1951. Oil On Canvas.
§ 1Kataloogandmed
See teos on autoriõigusega kaitstud
Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Loe lähemalt§ 2Abstraktne
Kogumisobjekti kirjeldus
No.18 by Mark Rothko – A striking color field painting featuring layered hues of red, white, and orange, created in 1951 amidst the backdrop of Latvian Jewish heritage.
Kunstniku elulugu
Mark Rothko (1903-1970) – abstraktsionistlik kunstnik, tuntud Color Field maalide poolest. Tema emotsionaalsed värvilised pindade teosed ja Rothko kabel on olulised 20. sajandi kunstis.
§ 3Kommentaar
A Symphony of Saturated Silence
Mark Rothko’s No.18 stands as a profound testament to the enduring power of color field painting, a movement that fundamentally revolutionized artistic expression in the mid-20th century. Created in 1951, this monumental canvas embodies Rothko's signature approach: the deliberate layering of saturated hues onto a textured surface to evoke a deep, visceral emotional resonance. To gaze upon No.18 is to enter a space where the boundaries between the viewer and the canvas begin to dissolve. The painting eschews traditional representational imagery, opting instead for amorphous, bleeding rectangles of crimson red and luminous white that seem to pulse with a life of their own. This technique was never merely about visual aesthetics; it was a conscious effort by Rothko to bypass intellectual analysis and tap directly into the subconscious mind, inviting a sensory engagement that transcends the spoken word.
The technical mastery behind this piece lies in its subtle, tactile complexity. Through the application of multiple coats of oil paint, Rothko achieved a surface depth that invites the eye to wander through layers of light and shadow. The composition is dominated by a striking contrast: a powerful red area commands the left side of the frame, bleeding softly into a vast expanse of white that covers much of the right. A sudden, unexpected flicker of orange in the top right corner provides a momentary spark of warmth, breaking the tension between the primary tones. This interplay of color and texture creates a breathing, living organism of paint, making it an extraordinary centerpiece for any collection or a sophisticated focal point in a thoughtfully curated interior.
Echoes of History and Spiritual Yearning
To understand the gravity of No.18, one must look toward the historical landscape from which it emerged. The painting was birthed in the aftermath of World War II, an era defined by widespread disillusionment and a global sense of existential questioning. Rothko himself carried a profound personal history of loss—most notably the death of his father in 1937—which fueled his lifelong preoccupation with themes of mortality and spiritual yearning. These themes, deeply rooted in Jewish mysticism, find their way into the very fabric of the canvas. The painting serves as a bridge between the trauma of the post-war world and a search for transcendence.
The symbolism within the work is both universal and deeply personal. The choice of red and white is far from arbitrary; it reflects Rothko's belief in the primal language of color. Red symbolizes passion, vitality, and the raw energy of human existence, while the expansive white represents purity, light, and spiritual illumination. Together, they create a dialectic between the earthly and the divine, the heavy and the ethereal. For collectors and designers alike, No.18 offers more than just visual beauty; it offers an invitation to contemplation. It is a piece that demands presence, making it an ideal acquisition for those seeking to infuse their spaces with a sense of profound peace, intellectual depth, and timeless elegance.
Korduvad küsimused
Millist tunnet edastab „No.18“, autor Mark Rothko?
Teose „No.18“, autor Mark Rothko edastatud meeleolu on Serene ning selle emotsionaalne toon on Reflective.
Kas teose „No.18“, autor Mark Rothko värvid on kütkestatud või pehmed?
Teose „No.18“, autor Mark Rothko värvide kütkuse aste on Clear Color Presence. Kütkus kirjeldab, kui erksad või pehmed värvid on.
Millast ajastu kuulub teos "No.18"?
Teos „No.18“, autor Mark Rothko pärineb Modern ajast. See ajastu annab teosele ajaloolise konteksti.
Lülita trükkitoodetele
Kunstiteoste või reproduktsioonide puhul, mille üks külg on üle 105 cm (umbikmolt 41 tolli), saadetakse raam kirjal asendis, la Dismantlitud komplektina. See meetod tagab ohutuse kohaletoimetamisel ja väldib transpordil tekkivaid kahjustusi.
