Paper

Student Artwork Guide

Untitled

Name Class Date

Edith Behring, Untitled, Centro Cultural Banco do Brasil - Brasília. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edith Behring allpaintingsstore.com/en/artists/edith-behring/
Artist’s dates
1916 – 1996
Medium
Woodcut The picture is whatever is left standing after the rest of a wooden block is cut away.
Original size
5 x 54 cm
Movement
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Period
Modern
Held at
Centro Cultural Banco do Brasil - Brasília allpaintingsstore.com/en/museums/centro-cultural-banco-do-brasil-brasilia-brasilia/
Artistic style
Geometric Abstraction
Influences
Candido Portinari
Notable elements or techniques
Layered circles, Bold lines
Subject or theme
Abstract Composition

In context

Untitled — Edith Behring

How big is it?

The original measures 5 × 54 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 80 at death.

Shaded: the lifetime of Edith Behring (1916–1996) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Untitled allpaintingsstore.com/en/art/edith-behring-untitled-D9HL5X-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/edith-behring-untitled-D7BVLL-en/

Colours

Measured from the image

    Main colour

    Putty #f4e7d0

    Catalogued palette

    • #F4E7D0
    • #4B3D2E
    • #847358
    • #BD812D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Untitled — Edith Behring

    A Symphony of Geometry and Shadow

    In the quiet realm of abstract minimalism, Edith Behring’s Untitled stands as a profound meditation on form and equilibrium. This striking monochrome woodcut print invites the viewer into a rhythmic exploration of celestial or perhaps microscopic geometry. At its heart lies a commanding central orb, a dark nucleus that anchors the entire visual field, creating a sense of gravitational pull within the composition. Surrounding this primary figure is a delicate constellation of smaller circles, strategically placed to create a sense of orbital motion and a dance of light and shadow.

    The artwork presents a dense and layered composition where varying sizes and overlapping circles create a rich, textured surface. The dominant black ink is masterfully contrasted by areas of pale yellow, gold, and white, lending the piece an ethereal quality. Through the use of horizontal bands to define distinct sections, Behring establishes a strong visual rhythm that guides the eye across the page, much like a musical score composed of shapes rather than notes.

    The Tactile Soul of Woodcut Printing

    The power of this piece resides deeply in its technique. As a woodcut print, the artwork possesses an inherent physicality; the visible grain of the wooden block and the subtle variations in ink density add a layer of organic depth that purely digital or smooth-surface works often lack. These textures create a sense of movement, where the bold, graphic lines defining each circular form feel carved from the very essence of the material itself.

    This mastery of printmaking allows for a complex yet controlled pattern, where the interplay between the crisp edges and the slightly irregular, textured surfaces suggests a world caught between the precision of mathematics and the unpredictability of nature. For the collector or interior designer, this piece offers a sophisticated textural element that can anchor a room with its starkly sophisticated palette and commanding presence.

    Symbolism and Emotional Resonance

    While the subject matter is purely abstract and devoid of recognizable figures, the emotional impact of Untitled is deeply felt. The arrangement of circles may evoke themes of cycles, patterns, or the profound interconnectedness of all things in the universe. There is a sense of cosmic order found within the chaos of the overlapping shapes, offering a moment of contemplative stillness to anyone who gazes upon it.

    The piece functions as a portal to an inner landscape, where the viewer can confront themes of balance and void. Whether perceived as a view into a microscopic cellular structure or a macroscopic planetary alignment, the work transcends its monochrome limitations to provide a rich, emotive experience. It is an ideal acquisition for those seeking a high-quality reproduction that brings both intellectual depth and a timeless, modern elegance to a curated space.

    Artist and museum

    Artist

    Edith Behring

    Born in Rio de Janeiro, Brazil

    Early Life and Education

    Birth and Origins: Edith Behring was born in Rio de Janeiro, Brazil, on January 17, 1916.

    Artistic Training: She received foundational training in drawing and painting from the renowned Brazilian artist Candido Portinari. This mentorship significantly influenced her early artistic development.

    Formal Education: Behring pursued formal art education, earning a degree in Art Education from the Universidade do Distrito Federal. This academic background complemented her practical studio training.

