Empty Chair

- 45.0 x 60.0 cm
Tällä sivulla esitettyä taideteosta suojaa tekijänoikeuslaki, mikä tarkoittaa, ettemme voi laillisesti luoda tai myydä täsmälleen samanlaista jäljennöstä. Tämä suoja toteutetaan kansainvälisten sopimusten, kuten esimerkiksi Berne-konventio ja kansallisilla laeilla, mukaan lukien niillä määritellyt Yhdysvaltain tekijänoikeuslaki – Luku 17. Kaikki oikeudet pidätetään. Luvaton kopiointi tai jäljittely on kielletty.
Tämä menetelmä noudattaa täysin tekijänoikeussäännöksiä, sillä se ei sisällä suojatun taideteoksen kopioimista tai jäljentämistä. Sen sijaan kyseessä on luova uudelleentulkinta – uusi maalaus, joka ammentaa vaikutteita alkuperäisestä, mutta ei ole sen identtinen kopio.
Giclée- ja taideprintit
Museolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla. ( Osta käsinmaalattu taideteos
Siirry digitaaliseen kuvaan)
P118B €10
P118H €10
P118W €10
P438Z €10
P508JH €12
P508YH €12
P805H €10
P805Z €10
P919BZ €10
P919G €10
P919XJ €10
P959ZH €10
P968JZ €12
W106C €8
W218G €10
W218JH €8
W218Y €10
W307PJ €10
W316G €10
W316PJ €8
W316Y €10
W398PJ €8
W4111J €10
W500HY €15
W500JH €15
W692G €12
W849H €8
W940BG €15
W953PJ €8
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Syötä tarvitsemasi leveys ja korkeus, jotta tuloste sopii kehyksiisi tai seinällesi. Tulostetta voidaan vain leikata, sitä ei voida koskaan suurentaa alkuperäistä kuvaa suuremmaksi, joten eri muotoinen koko aiheuttaa osan kuvasta katoamisen. Lähetämme sinulle digitaalisen mallikuvan hyväksyttäväksi ennen kuin aloitamme tulostuksen. Tällä sivulla näkyvä kuva ei näytä lopullista rajausta — vain mallikuva näyttää sen.
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Määräalennus tarjolla
Empty Chair
Giclée- ja taideprintit
Replikaatin koko
-
Kokonaishinta
€ 58
Kysymykset ja vastaukset
Mitä tunnetta Nellie Mae Rowe:n "Empty Chair" välittää?
Nellie Mae Rowe:n "Empty Chair" välittää Reflective tunnelman.
Mihin vaiheeseen Nellie Mae Rowe uralla teoksen "Empty Chair" vuosiluku 1981 sijoittuu?
Vuosiluku 1981 sijoittaa teoksen "Empty Chair" Nellie Mae Rowe:n kehityksen Late Period-vaiheeseen.
Miltä aikakaudelta Nellie Mae Rowe:n "Empty Chair" on peräisin?
Teoksen Nellie Mae Rowe:n "Empty Chair" historiallinen aikakausi on Modern. Tämä luokitus sijoittaa teoksen taidehistoriaan.
