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      Xueyang Zhao

      One Second

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      Discover xueyang zhao (Erica Zhao), a rising American artist born in 1999. Her paintings blend traditional techniques with modern elements, featuring bold colors and nature-inspired themes like peaches & constellations. Exhibited internationally!
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      Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

      See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.

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      Giclée / Kunstiprint

      Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Telli käsitsi maalitud reproduktsioon Ülemineku digitaalse pildi müügi kanalisse)

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      Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (27 oktoober)

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      € 56

      One Second

      Giclée / Kunstiprint

      Reproduktsiooni mõõtmed

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      Lõppsumma

      € 56

      One second is the time limitation of painting. Time can be seen through this limitation, and one second would appear differently. The great distinction between one second and one year sometime could be subtle as well. Many things could be changed in one year, or perhaps nothing happens. Zhao painted numerous lines by the second. Short and constrained, they exist in their way but appear to be trivial and meaningless. Two of these line paintings were dramatically blown up, which took a whole year for Zhao to finish them. Considering 31,536,000 seconds in a year, it may seem like a work in vain. However, for his own life of the year, no matter how much attention he had paid to this painting, it finally became a sporadic memory. We all have similar experiences: time flies, and the future remains uncertain, just like a sealed book.The juxtaposition of one second and one year is like a story with an untold beginning and ending. Thus, people can imagine any unknown happenings during this period. Things may be trivial, painful or depressive, but perhaps he is so happy that he doesn’t care about it.When One Second appears as a conceptual action, it raises a challenge to painting, and counters against slow temporality, controllability, and repeatability in the history of painting. In other words, One Second is the questioning to time or the span of life. However, more or less, there is a touch of heroism.

      Küsimused ja vastused

      Mis on teose „One Second“, autor Xueyang Zhao luminants?

      Teose "One Second" värvid näitavad Gentle Luminance luminantsi.

      Kust saan näha teose "One Second" eelvaadet?

      Teose „One Second“, autor Xueyang Zhao reproduktsiooni eelvaade saamiseks avage teose Eelvaade leht.

      Kas ma saan enne ostmist näha teost „One Second“, autor Xueyang Zhao oma seinal?

      Teose „One Second“, autor Xueyang Zhao leht AR-eelvaade kasutab täiendatud reaalset, et näidata teost ühilduva seadme abil teie enda ruumis.

      Sarnased teosed

      Paloma — Pablo Picasso, Cubism
      Pablo Picasso Paloma
      The Promenade — Paul Cézanne, Post-impressionism
      Paul Cézanne The Promenade
      Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Mark Šagall, Expressionism
      Mark Šagall Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
      Still Life With Apples And Pomegranates — Gustave Courbet, Contemporary Realism
      Gustave Courbet Still Life with Apples and Pomegranates
      Interior, Strandgade 30 — Vilhelm Hammershøi, Symbolism
      Vilhelm Hammershøi Interior, Strandgade 30
      Felix Gonzalez-torres, Conceptual Minimalism
      Felix Gonzalez-Torres
      Untitled 1984/87 — Jannis Kounellis, Arte Povera
      Jannis Kounellis Untitled 1984/87
      Blockade — Ali Talib Al-saffar, Abstract Expressionism
      Ali Talib Al-Saffar Blockade
      Singing Dragons — Amelia Amorim Toledo, Contemporary Sculpture
      Amelia Amorim Toledo Singing Dragons
      Satyr Playing Flute — Jacob Jordaens, Baroque
      Jacob Jordaens Satyr playing flute

      Kunstniku elulugu

      The Convergence of Heritage and Intellect

      In the burgeoning landscape of contemporary art, few voices resonate with as much poised duality as Xueyang Zhao. Born in Washington, D.C., in 1999, Zhao—often known by her name Erica—is an artist whose work is deeply informed by a rigorous intellectual foundation. Currently navigating the complex intersection of finance and art history through Tulane University’s prestigious Altman Program, she brings a unique analytical depth to her creative practice. This academic pursuit of language, culture, and economic structure does not compete with her artistry; rather, it provides the scaffolding upon which her visual narratives are built, allowing her to bridge the gap between classical tradition and modern innovation. Her journey is one of constant exploration, where the precision of her studies meets the fluid, emotive power of her brushwork.

      A Symphony of Symbolism and Color

      Zhao’s aesthetic is a vibrant dialogue between the seen and the symbolic, characterized by an unapologetic use of bold, emotive colors and meticulous detail. Her work often functions as a bridge between Eastern and Western influences, weaving together disparate cultural threads into a single, cohesive tapestry. She frequently employs motifs that act as profound cultural anchors; for instance, her recurring use of peaches serves as a nod to Eastern symbolism, representing longevity and prosperity. This is paired with the ethereal beauty of jade constellations, inspired by Chinese mythology, creating a stylistic fusion that feels both ancient and avant-garde. In signature pieces such as Peach, her impressionistic oil technique utilizes textured brushstrokes to capture an essence of intimacy and natural grace, inviting the viewer into a world where nature and myth are inextricably linked.

      Materiality and the Weight of Memory

      Beyond the surface beauty of her palette, Zhao’s exploration extends into the profound weight of human experience and the permanence of memory. Her ability to manipulate medium is as striking as her use of color, demonstrating a mastery over both the delicate and the monumental. In the poignant work Fragments, created in 2015, she responds to the tragedy of the Tianjin explosion by utilizing a large-scale brass plate. Here, the jagged edges of the metal mimic broken glass, transforming a moment of chaotic destruction into an object of eternal, golden contemplation. This capacity for introspection is equally evident in her Self-Portrait, where light and shadow are used to sculpt a quiet, internal monologue. Whether capturing the photographic realism of architectural grandeur in Madrid or the visceral textures of historical trauma, Zhao’s art remains a powerful testament to the resilience of the human spirit and the enduring power of visual storytelling.
      Xueyang Zhao

      Xueyang Zhao

      1999 - , United States of America

      Lühikest infot

      • Full Name: xueyang zhao / erica zhao
      • Nationality: American
      • Date Of Birth: 1999
      • Place Of Birth: Washington, United States of America
      • Notable Artworks:
        • Madrid
        • Peach
      • Artistic Movement Or Style: Impressionism & Pop Art
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