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De 1 mest berømte Werner Büttner-malerier, du kan vælge imellem
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Werner Büttner i vores katalog
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Det vigtigste værk blandt Werner Büttner's malerier er The third world pushing its way to the regulars' table (1981), hvis original findes på Städel Museum, Frankfurt. Vores katalog indeholder 2 værker af Werner Büttner. De 1 værker, der er listet her, er de mest berømte i rangorden, inklusiv årstal og museum for hvert originalværk.
født 1954, Jena
Flest værker: Städel Museum
Top 10: Werner Büttners mest berømte malerier
Museer der udstiller Werner Büttners originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Werner Büttner | Malerier fra denne liste |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | The third world pushing its way to the regulars' table |
Årets top Werner Büttner malerier
1981: hvert dateret Werner Büttner-maleri på denne side stammer fra det år. Her er de, sorteret efter rang.
Værker per år
Vælg et årstal for at se dets malerier.
Werner Büttner malerier: FAQ
Hvad er Werner Büttners mest berømte værk?Vis svar
The third world pushing its way to the regulars' table (1981) er nummer ét.
Hvilken alder havde Werner Büttner, da The third world pushing its way to the regulars' table blev malet?Vis svar
Werner Büttner var 27 år gammel: The third world pushing its way to the regulars' table er dateret 1981, og Werner Büttner blev født i 1954.
Hvor mange malerier af Werner Büttner er opført?Vis svar
2 værker af Werner Büttner er i vores katalog.
Hvilke museer udstiller Werner Büttners mest berømte originalværker?Vis svar
Primært i Städel Museum (Frankfurt). Se museomtabelen ovenfor for den fulde liste.
Werner Büttner: kunstneren bag malerierne
The Artistic Evolution of Werner Büttner
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Teaching and Later Works
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: