Untitled
Abstract Expressionism
1986
335.0 x 488.0 cm
Giclée-printit ja taideprintit
Museolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla. ( Osta käsintehty maalaus
Osta kuva)
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Voit syöttää omat mitat sopiaksesi tiettyyn kehykseen tai tilaan. Jos valittu koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme teosta tai laajennamme kuvaa peilatulla tai yhtenäisellä reunalla. Digitaalinen mallikuva lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomaathan, että näytöllä näkyvä esikatselu ei vastaa lopullista rajausta tai laajennusta. Vain mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka räätälöityjä kokoja on saatavilla, suosittelemme valitsemaan mitat valmiista listasta alkuperäisten mittasuhteiden säilyttämiseksi.
Toimitus maailmanlaajuisesti () kahdessa viikossa tavallisen 4–5 viikon sijaan. (25 elokuu)
Ilmainen pikatoimitus ympäri maailman
Korkealaatuinen pellavakangas
Kattava kuljetusvakuutus
Tulliveron palautustakuu
Täydellinen värien vastaavuustakuu
60 päivän palautusoikeus (vain valmistusvirheet)
100% rahat takaisin -takuu
Määräalennus tarjous
Untitled
Giclée-printit ja taideprintit
Replikaatin koko
-
Kokonaishinta
$ 64
Samankaltaisia teoksia
Taiteilijan elämäkerta
The Architect of Light and Form
David Ross Novros, born on August 8, 1941, in the sun-drenched landscape of Los Angeles, stands as a singular figure in the pantheon of contemporary geometric abstraction. His artistic journey is a profound meditation on the interplay between form, color, and space, characterized by an unwavering dedication to visual precision. Emerging from the vibrant crucible of mid-century American art, Novros developed a style that transcends simple decoration, instead offering a deep engagement with the very mechanics of perception. His work does not merely sit upon a wall; it interacts with the environment, often utilizing shaped canvases that challenge the traditional boundaries of the rectangular frame.
The foundations of his aesthetic were laid during his formative years in California, where he attended the Chouinard Art Institute. It was here that he encountered influential figures such as Charles Ross and Mel Edwards, mentors who helped foster his early appreciation for spatial relationships and conceptual rigor. This sculptural sensibility was further refined through his studies in film at the University of Southern California (USC), where he graduated in 1963. The cinematic eye—trained to understand movement, light, and visual storytelling—would later become an invisible but vital component of his painterly compositions, allowing him to manipulate tonal gradations with a director's precision.
A Cosmic Connection and the Moon Museum
As the 1960s unfolded, Novros’s imagination was captured by the burgeoning movement of Land Art and the audacious spirit of experimentation that defined the era. This period marked one of his most legendary contributions to art history: his participation in the Moon Museum project. In a breathtaking act of cosmic ambition, Novros collaborated with fellow pioneers including Andy Warhol, Robert Rauschenberg, Claes Oldenburg, John Chamberlain, and Forrest Myers to create artwork intended for lunar orbit. This project was more than a mere stunt; it was a testament to the era's desire to bridge the gap between human creativity and the vastness of the universe, reflecting Novros’s own fascination with astronomy and the infinite.
Following his move to New York City in 1965, Novros became an active participant in the influential Park Place Gallery scene. His work began to coalesce into a signature language of minimalist geometric shapes and subtle color fields. Unlike many of his contemporaries who sought impact through aggressive, bold palettes, Novros mastered the art of restraint. He favored muted hues and delicate tonal shifts that invite the viewer into a slower, more contemplative state of observation. This approach mirrors the scientific principles of optics, where the true beauty of light is found not in its brilliance alone, but in its subtle transitions and shadows.
Legacy and the Mastery of Surface
The technical mastery of David Ross Novros is perhaps most evident in his extensive study of fresco painting. This ancient technique, which requires a deep understanding of how pigment integrates with wet plaster, informed his ability to create surfaces that feel integral to their structure rather than merely applied. His canvases often function as architectural elements, where the shape of the support is as vital to the meaning as the color itself. Through this meticulous approach, he achieved a sense of permanence and weight, even within the most minimalist compositions.
Today, the historical significance of Novros’s oeuvre is cemented by his presence in the world's most prestigious institutions. His work serves as a bridge between the structural logic of Minimalism and the atmospheric depth of Color Field painting. The enduring impact of his vision can be seen in the collections of:
- The Museum of Modern Art (MoMA)
- The Whitney Museum of American Art
- The National Gallery of Art
- The Art Institute of Chicago
- The Smithsonian American Art Museum
- The San Francisco Museum of Modern Art
Through his lifelong pursuit of minimalism illuminated, David Ross Novros continues to inspire a profound respect for the quiet power of geometry and the eternal dance of light across a surface.
david ross novros
1941 - , United States of America
Pikatiedot
- Artistic Movement Or Style: Minimalist Geometric Painting
- Artists Or Movements Influenced By This Artist: ['Land Art']
- Artists Who Influenced This Artist:
- Charles Ross
- Andy Warhol
- Date Of Birth: August 8, 1941
- Date Of Death: Living
- Full Name: David Ross Novros
- Nationality: American
- Notable Artworks: ['Untitled']
- Place Of Birth: Los Angeles, United States

Lasivaihtoehto on saatavilla vain alle 110 cm kokoisina teoksina
