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Porträt von Carybé

Gemälde von Carybé: Die 24 bekanntesten, nach Relevanz sortiert

Aktualisiert im Oktober 2026 · sortiert nach unserem Popularitätsindex (Suchanfragen, Aufrufe und Bestellungen für jedes Werk) · 24 Werke von Carybé in unserem Katalog

Kurze Antwort

Das berühmteste Gemälde von Carybé ist Baiana Sambando - Série Bonfim (1950); das Original befindet sich im Museu de Arte da Bahia, Salvador. Baiana e Pescador (1950) und Baianas Chegando Para a Lavagem (1950) sind die Zahlen zwei und drei. Von den 24 Werken von Carybé in unserem Katalog sind dies die 24 bekanntesten, nach Bedeutung sortiert, jeweils mit Jahreszahl und Museum, damit Sie das gewünschte Gemälde auswählen können.

1911 – 1997, Lanús Contemporary realism Meiste Werke: Museu de Arte da Bahia

Die Top 10 Gemälde von Carybé, nach Relevanz sortiert

1
Baiana Sambando - Série Bonfim (1950) von Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the delicate dance of ink and paper, Baiana Sambando - Série Bonfim emerges as a profound celebration of cultural identity and movement. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, famously known as Carybé, this work is far more than a mere sketch; it is a rhythmic capture of the very heartbeat of Bahia. The piece depicts a woman dressed in traditional Bahian attire, caught…

2
Baiana e Pescador (1950) von Carybé

Baiana e Pescador

1950 · Ink On Paper · Museu de Arte da Bahia, Salvador

In the quiet, rhythmic strokes of "Baiana e Pescador," we are transported to a moment of profound stillness captured by the legendary Argentine-Brazilian master, Héctor Julio Páride Bernabó, known affectionately as Carybé. Created in 1950, this evocative black and white drawing serves as a window into a world where human connection and cultural identity intersect through the medium of pen and ink. The artwork depicts two figures seated in profile,…

3
Baianas Chegando Para a Lavagem (1950) von Carybé

Baianas Chegando Para a Lavagem

1950 · Lithograph · Museu de Arte da Bahia, Salvador

In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of a Brazilian cultural ritual. The artwork captures a fleeting, high-energy moment of a procession, where the figures of the Baianas move with a grace that is both grounded and ethereal. Through the medium of black and white lithography, Carybé strips away the…

4
Jangadas ao Mar - Série Pesca do Xaréu (1950) von Carybé

Jangadas ao Mar - Série Pesca do Xaréu

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative work Jangadas ao Mar - Série Pesca do Xaréu, the legendary Argentine-Brazilian master Carybé (Héctor Julio Páride Bernabó) invites us to witness a timeless ritual of the sea. Created in 1950, this piece serves as a profound window into the coastal soul of Brazil, capturing the rhythmic dance between man and the Atlantic. The artwork belongs to a series dedicated to the pesca do xaréu (the fishing…

5
Torso retangular IV (1950) von Carybé

Torso retangular IV

1950 · Painting · Museu de Arte da Bahia, Salvador

In the evocative realm of mid-century Latin American modernism, few names resonate with as much cultural depth and rhythmic grace as Héctor Julio Páride Bernabó, known affectionately to the world as Carybé. His work, Torso retangular IV, serves as a profound window into a period of intense artistic exploration. Created in 1950, this piece captures a moment where form and identity converge. The composition presents a captivating study of femininity,…

6
Baiana Sambando - Série Bonfim (1950) von Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the evocative lines of Baiana Sambando - Série Bonfim, we are transported to the heart of Bahia, where the pulse of the drum meets the spiritual essence of the streets. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this striking black and white drawing serves as a profound window into the soul of Brazilian folk culture. The piece captures a moment of intense…

7
Vendedora de Carimã - Série Feira de Água de Meninos (1950) von Carybé

Vendedora de Carimã - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the delicate, monochromatic strokes of Vendedora de Carimã - Série Feira de Água de Meninos, we are transported to a mid-century world where the rhythm of daily life was dictated by the sun and the seasonal bounty of the market. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this evocative drawing captures more than just a scene; it captures an atmosphere. The subject—a…

