Quick answer
Number one among John Ramage's paintings is Portrait of a Gentleman (1780), whose original is at the Metropolitan Museum of Art, New York. In second and third place: Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785). Our catalogue holds 23 works by John Ramage. The 23 listed here are the most famous, in rank order, with the year and museum of each original.
The top 10: John Ramage's most famous paintings
Theophylact Bache
Theophylact Bache was the father of Elizabeth (2002.476.2) and Sarah (2002.476.1).
Ranks 11 to 23: more John Ramage paintings
John Ramage paintings by subject
The four most frequent subjects in this ranking, with the top painting for each.
18th century 4 værker
Historical figure 4 værker
Portraiture 3 værker
Miniature art 3 værker
Museums holding John Ramage's originals
De 5 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Ramage | Malerier fra denne liste |
|---|---|---|---|
| New York | 17 | Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt | |
| Stockholm | 1 | Mrs. James Bleecker (Sarah Bache) | |
| Sankt Petersborg | 1 | George Washington | |
| Washington, D.C. | 1 | Col. Josiah Parker | |
| Chicago | 1 | Portrait of Augustine Taylor |
Each decade's top John Ramage painting
Værker per årti
Select a decade to see its top painting.
John Ramage paintings: FAQ
Which is John Ramage's most famous work?Show answer
Portrait of a Gentleman (1780), Metropolitan Museum of Art, New York, ranks first, followed by Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785).
At what age was Portrait of a Gentleman painted by John Ramage?Show answer
John Ramage was 32: Portrait of a Gentleman is dated 1780, and John Ramage was born in 1748.
What are the ten most famous John Ramage paintings?Show answer
Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt, Governor George Clinton, Mrs. James Bleecker (Sarah Bache), Portrait of a Gentleman, Mrs. William Few (Catherine Nicholson), Mrs. Gulian Ludlow (Maria Ludlow), Thomas Witter og Theophylact Bache. Year and museum for each are in the ranking above.
How many paintings by John Ramage are listed?Show answer
23 works by John Ramage are in our catalogue, dated 1777 to 1795.
Which museums hold John Ramage's most famous originals?Show answer
Mainly in Metropolitan Museum of Art (New York), Nationalmuseum (Stockholm) og Hermitage Museum (Sankt Petersborg). See the museum table above for the full list.
When were the top John Ramage paintings made?Show answer
In 1780s: 13 of the 23 paintings ranked here date from that time, including Portrait of a Gentleman.
What are the oldest and the most recent famous John Ramage paintings?Show answer
Earliest on this page: Major Greene, B.A (1777). Latest: Mrs. James Bleecker (Sarah Bache) (1795).
Which subjects appear most in John Ramage's paintings?Show answer
Among the 23 paintings ranked here: 18th century (4), Historical figure (4) og Portraiture (3).
What movement do John Ramage's paintings belong to?Show answer
Neoclassicism, based on the paintings ranked on this page.
Which famous John Ramage paintings does the Metropolitan Museum of Art have?Show answer
The Metropolitan Museum of Art, New York holds 17 of the paintings ranked here, including Portrait of a Gentleman, Major Greene, B.A og Gilbert Van Cortlandt.
Can I buy a John Ramage painting as a reproduction?Show answer
Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.
John Ramage: the artist behind the paintings
A Life Bridging Worlds: The Story of John Ramage
John Ramage’s life unfolded as a remarkable confluence of artistic passion and historical circumstance, transporting him from the refined elegance of Dublin goldsmithing to the burgeoning dynamism of colonial America. Details concerning his early familial origins remain shrouded in obscurity—however, it is established that he received formal instruction at the Dublin Society of Artists in 1763, establishing a foundational understanding of drawing and painting techniques destined to shape his future endeavors. Ramage’s initial vocation proved remarkably versatile; he seamlessly blended the precision demanded by goldsmithing with the delicate artistry inherent in miniaturist pursuits—a reflection of his innate aptitude for meticulous detail and decorative arts. This formative period instilled within him not merely technical proficiency but also a profound appreciation for craftsmanship that would characterize his artistic output throughout his life.Loyalty, Love, and Revolution: Navigating Turbulent Times
Ramage’s arrival in North America coincided with an era defined by palpable political tension—the American Revolution. A staunch Loyalist, his allegiance steadfastly adhered to the British Crown, propelling him into membership of “the Loyal Irish Volunteers” in Boston—a military unit dedicated to safeguarding the city against rebel aggression. This unwavering devotion to the monarchy profoundly impacted his personal life; in 1776, he married Victoria Ball, yet this union swiftly complicated by another marriage to a woman known solely as “Mrs. Taylor” whilst stationed in Halifax. The ensuing legal disputes and eventual divorce granted to Ball illuminated the complexities of Ramage’s existence during wartime—a period underscored not merely by political upheaval but also by personal turmoil. Forced to evacuate Boston with British forces under General William Howe, he embarked upon a journey back to Halifax before ultimately relocating by June 1777 to New York City, seeking refuge amidst the ongoing conflict and continuing his artistic practice within a landscape dominated by British occupation. His commitment extended beyond mere artistic creation; Ramage served as a second lieutenant in the City Militia of New York, demonstrating an active engagement with defending the city he had come to consider home.The Miniature Master: A Portraitist of an Emerging Nation
Despite the pervasive anxieties engendered by revolution and political division, Ramage flourished as an artist, swiftly gaining renown for his exquisite portrait miniatures on ivory—a particularly fashionable art form at the time, prized for its intimacy and portability. His skill resided in the masterful application of delicately shaded cross-hatching and fine linear strokes to sculpt faces with astonishing realism and sensitivity. He didn’t merely replicate likenesses; he captured character, social standing, and a palpable sense of individual presence within each miniature—a testament to his artistic vision. Ramage’s clientele rapidly expanded to encompass prominent figures from New York society—the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands all sought his services—reflecting the prestige he achieved as a miniaturist during this formative period. Beyond his painting prowess, Ramage’s goldsmithing skills were equally valued; he crafted elegant cases for his miniatures, demonstrating a holistic artistic sensibility that harmonized artistry with meticulous craftsmanship. Contemporaries recognized his exceptional talent, proclaiming him “the best artist in his branch in America,” as documented by William R. Dunlap—a judgment reflecting the enduring significance of Ramage’s contribution to the art world.Notable Works
- Portrait of George Washington (1789): This iconic miniature portrait, commissioned by Martha Washington and authenticated by George Washington's diary, stands as Ramage’s most celebrated achievement—marking him as the inaugural artist tasked with formally portraying the President upon his inauguration. Sold at auction in 2001 for $1.2 million, it represents the highest price ever paid for an American miniature.
- John Maunsell (1785): A rare and elegantly rendered miniature depicting John Maunsell—a distinguished gentleman adorned in a russet coat and gold vest embellished with stripes—demonstrates Ramage’s mastery of capturing character and conveying subtle nuances of expression.
- Miniature Portraits of Prominent New York Families: Ramage produced numerous portraits commemorating influential families residing in New York City during the revolutionary era, including commissions from figures such as Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands—providing invaluable insights into colonial society’s artistic tastes and social dynamics.