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      Atelier · Depuis 2015 · Paris, France
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      Composition

      Discover 'Composition' by Yi Eungro (1962), a captivating collage painting showcasing Korean & Western influences. Explore this unique artwork’s textures & figures. #art #painting #modernart

      Explore Yi Eungro's (Lee Ungno) innovatif art : koreenisch-fraansch schilder die mengt orientale en occidentaal stijlen, bekend voor abstracte inkt collages & menigte schilderingen. Een kunstenaar die een belangrijke rol speelde bij het diversifiëren van de toepassing van Oostelijke kunstmaterialen in moderne kunst.

      L’œuvre d'art présentée sur cette page est protégée par le droit d'auteur, ce qui signifie que nous ne pouvons légalement créer ou vendre de reproduction identique. Cette protection est appliquée en vertu d'accords internationaux tels que la Convention de Berne et par les lois nationales, notamment celles énoncées par le Loi américaine sur le droit d'auteur - Titre 17.

      Cette méthode est pleinement conforme aux réglementations sur le droit d'auteur car elle ne repose pas sur la copie ou la duplication de l'œuvre protégée. Il s'agit plutôt d'une réinterprétation créative — une nouvelle peinture qui s'inspire de l'original sans pour autant lui être identique.

      Giclées et impressions d'art

      Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Acheter la peinture faite à la main Passer au format image numérique)

      Corner sample of the P118B picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
      P118B €10
      Corner sample of the P118H picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
      P118H €10
      Corner sample of the P118W picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
      P118W €10
      Corner sample of the P438Z picture frame: polystyrène moulé, 5.5 cm wide and 3.5 cm thick
      P438Z €10
      Corner sample of the P508JH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
      P508JH €12
      Corner sample of the P508YH picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
      P508YH €12
      Corner sample of the P805H picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
      P805H €10
      Corner sample of the P805Z picture frame: polystyrène moulé, 5 cm wide and 3.5 cm thick
      P805Z €10
      Corner sample of the P919BZ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
      P919BZ €10
      Corner sample of the P919G picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
      P919G €10
      Corner sample of the P919XJ picture frame: polystyrène moulé, 7 cm wide and 3.5 cm thick
      P919XJ €10
      Corner sample of the P959ZH picture frame: polystyrène moulé, 5 cm wide and 3 cm thick
      P959ZH €10
      Corner sample of the P968JZ picture frame: polystyrène moulé, 6 cm wide and 4 cm thick
      P968JZ €12
      Corner sample of the W106C picture frame: bois massif, 5 cm wide and 3 cm thick
      W106C €8
      Corner sample of the W218G picture frame: bois massif, 5 cm wide and 3 cm thick
      W218G €10
      Corner sample of the W218JH picture frame: bois massif, 5 cm wide and 3 cm thick
      W218JH €8
      Corner sample of the W218Y picture frame: bois massif, 5 cm wide and 3 cm thick
      W218Y €10
      Corner sample of the W307PJ picture frame: bois massif, 6 cm wide and 3 cm thick
      W307PJ €10
      Corner sample of the W316G picture frame: bois massif, 6 cm wide and 3 cm thick
      W316G €10
      Corner sample of the W316PJ picture frame: bois massif, 6 cm wide and 3 cm thick
      W316PJ €8
      Corner sample of the W316Y picture frame: bois massif, 6 cm wide and 3 cm thick
      W316Y €10
      Corner sample of the W398PJ picture frame: bois massif, 5 cm wide and 3 cm thick
      W398PJ €8
      Corner sample of the W4111J picture frame: bois massif, 6.5 cm wide and 3.5 cm thick
      W4111J €10
      Corner sample of the W500HY picture frame: bois massif, 7 cm wide and 5 cm thick
      W500HY €15
      Corner sample of the W500JH picture frame: bois massif, 7 cm wide and 5 cm thick
      W500JH €15
      Corner sample of the W692G picture frame: bois massif, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: bois massif, 5 cm wide and 3 cm thick
      W849H €8
      Corner sample of the W940BG picture frame: bois massif, 7.5 cm wide and 4.5 cm thick
      W940BG €15
      Corner sample of the W953PJ picture frame: bois massif, 6 cm wide and 3.5 cm thick
      W953PJ €8

      Format standard
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      Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.

