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Fair Breeze

Arthur Quartley (1839-1886): American marine painter of evocative seascapes – Chesapeake Bay, Long Island & New England. Influenced by Dutch Masters & a founding member of The Tilers.

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Corner sample of the P118B picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118B €10
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P118H €10
Corner sample of the P118W picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: valettu polystyreeni, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: valettu polystyreeni, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: valettu polystyreeni, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: valettu polystyreeni, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: valettu polystyreeni, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: massiivipuu, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: massiivipuu, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: massiivipuu, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: massiivipuu, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: massiivipuu, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massiivipuu, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: massiivipuu, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: massiivipuu, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: massiivipuu, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: massiivipuu, 6 cm wide and 3.5 cm thick
W953PJ €8

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Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.

leveys
korkeus

Syötä tarvitsemasi leveys ja korkeus, jotta tuloste sopii kehyksiisi tai seinällesi. Tulostetta voidaan vain leikata, sitä ei voida koskaan suurentaa alkuperäistä kuvaa suuremmaksi, joten eri muotoinen koko aiheuttaa osan kuvasta katoamisen. Lähetämme sinulle digitaalisen mallikuvan hyväksyttäväksi ennen kuin aloitamme tulostuksen. Tällä sivulla näkyvä kuva ei näytä lopullista rajausta — vain mallikuva näyttää sen.

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Kokonaishinta

€ 58

Fair Breeze

Giclée- ja taideprintit

Replikaatin koko

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Kokonaishinta

€ 58

Pikaista tietoa

  • artist: Arthur Quartley
  • influences: Dutch Masters
  • title: Fair Breeze
  • style: Marine painting

Taidevisat

Jokaisessa kysymyksessä on vain yksi oikea vastaus.

Kysymys 1:
In what year was 'Fair Breeze' painted?
Kysymys 2:
Arthur Quartley was particularly known for painting which type of scenes?
Kysymys 3:
According to the provided information, what artistic tradition influenced Arthur Quartley's work?
Kysymys 4:
Besides sailboats, what other elements contribute to the atmosphere of 'Fair Breeze'?

A Gentle Breeze and Golden Light

Arthur Quartley’s *Fair Breeze* (1882) is a captivating example of American marine painting, transporting viewers to a serene coastal scene. The artwork depicts three sailboats gracefully navigating calm waters under a sky dappled with clouds. Each vessel possesses distinct characteristics – from the two-sailed boat on the left, suggesting a more substantial craft, to the single-sailed skiff on the right, hinting at leisurely exploration. Scattered throughout the composition are birds in flight, adding a dynamic element and reinforcing the sense of freedom and natural beauty. Quartley’s skillful handling of light is particularly noteworthy; golden hues illuminate the sails and water, creating a warm and inviting atmosphere.

Technique & Artistic Influences

Quartley employed a meticulous technique characteristic of late 19th-century marine painters. His brushwork is both precise and expressive, capturing the texture of the water and the billowing forms of the sails with remarkable accuracy. He was deeply influenced by Dutch Masters known for their mastery of light and atmospheric effects – a legacy evident in *Fair Breeze’s* subtle gradations of tone and realistic depiction of natural phenomena. Quartley's background, beginning with training from his engraver father, instilled a dedication to detail that is apparent throughout the painting. He wasn’t simply recording what he saw; he was interpreting it through a lens informed by artistic tradition and personal observation.

Historical Context & The Rise of Marine Painting

The late 19th century witnessed a surge in popularity for marine paintings, particularly in America. This coincided with the growth of leisure activities like yachting and coastal tourism. Artists like Quartley catered to this growing interest, capturing scenes that evoked feelings of escape, tranquility, and national pride. Quartley specifically focused on the coasts of Chesapeake Bay, Long Island, and New England – regions experiencing increased accessibility and attracting a burgeoning middle class eager to experience the pleasures of the sea. *Fair Breeze* embodies this era’s fascination with maritime life and its romanticized vision of coastal landscapes. As a founding member of “The Tilers”, Quartley was part of a group dedicated to American landscape painting, further cementing his place within this artistic movement.

Emotional Resonance & Interior Design

*Fair Breeze* evokes a sense of peaceful contemplation and quiet joy. The gentle movement of the boats, the soft light, and the presence of birds create an atmosphere of harmony and tranquility. This artwork would be a stunning addition to a variety of interior spaces – from coastal-themed living rooms and bedrooms to sophisticated studies or libraries. Its calming palette of blues, greens, and golds complements both traditional and contemporary décor styles. A high-quality reproduction of *Fair Breeze* offers an opportunity to bring the beauty and serenity of the American coastline into any home, serving as a constant reminder of nature’s enduring power and grace.

