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      Atelier · Est. 2015 · París, Francia
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      Reason

      Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

      Preguntas y respuestas

      ¿Es "Reason" de Kader Attia una obra de tonos claros u oscuros?

      Los valores registrados para "Reason" de Kader Attia son: shadow de brillo y Soft Shadow de luminancia.

      ¿Cómo se combinan el contraste y la armonía en "Reason"?

      En "Reason", un Statement contraste se combina con una Strong Color Unity armonía.

      ¿Dónde puedo comprar reproducciones pintadas a mano de "Reason" de Kader Attia?

      "Reason" está disponible como una reproducción al óleo pintada a mano sobre lienzo de lino. Puede realizar su pedido en la página de Reproducción al óleo pintada a mano, con una variedad de tamaños disponibles.

      Kader Attia (1970 –)

      Kader Attia: Artista argelino-francés reconocido por sus esculturas e instalaciones que exploran el poscolonialismo, la reparación y la identidad cultural. Ganador del Premio Marcel Duchamp.

      EVA International (Limerick, República de Irlanda)

      Como la principal bienal de arte contemporáneo de Irlanda, EVA International transforma Limerick con exposiciones innovadoras en lugares históricos como el Castillo de King John, invitándote a explorar la creatividad global.

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