Copyright This work is in the public domain. Albin Egger Lienz died in 1926; copyright lasts 70 years after the artist’s death, so it ended in 1996.
In context
The Cross - — Albin Egger Lienz
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.
Shaded: the lifetime of Albin Egger Lienz (1868–1926) every dated painting, decade by decade
First works: up to 1893 Main working years: 1893–1925 Late works: from 1925
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: allpaintingsstore.com/en/art/similar/albin-egger-lienz-the-cross-9DG3SA-en/
Measured from the image
Main colour
Phthalo Green #1e1513
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 67.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 185 works by this artist, of which 33 were looked at at least once. This painting ranks 9 of them, with 2.6% of that attention (100 visits). The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Stribach, Austria
Born: January 29, 1868, in Dölsach-Stribach near Lienz, Tyrol, Austria.
Parentage: He was the natural son of Maria Trojer, a peasant girl, and Georg Egger, a church painter. He later adopted his father’s surname combined with his birthplace.
His initial artistic education came from his father, laying the foundation for his future career.
He continued his studies at the Academy in Munich, where he was profoundly influenced by artists like Franz Defregger and Jean-François Millet.
Egger-Lienz’s early works focused on scenes of peasant life and historical events, particularly the Tyrolean Rebellion of 1809.
Key Influence: The artist Ferdinand Hodler significantly impacted Egger-Lienz's style, leading to a monumental expressiveness characterized by heroic figures in stage-like spaces.
He joined the Vienna Secession in 1909, further solidifying his position within the Austrian art scene.
His artistic language evolved towards strongly outlined, massive forms painted with an almost monochromatic palette of earth colors.
Notable Paintings: Some of his most renowned works include “Der Totentanz von anno neun” (1906-1908), “Almlandschaft im Ötztal” (1911), and “Den Namenlosen” (1916).
He participated in the Universal Exhibition in Paris in 1900, receiving a bronze medal for his painting "Feldsegen."
During World War I, he served as a war painter on the southern Austrian front.
His later works often incorporated religious themes alongside scenes of peasant life, such as “Christ’s Resurrection.”
Unique Style: Egger-Lienz blended elements of Expressionism with traditional Austrian art, creating a distinctive style that set him apart from his contemporaries.
His work often explored themes of heroism, sacrifice, and the connection between humanity and nature.
He declined multiple professorships at prestigious academies, preferring to maintain artistic independence.
Lasting Impact: His paintings continue to be celebrated for their emotional power and monumental scale, representing a significant contribution to Austrian art history.
Egger-Lienz spent his final years painting frescoes for the Memorial Chapel of the Fallen in War in Lienz.
Death: He passed away on November 4, 1926, in St. Justina-Rentsch, Bozen/Bolzano, South Tyrol/Alto Adige, Italy, leaving behind a rich artistic legacy.
On show in Lienz, Austria
Schloss Bruck, also known as Burg Bruck, is a medieval castle situated in Lienz, Tyrol, Austria. The history of the site is closely linked to the development of the surrounding region. Lienz itself was first mentioned as Luenzina in a deed issued by the Bishop of Brixen around 1030. The municipality extends to include the cadastral subdivision of Patriasdorf.
The fortification reached a significant stage of completion in 1278, when the Counts of Gorizia finished the structure. For over two centuries, the castle functioned as the local seat for the Counts of Gorizia. This period of governance continued until 1500. Notably, Leonhard of Gorizia (1440–1500) was born within the walls of the castle.
Schloss Bruck is situated at an elevation of 711 metres above sea level. The site is known as the Görzer Residenzburg and occupies a prominent position within the Lienz district of Tyrol, Austria. The castle's physical presence is defined by its location at the foot of one of the largest alpine megafans in the Alps. This geological formation reaches a height of 350 m and extends across a radius of 2.5 km.
The medieval structure was originally the local seat of the Counts of Gorizia until 1500. Its architecture reflects its history as a fortified residence. The castle's placement on the edge of the alpine megafan provides a specific topographical context to the surrounding landscape of East Tyrol. The building remains a central feature of the Lienz area, functioning as a venue for various cultural activities within its historic walls.
Since the museum opened in 1945, the in-house collection has focused on a selection of paintings, sculptures, and folk art. The holdings reflect the regional history and the artistic development of the Tyrol area. Much of the permanent collection is centered on the work of Albin Egger Lienz, whose presence is a defining feature of the museum's holdings.
The works of Albin Egger Lienz within these walls demonstrate a shift toward monumental, expressive forms. His paintings often utilize a palette of earth colors and strong outlines to depict themes of peasant life and religious subjects. The collection includes several significant pieces by the artist, such as:
Saint Sebastian, 1887
Hulda, 1903
The sea, Katwijk
The Tyrolean waitress
The loggers
Beyond the paintings, the museum preserves various sculptures and examples of folk art. These objects provide a physical record of the material culture and aesthetic traditions of the Lienz district. The arrangement of these pieces within the medieval structure allows for a direct connection between the art and the historical setting of the castle.
Schloss Bruck functions as a venue for theater performances, concerts, readings, and soirées. The museum utilizes the Schlosshof to host various exhibitions and musical performances. These activities take place within the historic walls of the Görzer Residenzburg, where the architecture itself becomes part of the performance during evening events.
The museum maintains a living collaboration with Stadtkultur Lienz. This partnership supports the Kultursommer 2024, which runs from 30 May to 13 October 2024. Such programming ensures the castle remains a central meeting point for those interested in art and music.
allpaintingsstore.com/en/art/download/albin-egger-lienz-the-cross-9DG3SA-en/
Look closely
The Cross - — Albin Egger Lienz
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The colors in "The Cross -" by Albin Egger Lienz have a monochromatic intensity.
The colors of "The Cross -" show a dark luminance.
"The Cross -" is attributed to Albin Egger Lienz.