Kysymykset ja vastaukset

Mitä väripalettia teoksessa Arthur Quartley:n "Fair Breeze" käytetään?

Teoksen "Fair Breeze" värit muodostavat Neutrals-väripaletin. Tämä luokitus kuvaa hallitsevia väriperheitä.

Miten voin hankkia teoksen Arthur Quartley:n "Fair Breeze" digitaalisen tiedoston?

"Fair Breeze" on saatavilla muodossa korkearesoluutioinen digitaalinen kuvalataus, ja sen voi ostaa suoraan sivulta Digitaalinen teos.

Kuka on teoksen "Fair Breeze" tekijä ja mikä on sen valmistumisvuosi?

Arthur Quartley loi teoksen "Fair Breeze" vuonna 1882.


Taiteilijan elämäkerta

Arthur Quartley: A Life in Marine Painting

Arthur Quartley (1839-1886) was an American painter celebrated for his evocative seascapes. His work captures the beauty and power of the marine environment, particularly along the coasts of Chesapeake Bay, Long Island, and New England.

Early Life and Education

Born in Paris, France, in 1839, Quartley spent his early childhood immersed in European culture before his family relocated to Baltimore, Maryland, when he was twelve years old. His artistic journey began under the tutelage of his father, Frederick William Quartley, an English engraver. His father instilled a rigorous work ethic, reportedly demanding two drawings per week from young Arthur.

At age seventeen, Quartley apprenticed as a sign painter in Baltimore, gaining practical skills that would later inform his artistic endeavors. However, his passion lay with painting, and he increasingly focused on capturing the marine landscapes of Chesapeake Bay.

Establishing a Career

  • In 1862, Quartley co-founded the design firm Emmart & Quartley in Baltimore, which quickly became renowned as the city’s leading decorating company.
  • Despite his success in the decorative arts, Quartley dedicated himself to painting marine scenes, holding a successful exhibition of his work at Norval H. Busey's studio in Baltimore.

Scholar Elizabeth Johns noted that Quartley’s paintings demonstrate a clear familiarity with the compositional techniques and treatment of light and color characteristic of Dutch marine masters.

Move to New York and Artistic Development

In 1875, seeking greater opportunities and artistic stimulation, Quartley moved to New York City. This move coincided with a shift in the American art scene, as the influence of the Hudson River School began to wane and new artistic groups emerged.

From New York, Quartley painted seascapes across various coastal regions:

  • Long Island bays
  • New York Harbor
  • The Isle of Shoals in New Hampshire
  • Naragansett Bay in Rhode Island

The Tilers and Artistic Community

Quartley became a founding member of The Tilers, a unique group comprised of artists and writers, including luminaries such as Winslow Homer, William Merritt Chase, and Augustus Saint-Gaudens. They met regularly to exchange ideas, decorate ceramic tiles – promoting their work through this innovative medium – and embark on painting excursions.

A notable excursion in 1878 took Quartley and ten other artists to Eastern Long Island, where he created both seascape paintings and a blue-painted tile depicting an introspective girl at the beach. Journalist and philanthropist John W. McCoy actively supported the careers of Quartley and sculptor William H. Rinehart.

Recognition and Legacy

  • In 1876, Quartley was elected to the National Academy, a testament to his growing reputation within the art world.
  • He was included among sixty-eight painters featured in the publication American Painters (1880), solidifying his position as a prominent figure in American art.

Some of Quartley’s most noteworthy canvases include:

  • Early Moonlight, Naragansett Bay (1877)
  • Afternoon in August, Coast of Maine (1878)
  • Low Country on the North Shore of Long Island (1881)

Arthur Quartley’s work offers a captivating glimpse into 19th-century American marine painting. His ability to capture the subtle nuances of light and atmosphere, combined with his technical skill, continues to resonate with art enthusiasts today.

Arthur Quartley

Arthur Quartley

1839 - 1886 , France

Pähkinänkuoressa

  • Name: Arthur Quartley
  • Movement: Hudson River School, The Tilers
  • Birth Date: May 24, 1839
  • Death Date: May 19, 1886
  • Birth Place: Paris, France
  • Nationality: American
  • Date Of Birth: 1839
  • Date Of Death: 1886
  • Influenced By: Dutch Masters
  • Notable Works:
    • Early Moonlight, Naragansett Bay
    • Afternoon in August, Coast of Maine
    • Low Country on the North Shore of Long Island
  • Place Of Birth: Paris, France