunstmuseum, Toledo. The Masquerade of Persepolis (1541) og Andromache Learning of the Death of Hector (1570) er tallene to og tre. Ud af de 16 værker af Francesco Primaticcio i vores katalog er dette de 16 mest berømte, rangeret med årstal og museum, så du kan vælge det maleri, du ønsker at bestille.
Ulysses and Penelope is an oil on canvas by Francesco Primaticcio. The work focuses on the mythological figures of Ulysses and Penelope from Greek mythology. This specific composition is an oil version of a panel originally intended for the Galerie d'Ulysse in Fontainebleau.
To gaze upon The Masquerade of Persepolis is to step directly into the heart of an imagined, glorious past—a world where celebration knows no bounds and artifice reigns supreme. This magnificent work by Francesco Primaticcio transports us to a courtly spectacle, a scene so densely populated with life and movement that it feels less like a painting and more like a captured moment from a grand Renaissance ball. The composition…
To gaze upon The Holy Family with Sts Elisabeth and John the Baptist by Francesco Primaticcio is to step directly into the opulent, spiritually charged atmosphere of the Italian High Renaissance. This magnificent canvas captures not merely a grouping of figures, but a moment suspended between the earthly and the divine. At its heart resides the tender nucleus of Mary, Joseph, and the Christ Child—a perennial source of artistic devotion.…
In this large oil on canvas from 1530, a group of at least thirteen figures is caught in a state of intense physical and psychological upheaval. The composition centers on a woman, Helene, who is surrounded by several men in a state of aggressive movement. The scene is characterized by a crowded, swirling arrangement of bodies that breaks away from the balanced proportions of the High Renaissance. Instead, the figures…
To stand before a depiction such as Francesco Primaticcio's The Nile is to step directly into the vibrant, dramatic heart of the Italian Renaissance. This chalk painting from 1540 is far more than a mere historical or mythological scene; it is a profound meditation on human endeavor, struggle, and the enduring spirit of triumph. The composition immediately arrests the viewer with its palpable energy. At the core stands a muscular…
Ceres – Et Kunstens Elegance i Klassisk Stil Francesco Primaticcio’s “Ceres” fra 1552 er et kunstværk, der fascinerer ved sin komplekse komposition og raffinerede brug af lys og linjer. Maleriet præsenteres som en detaljeret fotografi, hvor fokus ligger på den klassiske manierisme stil og dens betydning inden for kunsthistorien. Det viser en imponerende scene fyldt med figurer i et miljø inspireret af antikviteterne, hvilket straks fanger øjet og vækker interesse…
Royal Staircase (detail)1530 · Apartments of the Duchesse d'Étampes
12
Ceiling decoration (detail)1531
13
Royal Staircase (detail) (8)1530 · Apartments of the Duchesse d'Étampes
14
Kongelig Trappe (detalje)1530 · Apartments of the Duchesse d'Étampes
15
Dance of the Hours and three putti with cornucopiae1549 · Städel Museum
16
Ulysses sejrer ved bueskydningen til stede hos Penelope1559 · National Museums Liverpool
De fire mest hyppige motiver i denne rangliste, med det øverste maleri for hvert.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Francesco Primaticcio | Malerier fra denne liste |
|---|---|---|---|
 Apartments of the Duchesse d'Étampes |
Fontainebleau | 4 | Royal Staircase (detail), Royal Staircase (detail), Royal Staircase (detail) (8) |
 Toledo Kunstmuseum |
Toledo | 1 | Ulysses and Penelope |
 Louvre |
Paris | 1 | The Masquerade of Persepolis |
 Rhode Island School of Design Museum of Art |
Providence | 1 | Andromache Learning of the Death of Hector |
 Hermitage Museum |
Sankt Petersborg | 1 | The Holy Family with Sts Elisabeth and John the Baptist |
 Bowes Museum |
Barnard Castle | 1 | The Rape of Helene |
 École Nationale Supérieure des Beaux-Arts |
Paris | 1 | The Nile |
 Musée Condé |
Chantilly | 1 | Keres |
Vælg et årti for at se dets mest populære maleri.
In this large oil on canvas from 1530, a group of at least thirteen figures is caught in a state of intense physical and psychological upheaval. The composition centers on a woman, Helene, who is surrounded by several men in a state of aggressive movement. The scene is characterized by a crowded, swirling arrangement of bodies that breaks away from the balanced proportions of the High Renaissance. Instead, the figures…
Ulysses and Penelope is an oil on canvas by Francesco Primaticcio. The work focuses on the mythological figures of Ulysses and Penelope from Greek mythology. This specific composition is an oil version of a panel originally intended for the Galerie d'Ulysse in Fontainebleau.