    Career Development and Influences

    Early Teaching Experience: From 1944 to 1950, Behring lived in Belo Horizonte where she taught drawing at the Escola Guignard. This period exposed her to diverse artistic currents.

    Continued Studies: Upon returning to Rio de Janeiro, she furthered her studies with Axl Leskoschek and Carlos Oswald at the Fundação Getúlio Vargas, broadening her artistic perspective.

    International Exposure: In 1953, Behring was awarded a scholarship to study painting in Paris. However, she shifted her focus to metal engraving during this time, studying with Flávio Shiró, João Luís Chaves and Mário Carneiro.

    Key Influences: Her work reflects influences from Brazilian Modernism and European art movements, blending local themes with international styles. She was inspired by the works of Portinari as well as contemporary European artists.

    Artistic Style and Major Achievements

    Exhibition History: Behring’s career included numerous solo exhibitions in Brazil, Peru, Argentina, Paris, and Rome. She actively showcased her work internationally.

    Biennial Participation: She was a regular participant in the São Paulo Art Biennial from 1957 to 1967, gaining recognition among prominent Brazilian artists.

    Awards and Recognition: In 1980, she received an award for best individual exhibition by the Associação Paulista de Críticos de Arte, acknowledging her artistic merit.

    Artistic Characteristics: Her style is characterized by bold colors, expressive brushstrokes, and exploration of themes related to nature, human figures, and abstract forms. She worked in various mediums including painting, engraving, and woodcut.

    Legacy and Historical Significance

    Impact on Art Education: Behring played a significant role in shaping the Brazilian art education system, inspiring future generations of artists and educators. She helped establish the engraving studio at the Museum of Modern Art, Rio de Janeiro.

    Museum Collections: Her work is held in various museums and private collections, including the Museu de Arte de São Paulo and the Pinacoteca do Estado de São Paulo, ensuring her artistic legacy endures.

    Continued Relevance: Edith Behring’s contributions to Brazilian Modernism continue to be studied and appreciated. Her work provides valuable insight into the evolution of art in Brazil during the 20th century.

    Behring passed away in Rio de Janeiro in 1996, leaving behind a rich artistic legacy that continues to inspire and influence artists today.

    Museum

    Centro Cultural Banco do Brasil - Brasília

    On show in Brasília, Brazil

    A Modernist Sanctuary in the Heart of Brasília

    In the heart of a city sculpted by modernist ambition, where clean lines and geometric precision define the horizon, the

    Centro Cultural Banco do Brasil – Brasília

    emerges as a luminous sanctuary for the creative spirit. Established in 2000, this institution is far more than a mere repository for artifacts; it is a living, breathing dialogue between Brazil’s rich historical heritage and its pulsating contemporary pulse. As part of a prestigious network initiated by Banco do Brasil, the CCBB Brasília serves as a vital cultural crossroads where cinema, theater, music, and literature converge. To step inside is to enter a space where the architectural elegance of Alba Rabelo Cunha meets the boundless imagination of the Brazilian people, creating an atmosphere that is simultaneously sophisticated and deeply accessible.

    The architecture itself acts as a silent protagonist in the museum's narrative. Eschewing the heavy ostentation often found in grander metropolitan institutions, the building embraces a refined minimalism that mirrors the very essence of Brasília. Its design utilizes textured concrete panels and a layout that maximizes the influx of natural light, fostering an environment of clarity and contemplation. This intentional use of space allows the museum to feel intimate yet expansive, providing a serene backdrop for the diverse array of media on display. For the interior designer or art enthusiast, the building offers a masterclass in how structural harmony can elevate the sensory experience of viewing art, making every exhibition feel like an integrated part of a larger, cohesive aesthetic vision.

    A Curated Journey Through Brazilian Identity

    The soul of the CCBB Brasília resides in its meticulously curated collection, which prioritizes the exploration of Brazil's multifaceted cultural identity. Rather than clinging solely to the static weight of historical masterpieces, the institution champions the avant-garde and the contemporary, seeking works that provoke thought and reflect current social shifts. One cannot wander through these halls without being struck by the geometric prowess of

    Francisco Togni

    , whose piece

    ‘Utilitary Centro Cultural (lado B)’

    utilizes a palette of cool tones to capture an industrial realism that is both haunting and beautiful. This commitment to abstraction and form is balanced by the delicate, expressive mastery of

    Carybé

    , whose pen and ink drawings offer a tender, meticulous window into the traditional rhythms of Brazilian life.

