Self-portrait
80.0 x 66.0 cm
Accademia di San Luca
Giclée / Impresión de arte
Impresiones giclée o en lienzo de calidad de museo con producción rápida y opciones de acabado flexibles. ( Cambiar a pintura hecha a mano
Cambiar a imagen)
Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.
Puede introducir sus propias dimensiones para adaptarse a un marco o espacio específico. Si el tamaño seleccionado no coincide con las proporciones de la imagen original, recortaremos la obra de arte o extenderemos la imagen con un borde con efecto espejo o de color sólido. Se enviará una maqueta digital para su aprobación antes de que comience la producción.
Tenga en cuenta que la vista previa en pantalla no refleja el recorte o la extensión real. Solo la maqueta mostrará con precisión la composición final.
Aunque existen tamaños personalizados, recomendamos seleccionar una dimensión de la lista predefinida para preservar las proporciones originales.
Envío a todo el mundo () en 2 semanas en lugar de las 4/5 semanas estándar. (4 agosto)
Envío exprés gratuito a todo el mundo
Lienzo de lino de alta calidad
Seguro de envío completo
Garantía de reembolso de aranceles aduaneros
Garantía de fidelidad cromática exacta
Política de devolución de 60 días (solo por defectos)
Garantía de devolución del 100% del dinero
Oferta por volumen
Self-portrait
Giclée / Impresión de arte
Tamaño de la reproducción
-
Precio total
$ 64
Obras relacionadas
Biografía del artista
Ettore Ximenes (1855 – 1926): Sculptor of Sicilian Dignity and Neo-Renaissance Vision
Ettore Ximenes, born April 11, 1855, in Palermo, Italy, stands as a testament to the flourishing artistic landscape of late nineteenth-century Sicily. The son of Antonio Ximenes and Giulia Tolentino—a noblewoman whose lineage traced back to Sicilian aristocracy—Ximenes’ early life was marked by intellectual pursuits alongside an innate fascination with sculpture. Initially drawn to literature, he swiftly transitioned his focus towards mastering the craft of stone carving, enrolling at the Palermo Academy of Fine Arts where he honed his skills under influential instructors. This formative period instilled in him a dedication to meticulous observation and anatomical precision—qualities that would define his artistic trajectory. Following 1872, Ximenes continued his artistic education at the Naples Academy of Fine Arts, collaborating closely with Vincenzo Gemito and Stanislao Lista. These mentors championed a stylistic approach rooted in classical ideals, shaping Ximenes’ understanding of form and proportion. He embraced Neo-Renaissance principles, mirroring the grandeur of antiquity while simultaneously injecting emotive depth into his creations. This synthesis resulted in sculptures imbued with both intellectual rigor and palpable human feeling—a hallmark of his oeuvre. Ximenes' artistic style is characterized by a profound respect for realism combined with subtle symbolic gestures. His works frequently explore themes of civic virtue, dignity, and remembrance, reflecting the spirit of Sicilian identity during a period of significant social and political transformation. He skillfully employed techniques honed through years of disciplined practice—modeling clay, carving marble, polishing stone—to achieve breathtaking levels of detail and textural nuance. The artist’s meticulous attention to surface finish ensured that every sculpture radiated an aura of timeless beauty. Among Ximenes' most celebrated achievements is his monumental contribution to the Scrovegni Chapel in Padua, Italy – specifically, “Expulsion of Joachim from the Temple.” Commissioned by Enrico Scrovegni, this fresco depicts a pivotal scene from biblical narrative with remarkable fidelity to Giotto di Bondone’s original vision. Ximenes' painstaking reconstruction captured not only the visual splendor of Giotto’s masterpiece but also its spiritual essence—a feat that cemented his reputation as one of Italy’s foremost sculptors. Furthermore, Ximenes’ artistic sensibilities resonated with contemporaries like Sandro Botticelli and Vincenzo Marinelli, establishing him as a pivotal figure within the broader Neo-Renaissance movement. He established a studio in Florence in 1873 where he studied under Domenico Morelli and Stanislao Lista. He exhibited *Work without Genius* at Vienna in 1877 and *The Equilibrium* about a gymnast walking on a sphere, which was replicated in small marble and bronze statuettes. Ximenes’ artistic journey led him to Paris in 1878 where he encountered Auguste Rodin and Jean-Baptiste Carpeaux—artists who profoundly influenced his stylistic evolution. He participated in the Exposition Universelle de Paris of 1878, showcasing *The Brawl* and *il Marmiton*. His prolific output included sculptures depicting religious figures and mythological narratives, reflecting the artistic currents of his time. Notable works include *Christ and the Adultress*, *Il cuore del re (Heart of the King)*—a poignant portrayal of King Vittorio Emanuele II encountering a peasant child—and *Ragazzi messi in fila*. He also undertook commissions for public monuments across Italy, Ukraine, and the United States, leaving an indelible mark on the architectural landscape. His dedication to craftsmanship and artistic vision ensured that his sculptures would endure as symbols of Sicilian dignity and Neo-Renaissance grandeur. His influence extended beyond individual pieces; he fostered a tradition of sculptural excellence that continues to inspire artists striving for artistic integrity and technical mastery. Explore more about Ettore Ximenes' work on AllPaintingsStore.com!ettore ximenes
1855 - 1926 , Italia
Datos clave
- Artistic Movement Or Style: Realism, Symbolist & Neo-Renaissance
- Artists Who Influenced This Artist:
- Giotto di bondone
- Sandro botticelli
- Vincenzo marinelli
- Date Of Birth: 1855
- Date Of Death: 1926
- Full Name: ettore ximenes
- Nationality: Italian
- Notable Artworks: ['Scrovegni - [01] - expulsion of joachim from the temple']
- Place Of Birth: Palermo, Italy

La opción de vidrio solo está disponible en tamaños inferiores a 110 cm.