Ceres – Et Kunstens Elegance i Klassisk Stil Francesco Primaticcio’s “Ceres” fra 1552 er et kunstværk, der fascinerer ved sin komplekse komposition og raffinerede brug af lys og linjer. Maleriet præsenteres som en detaljeret fotografi, hvor fokus ligger på den klassiske manierisme stil og dens betydning inden for kunsthistorien. Det viser en imponerende scene fyldt med figurer i et miljø inspireret af antikviteterne, hvilket straks fanger øjet og vækker interesse…
Ulysses and Penelope (1545), Toledo Kunstmuseum, Toledo, rangerer som nummer ét, efterfulgt af The Masquerade of Persepolis (1541) og Andromache Learning of the Death of Hector (1570).
Francesco Primaticcio var 41 år gammel: Ulysses and Penelope er dateret 1545, og Francesco Primaticcio blev født i 1504.
Ulysses and Penelope, The Masquerade of Persepolis, Andromache Learning of the Death of Hector, The Holy Family with Sts Elisabeth and John the Baptist, The Rape of Helene, The Nile, Keres, Frieze, Ceiling decoration og Royal Staircase (detail). Årstal og museum for hver enkelt findes i ranglisten ovenfor.
16 værker af Francesco Primaticcio er i vores katalog, dateret fra 1530 til 1570.
Primært i Apartments of the Duchesse d'Étampes (Fontainebleau), Toledo Kunstmuseum (Toledo) og Louvre (Paris). Se museomtabelen ovenfor for den fulde liste.
I 1530s: 8 af de 16 malerier, der er rangeret her, stammer fra den tid, herunder The Rape of Helene.
Ældste på denne side: The Rape of Helene (1530). Nyeste: Andromache Learning of the Death of Hector (1570).
Blandt de 16 malerier, der er rangeret her: Mythology (4), Buildings (4) og Renaissance (3).
Oil On Canvas, for 4 af de 16 malerier, der er rangeret her.
Manierisme, baseret på de malerier, der er rangeret på denne side.
Apartments of the Duchesse d'Étampes, Fontainebleau har 4 af de malerier, der er rangeret her, herunder Royal Staircase (detail), Royal Staircase (detail) og Royal Staircase (detail) (8).
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion eller som et print. Åbn maleriet, vælg størrelsen og afgiv din bestilling.
Francesco Primaticcio stands as a towering figure of the Italian Mannerist tradition, a polymath whose creative reach extended far beyond the canvas to encompass the realms of architecture and sculpture. Born in Bologna, Italy, his artistic journey began under the rigorous guidance of Giulio Romano in Mantua, where he absorbed the complex, tension-filled aesthetics that would later define his career. This early training instilled in him a profound understanding of classical forms, yet Primaticcio was never content with mere imitation; instead, he sought to infuse these classical ideals with a sense of Mannerist intensity, characterized by elongated limbs, emotional extremity, and a deliberate departure from the serene balance of the High Renaissance.
His career reached its most significant zenith in France, where he became a central pillar of the First School of Fontainebleau. After securing a position in the court of Francis I in 1532, Primaticcio worked alongside Rosso Fiorentino to transform the Chateau Fontainebleau into a pinnacle of European elegance. Following the death of Rosso, Primaticcio assumed leadership of the artistic direction at the palace, managing a talented team of painters and stuccators. His influence was instrumental in shaping the French courtly aesthetic, as he provided designs for tapestries, ephemeral decorations for grand masques, and even directed the creation of bronze casts of Roman sculptures to adorn the royal gardens.
The work of Primaticcio is a captivating study in controlled chaos and opulent grandeur. His compositions often feature a swirling vortex of human figures, where the boundaries of order are frequently breached by dramatic movement and psychological upheaval. In masterpieces such as The Rape of Helene, one observes his masterful use of chiaroscary, where deep shadows swallow the periphery to cast a harsh, dramatic light upon central struggles. This technique, combined with the characteristic long-legged canon of beauty, created an atmosphere of thick, palpable tension that would influence French art for the remainder of the century.
Beyond his narrative paintings, Primaticcio’s versatility allowed him to leave an indelible mark on the physical landscape of France through architecture. His later years were marked by a transition toward architectural pursuits, most notably seen in his work on the Valois Chapel at the Abbey of Saint-Denis. Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