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      Vous pouvez saisir vos propres dimensions pour vous adapter à un cadre ou à un espace spécifique. Si la taille sélectionnée ne correspond pas aux proportions de l'image originale, nous recadrerons l'œuvre ou étendrons l'image avec une bordure en miroir ou une couleur unie. Une maquette numérique vous sera envoyée pour approbation avant le début de la production.
      Veuillez noter que l'aperçu à l'écran ne reflète pas le recadrage ou l'extension réelle. Seule la maquette montrera avec précision la composition finale.
      Bien que des tailles personnalisées soient disponibles, nous vous recommandons de choisir une dimension dans la liste prédéfinie afin de préserver les proportions originales.

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      Prix total

      € 55

      Composition

      Giclées et impressions d'art

      Format de la reproduction

      -

      Prix total final

      € 55


      Biographie de l'artiste

      Early Life and Training

      Yi Eungro (이응노), also known as Lee Ungno, was born in Seoul, South Korea in 1904. His childhood was shaped by a brief foray into Hongseong Botong Hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to mastering painting under Yeomjae Song Tae-hoe from 1920. This formative influence instilled in him the foundational principles of Korean classical painting and set the stage for his artistic journey.

      Artistic Career in Korea and Japan

      Lee Ungno’s artistic vocation blossomed when he relocated to Seoul in 1922, becoming an apprentice to Haegang Kim Gyu-jin—a celebrated calligrapher-painter-photographer—who profoundly impacted his stylistic development. He honed his skills primarily through the study of “Haegang Style,” focusing on capturing the essence of traditional Korean landscape painting with meticulous detail and expressive brushwork. A pivotal moment arrived in 1923 when his depiction of a bamboo, Mukjuk (묵죽, 墨竹, ink bamboo), garnered recognition at the 3rd Annual Joseon Art Exhibition—a testament to his burgeoning talent and securing him a place among Korea’s emerging artistic voices. Throughout the colonial period, Lee consistently achieved acclaim in successive Joseon Art Exhibitions, demonstrating unwavering dedication and establishing himself as a prominent figure within Korean art circles. However, recognizing the need for innovation, he championed the modernization of Eastern ink painting techniques, advocating for stylistic advancements inspired by Western artistic traditions. From the early 1930s onward, Lee experimented with blending Eastern mediums and brushstrokes alongside Western perspective and form—a bold step toward forging a distinctive artistic identity.

      International Recognition and Later Life

      Following intensive training in traditional inkwash painting in Korea until 1933, Lee embarked on a transformative path towards embracing Western influences. He pursued his studies in Tokyo, immersing himself in the realm of realistic expression championed by the Japanese Southern School of Painting—a pivotal experience that broadened his artistic horizons. Notably, he gained acceptance as a pupil of Matsubayasi Keigetsu, furthering his understanding of Western painting methodologies. In 1958, Lee relocated to France, where he solidified his position as an abstract artist—a decision fueled by the encouragement of exhibitions showcasing his work and marking a significant turning point in his artistic career. He achieved renown for his series of ink and paper collages, abstract letters, and crowd paintings—works that epitomized the spirit of French abstraction and cemented his legacy as one of Korea’s foremost pioneers in this movement. Lee Ungno's unwavering commitment to artistic exploration continued throughout his life, leaving an indelible mark on Korean art history.

      Notable Achievements

      Lee Ungno’s contribution to Korean art is undeniable. He was recognized as a cornerstone of the first generation of Korean abstract artists and played a crucial role in elevating Eastern artistic traditions within the global landscape. His museum, inaugurated in Daejeon in 2007, serves as a beacon for preserving and disseminating his artistic legacy—a testament to his enduring influence on subsequent generations of Korean painters.
      Yi Eungro

      Yi Eungro

      1904 - 1989 , Corée du Sud

      En bref

      • Artistic Movement Or Style: Eastern & Western Expressionism
      • Artists Or Movements Influenced By This Artist: ['Haegang Style']
      • Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
      • Date Of Birth: January 12, 1904
      • Date Of Death: January 10, 1989
      • Full Name: Yi Eungro (Lee Ungno)
      • Nationality: Korean-French
      • Notable Artworks: ['Composition']
      • Place Of Birth: Seoul, South Korea
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