Paper

Student Artwork Guide

Onement I

Name Class Date

Barnett Newman, Onement I (1948), MOMA - Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Barnett Newman allpaintingsstore.com/en/artists/barnett-newman/
Artist’s dates
1905 – 1970
Painted
1948
Medium
Oil On Canvas
Original size
69 x 41 cm
Movement
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.
Period
Modern
Held at
MOMA - Museum of Modern Art allpaintingsstore.com/en/museums/moma-museum-of-modern-art-new-york-city/
Artistic style
Abstract Expressionism
Influences
Surrealism
Notable elements or techniques
Vertical zips, Flat color areas
Subject or theme
Spiritual exploration

In context

Onement I — Barnett Newman

How big is it?

The original measures 69 × 41 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: the lifetime of Barnett Newman (1905–1970) ▲ this work, 1948

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/barnett-newman-onement-i-D3JBV3-en/

Colours

Measured from the image

    Main colour

    Walnut #714439

    Catalogued palette

    • #714439
    • #C86536
    • #78473B
    • #A75833
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Onement I — Barnett Newman

    A Singular Vision: The Dawn of Color Field Painting

    In the landscape of twentieth-century modernism, few works possess the quiet, seismic power of Barnett Newman’s Onement I. Completed in 1948, this masterpiece serves as a profound emblem of Abstract Expressionism and stands as a foundational cornerstone for the Color Field movement. To encounter this painting is to witness a pivotal moment in art history where the boundaries of representation were irrevocably dissolved, replaced by an exploration of pure perception. Newman, moving away from the surrealist influences of his early career, sought a visual language that could articulate the profound spiritual anxieties and existential longings of the post-war era. In doing so, he created more than just a painting; he crafted a meditative space where color and form converge to touch the sublime.

    The composition of Onement I is a masterclass in radical simplification. Measuring 69 x 41 cm, the work utilizes oil on linen to establish a striking, dualistic atmosphere. The artist meticulously employed masking techniques to delineate two distinct zones of color: a deep, resonant maroon that anchors the lower portion of the canvas, and a vibrant, radiating orange-red that emerges from the upper section. This horizontal division is not merely a structural choice but a deliberate attempt to establish spatial relationships that transcend traditional perspective. The way the colors meet creates a tension that feels both grounded and ethereal, inviting the viewer to lose themselves in the subtle gradations of pigment.

    Symbolism and the Divine Presence

    Beyond its formalist brilliance, Onement I is steeped in deep philosophical and biblical symbolism. Newman’s work often sought to bridge the gap between the human experience and the divine, and this piece is no exception. The horizontal band of color acts as a visual metaphor for the Pillar of Fire that descended from Heaven during Moses’ journey through the Exodus—a symbol of guidance, light, and transcendence. This "zip" or division serves to both separate and unite the canvas, mirroring the way spiritual revelation can divide the mundane world from the sacred. For the collector or enthusiast, this layer of meaning transforms the painting from a purely aesthetic object into a profound vessel for contemplation.

    The emotional impact of the work lies in its ability to evoke a sense of awe through minimalism. There is no narrative to follow, no recognizable figure to cling to; there is only the raw, unmodulated presence of color. This creates an immersive environment that can alter the atmosphere of any space it inhabits. For interior designers and curators, Onement I offers a unique opportunity to introduce a focal point of intellectual depth and sophisticated calm. It is a piece that demands attention not through noise, but through a powerful, silent resonance that lingers in the mind long after the initial viewing.

    A Timeless Addition to the Modern Collection

    Owning or displaying a high-quality reproduction of Onement I allows one to bring the revolutionary spirit of New York's mid-century avant-garde into a contemporary setting. The painting’s bold palette and clean, geometric precision make it an ideal companion for modern, minimalist, or even classical interiors, providing a sophisticated anchor that complements diverse design aesthetics. Whether viewed as a historical artifact of the Abstract Expressionist movement or as a contemporary study in color and light, this work remains a vital, breathing part of the art canon.

    Artist and museum

    Artist

    Barnett Newman

    Born in New York City, United States of America

    A Pioneer of Abstract Expressionism: The Life and Art of Barnett Newman

    Barnett Newman, born in 1905 in New York City to Jewish immigrant parents from Poland, emerged as a pivotal figure in the landscape of American art. His journey wasn’t one of immediate recognition but rather a slow burn of artistic exploration and philosophical inquiry that ultimately redefined the possibilities of abstract painting. Initially studying at the Art Students League and later at the City College of New York, Newman absorbed the influences of his time – the burgeoning Cubism of Picasso and the vibrant color palettes of Matisse were early touchstones. However, he soon felt constrained by these established modes of representation, sensing a need to forge a new visual language capable of expressing the anxieties and spiritual longings of the post-war era. He even destroyed much of his earlier representational work, a deliberate act signifying his commitment to an entirely new artistic path. This period of self-imposed creative destruction was crucial; it cleared the ground for the radical simplicity that would come to define his mature style.

