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      Atelier · Est. 2015 · Paris, France
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      albin egger lienz

      1868 - 1926

      Quick Facts

      • Nationality: Austria
      • Works on APS: 170
      • Corpus themes:
        • regional identity
        • social commentary
        • hodler's monumentality
        • austrian rural life
        • early 20th century
      • Typical colors: earthy
      • Born: 1868, Dölsach, Austria
      • Also known as: Egger-Lienz
      • Copyright status: Public domain
      • Museums on APS: Lentos Kunstmuseum Linz
      • More…
      • Top 3 works:
        • Ila, die jüngere Tochter des Künstlers
        • Madonna
        • The Cross -
      • Art period: 19th Century
      • Creative periods:
        • mature period
        • late medieval
      • Top-ranked work: Ila, die jüngere Tochter des Künstlers
      • Topics explored:
        • body
        • study
        • austrian art
        • women
        • men
      • Lifespan: 58 years
      • Died: 1926
      • Movements: expressionism

      Albin Egger-Lienz: Life and Legacy

      Early Life and Training

      • Born: January 29, 1868, in Dölsach-Stribach near Lienz, Tyrol, Austria.
      • Parentage: He was the natural son of Maria Trojer, a peasant girl, and Georg Egger, a church painter. He later adopted his father’s surname combined with his birthplace.
      • His initial artistic education came from his father, laying the foundation for his future career.
      • He continued his studies at the Academy in Munich, where he was profoundly influenced by artists like Franz Defregger and Jean-François Millet.

      Artistic Development and Influences

      • Egger-Lienz’s early works focused on scenes of peasant life and historical events, particularly the Tyrolean Rebellion of 1809.
      • Key Influence: The artist Ferdinand Hodler significantly impacted Egger-Lienz's style, leading to a monumental expressiveness characterized by heroic figures in stage-like spaces.
      • He joined the Vienna Secession in 1909, further solidifying his position within the Austrian art scene.
      • His artistic language evolved towards strongly outlined, massive forms painted with an almost monochromatic palette of earth colors.

      Major Works and Achievements

      • Notable Paintings: Some of his most renowned works include “Der Totentanz von anno neun” (1906-1908), “Almlandschaft im Ötztal” (1911), and “Den Namenlosen” (1916).
      • He participated in the Universal Exhibition in Paris in 1900, receiving a bronze medal for his painting "Feldsegen."
      • During World War I, he served as a war painter on the southern Austrian front.
      • His later works often incorporated religious themes alongside scenes of peasant life, such as “Christ’s Resurrection.”

      Historical Significance and Legacy

      • Unique Style: Egger-Lienz blended elements of Expressionism with traditional Austrian art, creating a distinctive style that set him apart from his contemporaries.
      • His work often explored themes of heroism, sacrifice, and the connection between humanity and nature.
      • He declined multiple professorships at prestigious academies, preferring to maintain artistic independence.
      • Lasting Impact: His paintings continue to be celebrated for their emotional power and monumental scale, representing a significant contribution to Austrian art history.

      Final Years and Death

      • Egger-Lienz spent his final years painting frescoes for the Memorial Chapel of the Fallen in War in Lienz.
      • Death: He passed away on November 4, 1926, in St. Justina-Rentsch, Bozen/Bolzano, South Tyrol/Alto Adige, Italy, leaving behind a rich artistic legacy.

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      Albin Egger-Lienz was significantly influenced by which artist, leading to a monumental expressiveness in his work?
      Question 2:
      Egger-Lienz's early artistic training primarily came from whom?
      Question 3:
      What is a recurring theme often found in Egger-Lienz's paintings?
      Question 4:
      In what city did Egger-Lienz begin his successful career as an artist after moving there in 1899?
      Question 5:
      Egger-Lienz publicly distanced himself from the work of Hodler by means of an article titled…?