1985. Acrylic On Canvas.
§ 1Kataloogandmed
See teos on autoriõigusega kaitstud
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
§ 2Abstraktne
Kogumisobjekti kirjeldus
Experience Francis Bacon's intensely emotional 'Study for Self-Portrait, Left,' a 1985 painting capturing the artist’s signature style with a man smoking and gazing intently. This visceral artwork evokes post-war anxieties and offers a unique opportunity to own a piece of art history.
Kunstniku elulugu
Francis Bacon (1909-1992) - iiri päritolu Briti kunstnik, tuntud emotsionaalsete figuratiivsete maalidega, mis kujutavad inimhinge sügavamaid traume ja eksistentsiaalset hirmu. Vaata tema "Kolm uuringut..." sarja ja Papa Innocent X'i reinterpretationi.
§ 3Kommentaar
A Study in Existential Anguish: Francis Bacon’s “Study for Self-Portrait, Left”
Francis Bacon's "Study for Self-Portrait, Left," painted in 1985, is not merely a depiction of a man with a cigarette; it’s a visceral embodiment of the anxieties and isolation that defined his oeuvre. Created during a period of intense personal reflection and artistic experimentation, this work exemplifies Bacon’s signature style – a brutal honesty rendered through distorted forms and unsettling color palettes. The figure, slumped almost unnaturally in an implied posture of contemplation, immediately draws the viewer into a realm of profound unease. The cigarette itself, a recurring motif in Bacon's art, becomes a symbol not just of habit but of a desperate attempt to find solace or distraction from the overwhelming weight of existence.
The Raw Expressionism of a Troubled Genius
- Style: Bacon’s work falls squarely within the realm of expressionism, yet he transcends simple categorization. His style is often described as “nightmarish realism,” characterized by elongated figures, grotesque distortions, and a deliberate rejection of traditional perspective.
- Technique: Executed primarily in oil paint, the canvas is layered with thick impasto strokes, creating a tactile surface that amplifies the sense of unease. Bacon’s use of color – predominantly muted reds, browns, and yellows – contributes to the painting's oppressive atmosphere. The application of paint is deliberately rough and gestural, conveying a feeling of raw emotion rather than polished representation.
Historical Context and the Post-War Landscape
"Study for Self-Portrait, Left" was created in 1985, a time when Bacon’s artistic reputation had reached its zenith. The painting reflects the broader cultural anxieties of the late 20th century – the disillusionment following World War II, the rise of existentialism, and the increasing sense of alienation within modern society. Bacon's work resonated with this mood, capturing the feeling of being adrift in a world devoid of meaning or certainty. His personal life, marked by instability and emotional turmoil, undoubtedly informed his artistic vision, allowing him to translate his own struggles into universally relatable symbols of human suffering.
Symbolism and the Portrait of Isolation
The painting’s symbolism is deliberately ambiguous, inviting multiple interpretations. The slumped posture suggests defeat or resignation, while the off-camera gaze implies a sense of detachment and isolation. The cigarette, a frequent motif in Bacon's work, can be seen as representing both addiction and a futile attempt to ward off despair. It’s crucial to note that this is not a conventional self-portrait; rather, it’s an exploration of the *idea* of the self – a fragmented, vulnerable being struggling against the forces of chaos and oblivion. The unfinished quality of the work—the “Study” designation—further emphasizes this sense of incompleteness and ongoing struggle.
A Timeless Reflection on the Human Condition
"Study for Self-Portrait, Left" remains a powerfully unsettling and profoundly moving artwork. It’s a testament to Bacon's ability to tap into the darkest corners of the human psyche and translate them onto canvas with unflinching honesty. This reproduction offers an opportunity to experience this iconic work firsthand, bringing its raw emotional power into your space. Its enduring appeal lies in its ability to provoke contemplation about our own mortality, isolation, and the search for meaning in a seemingly meaningless world.
Korduvad küsimused
Mis on soovitatav trükkimõõt teosele „Study for Self-Portrait, left“, autor Francis Bacon?
Teosele „Study for Self-Portrait, left“, autor Francis Bacon on soovitatav printida suuruses Large. Suurust saab muuta, säilitades samal ajal proportsioonid.
Kes müüb teose "„Study for Self-Portrait, left“, autor Francis Bacon" käsitsi maaldatud koopiaid?
Teose „Study for Self-Portrait, left“, autor Francis Bacon käsitsi maaldatud reproduktsiooni saab tellada otse selle Käsitsi maalatud reproduktsioon lehelt: käsitsi maalatud õlireproduktsioon linaelapale, valmistatud tellimusest.
Kas "Study for Self-Portrait, left" on üks Francis Bacon populaarsemaid teoseid?
Teos "Study for Self-Portrait, left" kuulub kategooria Iconic hulka.



Kunstiteoste või reproduktsioonide puhul, mille üks külg on üle 105 cm (umbikmolt 41 tolli), saadetakse raam kirjal asendis, la Dismantlitud komplektina. See meetod tagab ohutuse kohaletoimetamisel ja väldib transpordil tekkivaid kahjustusi.



