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449.581Kunstwerke 30.613Künstlerinnen und Künstler 4.660Museen 32Sprachen
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      Atelier · Seit 2015 · Paris, Frankreich
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      allpaintingsstore.com
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      Strips

      Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

      Entdecken Sie die kraftvolle Kunst von Gordon Bennett AO – ein australischer Künstler, der indigenes Erbe & anglo-keltische Wurzeln vereint. Seine tiefgründigen Werke hinterfragen Identität und Geschichte.

      Die auf dieser Seite dargestellten Kunstwerke sind urheberrechtlich geschützt, was bedeutet, dass wir keine identische Reproduktion rechtmäßig erstellen oder verkaufen dürfen. Dieser Schutz wird durch internationale Abkommen wie die Berner Übereinkunft und durch nationale Gesetze, einschließlich derer, die von den US-Urheberrecht – Titel 17.

      Diese Methode entspricht vollumfänglich den Urheberrechtsbestimmungen, da sie keine Kopie oder Vervielfältigung des geschützten Kunstwerks darstellt. Stattdessen handelt es sich um eine kreative Neuinterpretation – ein neues Gemälde, das vom Original inspiriert, aber nicht identisch mit ihm ist.

      Giclée / Kunstdruck

      Giclée- oder Leinwanddruck in Museumsqualität mit schneller Produktion und flexiblen Veredelungsoptionen. ( Handgemalte Reproduktion bestellen Zum digitalen Bild wechseln)

      Corner sample of the P118B picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
      P118B €10
      Corner sample of the P118H picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
      P118H €10
      Corner sample of the P118W picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
      P118W €10
      Corner sample of the P438Z picture frame: formgepresstes Polystyrol, 5.5 cm wide and 3.5 cm thick
      P438Z €10
      Corner sample of the P508JH picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
      P508JH €12
      Corner sample of the P508YH picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
      P508YH €12
      Corner sample of the P805H picture frame: formgepresstes Polystyrol, 5 cm wide and 3.5 cm thick
      P805H €10
      Corner sample of the P805Z picture frame: formgepresstes Polystyrol, 5 cm wide and 3.5 cm thick
      P805Z €10
      Corner sample of the P919BZ picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
      P919BZ €10
      Corner sample of the P919G picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
      P919G €10
      Corner sample of the P919XJ picture frame: formgepresstes Polystyrol, 7 cm wide and 3.5 cm thick
      P919XJ €10
      Corner sample of the P959ZH picture frame: formgepresstes Polystyrol, 5 cm wide and 3 cm thick
      P959ZH €10
      Corner sample of the P968JZ picture frame: formgepresstes Polystyrol, 6 cm wide and 4 cm thick
      P968JZ €12
      Corner sample of the W106C picture frame: Massivholz, 5 cm wide and 3 cm thick
      W106C €8
      Corner sample of the W218G picture frame: Massivholz, 5 cm wide and 3 cm thick
      W218G €10
      Corner sample of the W218JH picture frame: Massivholz, 5 cm wide and 3 cm thick
      W218JH €8
      Corner sample of the W218Y picture frame: Massivholz, 5 cm wide and 3 cm thick
      W218Y €10
      Corner sample of the W307PJ picture frame: Massivholz, 6 cm wide and 3 cm thick
      W307PJ €10
      Corner sample of the W316G picture frame: Massivholz, 6 cm wide and 3 cm thick
      W316G €10
      Corner sample of the W316PJ picture frame: Massivholz, 6 cm wide and 3 cm thick
      W316PJ €8
      Corner sample of the W316Y picture frame: Massivholz, 6 cm wide and 3 cm thick
      W316Y €10
      Corner sample of the W398PJ picture frame: Massivholz, 5 cm wide and 3 cm thick
      W398PJ €8
      Corner sample of the W4111J picture frame: Massivholz, 6.5 cm wide and 3.5 cm thick
      W4111J €10
      Corner sample of the W500HY picture frame: Massivholz, 7 cm wide and 5 cm thick
      W500HY €15
      Corner sample of the W500JH picture frame: Massivholz, 7 cm wide and 5 cm thick
      W500JH €15
      Corner sample of the W692G picture frame: Massivholz, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: Massivholz, 5 cm wide and 3 cm thick
      W849H €8
      Corner sample of the W940BG picture frame: Massivholz, 7.5 cm wide and 4.5 cm thick
      W940BG €15
      Corner sample of the W953PJ picture frame: Massivholz, 6 cm wide and 3.5 cm thick
      W953PJ €8

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      Wählen Sie aus unseren vordefinierten Formaten, die den ursprünglichen Proportionen des Kunstwerks entsprechen.

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      Geben Sie die benötigte Breite und Höhe an, damit der Druck perfekt in Ihren Rahmen oder an Ihre Wand passt. Ein Druck kann nur beschnitten, aber niemals größer als das Originalbild angefertigt werden; daher verliert ein Format mit anderen Proportionen einen Teil des Bildes. Wir senden Ihnen ein digitales Mockup zur Freigabe, bevor wir den Druck ausführen. Das auf dieser Seite gezeigte Bild zeigt nicht den tatsächlichen Beschnitt – dies ist nur im Mockup ersichtlich.

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      Gesamtpreis

      € 56

      Strips

      Giclée / Kunstdruck

      Format der Reproduktion

      -

      Endpreis

      € 56

      I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

      Fragen & Antworten

      Kann ich "Strips" genauer untersuchen?

      Die Röntgenansicht von "Strips" von Gordon Bennett Ao finden Sie auf der Röntgenblick-Seite des Kunstwerks: eine interaktive Untersuchung des Bildes durch elf optische Schichten.

      In welcher Ausrichtung liegt "Strips" von Gordon Bennett Ao vor?

      "Strips" von Gordon Bennett Ao ist eine Komposition im Portrait-Format. Die Proportionen sollten vor der Wahl der Druckgröße überprüft werden.

      Kann ich "Strips" von Gordon Bennett Ao vor dem Kauf an meiner eigenen Wand sehen?

      Auf der AR-Vorschau-Seite von "Strips" von Gordon Bennett Ao können Sie das Kunstwerk mithilfe von Augmented Reality auf einem kompatiblen Gerät direkt in Ihren eigenen Räumlichkeiten erleben.