Samankaltaisia teoksia
Taiteilijan elämäkerta
Nellie Mae Rowe: A Life Woven in Color and Resilience
Nellie Mae Rowe (July 4, 1900 – October 18, 1982) remains a quietly revolutionary figure in American art. Born in Fayetteville, Georgia, during the final year of the nineteenth century, her story is one of profound self-discovery forged within the constraints of racial segregation and domestic labor. More than simply an artist, Rowe was a creator who transformed her humble home into a vibrant, idiosyncratic “Playhouse,” a testament to her ingenuity, joy, and unwavering spirit. Her work—a captivating blend of drawings, collages, altered photographs, hand-sewn dolls, and sculptural installations—now commands attention for its raw emotional honesty, its celebration of Black culture, and its radical assertion of self-expression in a world that often sought to diminish it.Early Life and the Seeds of Creativity
Rowe’s childhood was shaped by the realities of rural Georgia life. She grew up on her family's farm, assisting with agricultural labor alongside her siblings. Despite limited formal education – she left school after fourth grade – Rowe possessed an innate artistic sensibility. From a young age, she found solace and expression in drawing, transforming scraps of paper and discarded materials into miniature worlds filled with figures and scenes from her daily life. Her mother, Luelle Swanson, a skilled seamstress and quilter, instilled in her the value of craft and creativity, teaching her to create dolls and quilts—skills that would later inform Rowe’s distinctive artistic practice. The early hardships she experienced – including the loss of her father and subsequent work as a domestic servant – undoubtedly fueled her desire to reclaim agency and define herself through art.The "Playhouse" and a World Constructed from Found Objects
Following her husband's death in 1936, Rowe moved with him to Vinings, Georgia, where they built a small cottage that became the heart of her artistic world. This home—dubbed the “Playhouse”—was not merely a dwelling; it was an immersive installation, meticulously decorated with a staggering array of found objects. Rowe repurposed discarded materials – chewing gum, fabric scraps, buttons, and even household detritus – transforming them into whimsical dolls, intricate sculptures, and vibrant drawings that adorned every surface. This process wasn’t simply decorative; it was a deeply personal act of reclamation, a way to assert her identity and create a space of joy and beauty amidst the limitations of her circumstances. As she herself described, “I started doing it way ago, right after my husband died. He died in ‘48 and then people just started to bring in this, bring in the dolls, and bringing me things. I take nothing, you know, take nothing and make something out of it.”Themes and Influences: Folklore, Domesticity, and Black Identity
Rowe’s art is profoundly rooted in African-American folklore, spiritual traditions, and the realities of domestic life. Her figures—often rendered with bold colors and expressive features—depict family members, neighbors, and herself, capturing a sense of warmth, resilience, and quiet dignity. The dolls she created are particularly significant, embodying a range of personalities and emotions – some playful and mischievous, others wise and contemplative. Her work subtly explores themes of race, gender, and the complexities of Southern identity, offering a counter-narrative to the often-stereotyped portrayals of Black women in mainstream art. The influence of her mother’s quilting traditions is also evident in her use of color, pattern, and texture, creating a visual language that is both deeply personal and culturally resonant.Recognition and Legacy: A Folk Art Icon
Despite working largely outside the established art world for much of her life, Nellie Mae Rowe's unique vision has been increasingly recognized in recent decades. Her work was included in the seminal 1986 exhibition “American Folk Art” at the Corcoran Gallery of Art in Washington, D.C., and she is now considered one of the most important figures in American folk art. Major museums—including the Metropolitan Museum of Art, the Morgan Library & Museum, the American Folk Art Museum, the Baltimore Museum of Art, the Dallas Museum of Art, the High Museum of Art, the Milwaukee Art Museum, the Minneapolis Institute of Art, the Smithsonian American Art Museum, and the Schomburg Center for Research in Black Culture—have acquired her works, ensuring their preservation and accessibility to a wider audience. Her story serves as an inspiring example of artistic self-discovery, demonstrating that creativity can flourish even within challenging circumstances. Nellie Mae Rowe’s legacy continues to resonate today, reminding us of the power of art to transform lives and challenge conventional notions of beauty and value.Useful Links
Nellie Mae Rowe
1900 - 1982 , Georgia
Pähkinänkuoressa
- Full Name: Nellie Mae Rowe
- Nationality: American
- Date Of Birth: 1900
- Date Of Death: 1982
- Place Of Birth: Fayetteville, Georgia
- Notable Artworks:
- Woman Scolding Her Companion
- Empty Chair
- Rocking Chair
- Artistic Movement Or Style: Self-taught folk art

Lasivaihtoehto on saatavilla vain alle 110 cm kokoisille teoksille