    This dynamic programming extends far beyond the permanent collection, as the museum is renowned for its ceaseless pursuit of artistic evolution. The galleries frequently transform to host temporary exhibitions that tackle profound themes—from the intricate photographic narratives of the Pará region to poignant explorations of the Black experience in Brazil. These showcases are not merely displays but intellectual provocations, often inviting visitors to confront challenging social truths with nuance and sensitivity. By blending high art with social discourse, the CCBB Brasília ensures that its halls remain a site of active engagement, where the act of looking becomes an act of understanding, making it an indispensable destination for collectors seeking depth and curators seeking relevance.

    A Legacy of Accessibility and Connection

    What truly distinguishes the Centro Cultural Banco do Brasil is its profound commitment to cultural democratization. Conceived as a space that transcends social boundaries, the museum operates under the belief that art belongs to everyone. This mission is realized through an expansive educational program that includes workshops, lectures, and community events designed to nurture curiosity across all generations. It is this dedication to fostering a new lineage of artists and thinkers that cements its role as a cornerstone of the Brazilian landscape. Whether one is drawn by the allure of international cinema screenings or the immersive power of a large-scale installation, the CCBB Brasília offers an experience that is both intellectually enriching and emotionally resonant, standing as a beacon of creativity in the modern age.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    allpaintingsstore.com/en/art/download/edith-behring-untitled-D7BVLL-en/

    Cite this artwork

    MLA
    Behring, Edith. Untitled. n.d., Centro Cultural Banco do Brasil - Brasília. https://allpaintingsstore.com/en/art/edith-behring-untitled-D7BVLL-en/
    APA
    Behring, Edith (n.d.). Untitled [Painting]. Centro Cultural Banco do Brasil - Brasília. https://allpaintingsstore.com/en/art/edith-behring-untitled-D7BVLL-en/
    Chicago
    Edith Behring. Untitled. n.d. Centro Cultural Banco do Brasil - Brasília. https://allpaintingsstore.com/en/art/edith-behring-untitled-D7BVLL-en/
    Harvard
    Behring, Edith (n.d.) Untitled. Centro Cultural Banco do Brasil - Brasília. Available at: https://allpaintingsstore.com/en/art/edith-behring-untitled-D7BVLL-en/

    Look closely

    Untitled — Edith Behring

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract art, geometric design, circular forms. Do you agree? What would you add, or take away?
    4. Look back at Untitled, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Untitled — Edith Behring

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the predominant color scheme of Edith Behring's “Untitled” print?

      • A Red and Yellow
      • B Green and Brown
      • C Black, Pale Yellow/Gold, and White
    2. 2. Which artistic movement is most closely associated with the style of this woodcut print?

      • A Renaissance
      • B Impressionism
      • C Geometric Abstraction
    3. 3. What technique is primarily employed in creating the textured surface of “Untitled”?’

      • A Oil Painting
      • B Watercolor
      • C Woodcut Printing
    4. 4. The composition utilizes horizontal bands. What do these bands primarily serve to accomplish?

      • A To create a realistic depiction of landscape.
      • B To define distinct sections within the image and establish visual rhythm.
      • C To emphasize the emotional intensity of the artwork.
    5. 5. What symbolic element is suggested by the arrangement of densely overlapping circles?

      • A Religious iconography
      • B Botanical representation
      • C Cycles, patterns, or interconnectedness

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I see "Untitled" by Edith Behring under different lights?

    The X-Ray page of "Untitled" by Edith Behring is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    How intense are the colors in "Untitled" by Edith Behring?

    The colors in "Untitled" by Edith Behring have a balanced intensity.

    How does "Untitled" balance light and dark?

    The recorded values for "Untitled" by Edith Behring are: brilliant brightness, bright balance luminance.