8
Puxando o Barco - Série Rampa do Mercado (1950) von Carybé

Puxando o Barco - Série Rampa do Mercado

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative monochrome of Puxando o Barco - Série Rampa do Mercado, we are transported to a moment of raw, unadorned human effort. Created in 1950 by the master Héctor Julio Páride Bernabó—affectionately known as Carybé—this drawing captures the visceral essence of coastal life. The scene depicts a man engaged in the strenuous task of pulling a boat across the land, a moment caught between the stillness of the…

9
O Homem e a Jaca - Série Feira de Água de Meninos (1950) von Carybé

O Homem e a Jaca - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative black and white drawing O Homem e a Jaca, part of the evocative Série Feira de Água de Meninos, we are transported to a moment of profound simplicity and strength. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, known affectionately as Carybé, this work captures a singular, heavy moment in time. The composition centers on a man navigating a sandy path, his body…

10
O vendedor de rolete de cana/ Serie Bonfim (1950) von Carybé

O vendedor de rolete de cana/ Serie Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the quiet, monochromatic depths of "O vendedor de rolete de cana," we are transported to a bygone era, where the rhythm of daily life was dictated by the sun and the simple commerce of the streets. Part of the evocative Serie Bonfim, this masterful drawing by the legendary Argentine-Brazilian artist Héctor Julio Páride Bernabó—affectionately known as Carybé—serves as a poignant window into the cultural fabric of mid-century Brazil. Through…

Gemälde von Carybé, Platzierung 11 bis 24

Gemälde von Carybé nach Themen

Die vier häufigsten Motive in diesem Ranking, jeweils mit dem besten Gemälde.

Museen mit Originalen von Carybé

Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.

Museum Stadt Werke von Carybé Gemälde aus dieser Liste
Museu de Arte da Bahia, SalvadorMuseu de Arte da Bahia Salvador 23 Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem
Centro Cultural Banco do Brasil, BrasíliaCentro Cultural Banco do Brasil Brasília 1 The Pier

Carybé nach Jahr: die besten Gemälde

38 Jahre der Gemälde von Carybé, von 1950 bis 1987: Durchsuchen Sie die Zeitachse Jahr für Jahr und wählen Sie die Epoche für Ihre Wand aus.

Werke nach Jahr

Wählen Sie ein Jahr aus, um die entsprechenden Gemälde anzuzeigen.

Gemälde von Carybé: häufig gestellte Fragen

Was ist das bekannteste Gemälde von Carybé?Antwort anzeigen

Baiana Sambando - Série Bonfim (1950), Museu de Arte da Bahia, Salvador, belegt den ersten Platz, gefolgt von Baiana e Pescador (1950) und Baianas Chegando Para a Lavagem (1950).

Wie alt war Carybé, als Baiana Sambando - Série Bonfim gemalt wurde?Antwort anzeigen

Carybé war 39 Jahre alt: Baiana Sambando - Série Bonfim datiert auf 1950, und Carybé wurde in 1911 geboren.

Was sind die Top 10 Gemälde von Carybé?Antwort anzeigen

Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem, Jangadas ao Mar - Série Pesca do Xaréu, Torso retangular IV, Baiana Sambando - Série Bonfim, Vendedora de Carimã - Série Feira de Água de Meninos, Puxando o Barco - Série Rampa do Mercado, O Homem e a Jaca - Série Feira de Água de Meninos und O vendedor de rolete de cana/ Serie Bonfim. Jahr und Museum sind in der obigen Rangliste aufgeführt.

Wie viele Werke von Carybé sind gelistet?Antwort anzeigen

24 Werke von Carybé sind in unserem Katalog enthalten, datiert von 1950 bis 1987.

Wo werden die Originalgemälde von Carybé aufbewahrt?Antwort anzeigen

Vorwiegend in Museu de Arte da Bahia (Salvador) und Centro Cultural Banco do Brasil (Brasília). Die vollständige Liste finden Sie in der obenstehenden Museumstabelle.

Welche Epoche brachte die berühmtesten Gemälde von Carybé hervor?Antwort anzeigen

In 1950: 23 der 24 hier aufgeführten Gemälde stammen aus dieser Zeit, einschließlich Baiana Sambando - Série Bonfim.

Welches sind die frühesten und neuesten berühmten Gemälde von Carybé?Antwort anzeigen

Früheste auf dieser Seite: Baiana Sambando - Série Bonfim (1950). Neueste: The Pier (1987).

Was sind die Hauptmotive in den Gemälden von Carybé?Antwort anzeigen

Unter den 24 hier aufgeführten Gemälden: Black and white (14), Daily life (5) und Fishing (4).

