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Röntgenuuring
SlaidietendusFree Fall
2006
300.0 x 150.0 cm
Auckland Art Gallery Toi o Tāmaki
Loe lähemalt
Giclée / Kunstiprint
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (
Osta käsitsi maalitud maal Osta pilt)
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Palun märka, et ekraanil kuvatav eelvaade ei kajasta tegelikku lõigamist või laiendamist. Ainult näidis kujutab täpselt lõplikku kompositsiooni.
Kuigi erimõõdu on saadaval, soovitame originaaproportsioonide säilitamiseks valida mõõt ette määratud nimekirjast.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (24 august)
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Kõrgekvaliteediline linakangas
Täielik transpordikindlustus
Tollimaksude tagastamise garantii
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60-päevane tagastusõig: ainult tootmisdefektide korral
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Hulgusoodustus
Klaasivalik on saadaval ainult suuruses kuni 110 cm
Free Fall
Giclée / Kunstiprint
Reproduktsiooni suurus
-
Kogusumma
$ 64
Sarnased teosed
Kunstniku elulugu
The Convergence of Two Worlds
Born in Upper Hutt, New Zealand, in 1964, Shane William Cotton emerged as a profound voice in contemporary art, carrying with him the weight and wisdom of a dual heritage. As a descendant of Ngāti Rangi, Ngāti Hine, and Te Uri Taniwha, alongside Pākehā lineage, his very existence serves as a bridge between two historically colliding cultures. This intersection is not merely biographical but is the fundamental engine of his creative practice. His work does not simply depict history; it interrogates the complex, often painful, layers of biculturalism and the enduring legacies of colonialism that continue to shape the New Zealand landscape.A Visual Language of Colonialism and Spirit
Cotton’s canvases are dense with a meticulously curated iconography that draws from both Māori and European historical sources. He employs a complex set of symbols to navigate the delicate terrain of cultural identity, spirituality, and the cyclical nature of life and death. Through his brush, the viewer encounters a visual vocabulary where traditional Māori motifs meet the heraldic and colonial imagery of the Pākehā world. This symbolic language allows him to speak to contemporary issues of cross-cultural exchange and the spiritual echoes that persist through generations. His paintings often feel like sacred texts or historical maps, inviting deep contemplation on how memory is preserved and how identity is reconstructed in a post-colonial era.Topographies of Memory and Landscape
Technically, Cotton is celebrated for his distinctive use of a flattened picture plane, a stylistic choice that serves a much deeper conceptual purpose. By compressing space, he creates complex topographies that mirror the layered and often contested understandings of landscape and land ownership in Aotearoa. This technique allows him to present multiple layers of history simultaneously, where the physical earth and the spiritual realm overlap. His work captures the shifting nature of territory—not just as a geographical entity, but as a site of memory, struggle, and profound connection. As a key figure among a generation of Māori artists who rose to prominence in the 1990s, Cotton’s innovative approach continues to challenge how we perceive the intersection of art, history, and the land itself.
shane william cotton
1964 - , New Zealand
Lühikesed faktid
- Artistic Movement Or Style: Contemporary Painting
- Artists Or Movements Influenced By This Artist: ['Pop Art']
- Artists Who Influenced This Artist: ['Colin McCahon']
- Date Of Birth: 1964
- Full Name: Shane William Cotton
- Nationality: New Zealander
- Notable Artworks:
- Free Fall
- Knole House
- Place Of Birth: Upper Hutt, New Zealand