    The Birth of the “Zip” and the Expansion of Color

    Newman’s breakthrough arrived with the development of what he famously termed "zips"—vertical bands of color that bisect vast fields of monochrome hues. These weren't merely lines; they were dynamic forces, asserting presence within the expansive emptiness of the canvas. His first solo exhibition in 1943 at Betty Parsons Gallery marked a significant step, though initial reactions were mixed. It was with works like Onement VI (1950-51) that Newman truly established his signature aesthetic. The painting’s sheer scale and austere composition—a single red zip dividing the canvas into fields of orange and red—were revolutionary. Vir Heroicus Sublimis (1958-60), a monumental work, further solidified this approach, its multiple zips creating a sense of spatial depth and evoking feelings of awe and contemplation. The “zip” wasn’t simply an aesthetic device; it was a structural element that simultaneously divided and unified the canvas, acting as a symbolic marker of human presence within the infinite. Newman's work also included pieces like "Rothko by Newman", showcasing his unique style in relation to another key figure in Abstract Expressionism.

    Spirituality, The Sublime, and Philosophical Underpinnings

    Beyond mere aesthetics, Newman’s art was deeply rooted in philosophical and spiritual concerns. He rejected the notion that painting should merely depict the external world, believing instead that it could serve as a vehicle for exploring profound existential questions. He sought to capture what he called “the sublime”—an experience of overwhelming grandeur and transcendence—through his abstract forms. This wasn’t about religious iconography but rather an attempt to evoke a primal sense of awe and wonder in the viewer. Newman was profoundly affected by the horrors of World War II and the dawn of the nuclear age, believing that traditional artistic conventions were inadequate for expressing the anxieties and moral complexities of this new era. His paintings became arenas for confronting these issues, offering not answers but rather spaces for contemplation and emotional resonance. He saw his work as a rejection of societal norms and an affirmation of individual freedom, striving to create art that was both intellectually rigorous and emotionally powerful.

    Legacy and Influence on Modern Art

    Barnett Newman’s impact on the development of Abstract Expressionism—alongside contemporaries like Mark Rothko and Jackson Pollock—is undeniable. He wasn't simply a painter; he was a theorist, a writer, and an advocate for a new kind of art that prioritized emotional truth over representational accuracy. His innovative use of color and form profoundly influenced subsequent generations of artists, particularly those working in Color Field painting and Minimalism. Artists who followed found inspiration in his reductionist approach and his emphasis on the experiential qualities of art. Today, Newman’s work is held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, D.C., cementing his place as a central figure in 20th-century art history. His paintings continue to challenge and inspire viewers, inviting them to engage with fundamental questions about human existence, spirituality, and the power of abstract form.

    Further Exploration

    Key Themes: Spirituality, The Sublime, Human Existence, Post-War Anxiety.

    Influences: Henri Matisse, Pablo Picasso, Cubism, Surrealism.

    Notable Works: Onement VI, Vir Heroicus Sublimis, “Rothko by Newman”, The Song of Orpheus.

    Artistic Style: Abstract Expressionism, Color Field Painting, characterized by large fields of color and vertical "zips".

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Onement I

    allpaintingsstore.com/en/art/download/barnett-newman-onement-i-D3JBV3-en/

    Cite this artwork

    MLA
    Newman, Barnett. Onement I. 1948, MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/barnett-newman-onement-i-D3JBV3-en/
    APA
    Newman, Barnett (1948). Onement I [Painting]. MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/barnett-newman-onement-i-D3JBV3-en/
    Chicago
    Barnett Newman. Onement I. 1948. MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/barnett-newman-onement-i-D3JBV3-en/
    Harvard
    Newman, Barnett (1948) Onement I. MOMA - Museum of Modern Art. Available at: https://allpaintingsstore.com/en/art/barnett-newman-onement-i-D3JBV3-en/

    Look closely

    Onement I — Barnett Newman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: red line, brown background, color field. Do you agree? What would you add, or take away?
    4. Look back at Black Fire I (1963), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Onement I — Barnett Newman

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic style associated with Barnett Newman's "Onement I"?

      • A Cubism
      • B Impressionism
      • C Color Field Painting
    2. 2. The painting features a prominent element – what is it?

      • A A portrait of Newman
      • B A landscape scene
      • C A vertical line or "zip"
    3. 3. In what year was “Onement I” created?

      • A 1920
      • B 1948
      • C 1965
    4. 4. What is the dominant color palette used in "Onement I"?

      • A Bright blues and greens
      • B Warm reds and yellows
      • C Monochromatic browns
    5. 5. “Onement I” exemplifies a key concept within Abstract Expressionism – how does it relate to the artist's exploration of emotion?

      • A It aims to depict realistic representations of nature.
      • B It seeks to convey spiritual contemplation and transcendence.
      • C It focuses on capturing fleeting moments in time

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4A · 5B