In welchem Medium sind die meisten Originale von Carybé ausgeführt?Antwort anzeigen

Drawing, für 12 von insgesamt 24 hier aufgeführten Gemälden.

Welcher Stilrichtung wird Carybé zugeordnet?Antwort anzeigen

Contemporary realism und Modernism, basierend auf den auf dieser Seite gerankten Gemälden.

Welche Originalwerke von Carybé befinden sich im Museu de Arte da Bahia?Antwort anzeigen

Das Museu de Arte da Bahia, Salvador beherbergt 23 der hier aufgeführten Gemälde, darunter Baiana Sambando - Série Bonfim, Baiana e Pescador und Baianas Chegando Para a Lavagem.

Über den Künstler: Carybé

early life and career

Héctor Julio Páride Bernabó, known artistically as Carybé (Argentina, 1911 - Brazil, 1997), was a multifaceted Argentinian-Brazilian artist whose oeuvre spanned painting, engraving, illustration, sculpture, mural art, research, historical scholarship, and journalism. Born in Buenos Aires on February 7th, 1911, Carybé’s formative years were steeped in artistic exploration and intellectual curiosity—a passion that would define his entire life's trajectory. From a young age, he demonstrated an exceptional talent for visual arts, honing his skills through self-study and experimentation before embarking on formal artistic training. His early works showcased a distinctive style characterized by bold lines and vibrant colors, hinting at the stylistic innovations that would characterize his mature oeuvre. Carybé’s artistic journey began in Buenos Aires where he cultivated connections with prominent figures in the Argentine art scene—influences that would shape his worldview and artistic sensibilities. He quickly gained recognition for his ability to capture the essence of human emotion and experience through evocative imagery, establishing himself as a respected artist within Argentina's cultural landscape.

artistic contributions

Carybé’s prolific output encompassed an astonishing range of mediums and subjects—a testament to his boundless creativity and versatility. He produced approximately five thousand artworks, including paintings, drawings, sculptures, and sketches that explored themes ranging from indigenous Brazilian culture to the complexities of human psychology. His artistic style evolved over time, reflecting influences from Surrealism, Expressionism, and Art Deco—styles he skillfully integrated into his distinctive visual language. Carybé’s paintings are renowned for their masterful use of color and texture, capturing the dynamism of tropical landscapes and the solemn beauty of religious iconography. He meticulously crafted intricate compositions that conveyed profound emotional resonance, inviting viewers to contemplate universal human experiences. Beyond painting, Carybé excelled as an engraver, producing stunning prints that showcased his technical prowess and artistic vision. His engravings often depicted scenes from Brazilian folklore and mythology—subjects he approached with meticulous detail and sensitivity. Furthermore, Carybé’s illustrations graced the pages of celebrated literary works by Jorge Amado and Gabriel García Márquez—most notably “One Hundred Years of Solitude,” where he brought to life unforgettable characters and landscapes.

major achievements

Carybé achieved considerable acclaim for his artistic accomplishments and scholarly pursuits—solidifying his position as a leading figure in Argentinian and Brazilian art history. He was honored with the honorary title of Obá de Xangô at Ilê Axé Opô Afonjá, recognizing his profound understanding of Afro-Brazilian spirituality and culture. This distinction underscored Carybé’s commitment to preserving indigenous traditions and promoting intercultural dialogue—values that permeated his artistic practice and intellectual endeavors. His contributions extended beyond visual arts into the realm of historical research and journalism—where he investigated social issues with unwavering integrity and pursued narratives that challenged conventional perspectives. Carybé's meticulous documentation of Brazilian cultural heritage ensured its preservation for future generations, cementing his legacy as a champion of knowledge and artistic excellence.

historical significance

Carybé’s artwork continues to inspire artists and scholars alike—serving as a beacon of creativity and intellectual curiosity. His distinctive style—characterized by bold lines, vibrant colors, and masterful composition—remains influential in contemporary art practice. Moreover, Carybé's exploration of Brazilian folklore and mythology—particularly his depictions of Xangô—contributed significantly to the understanding of Afro-Brazilian religious traditions. He fostered a dialogue between artistic expression and cultural heritage—demonstrating that art can serve as a powerful tool for promoting empathy and fostering appreciation for diverse cultures. Carybé’s enduring legacy resides in his unwavering dedication to artistic innovation, scholarly rigor, and humanist values—a testament to the transformative power of creativity and intellectual curiosity.