- Početna stranica
- Otisak na platnu
- Derwent Lees
- The Blue Pool
Preview
Pošalji
Podijeli
Detalji o umjetničkom djelu
Preuzmi
Slični predmeti
Rentgenska snimka
Automatska prezentacijaThe Blue Pool
Prikaži više
Giclée / Umjetnički otisak
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. (
Switch to hand made Painting Switch to Image)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Možete unijeti vlastite dimenzije kako biste umjetničko djelo prilagodili specifičnom okviru ili prostoru. Ako odabrana veličina ne odgovara proporcijama izvornog rada, izrezat ćemo dio slike ili je proširiti pomoću ogledalnog efekta ili jednobojne rubne površine. Digitalni prikaz (mockup) bit će vam poslan na odobrenje prije početka proizvodnje.
Imajte na umu da pregled na zaslonu ne odražava stvarno izrezivanje ili proširivanje. Samo će mockup točno prikazati konačnu kompoziciju.
Iako su dostupne prilagođene veličine, preporučujemo odabir dimenzije iz unaprijed definirane liste kako biste očuvali izvorne proporcije.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (28 Srpanj)
Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Garancija vjernog podudaranja boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda
Opcija stakla dostupna je samo za dimenzije manje od 110 cm
The Blue Pool
Giclée / Umjetnički otisak
Veličina reprodukcije
-
Ukupna cijena
$ 64
Srodna umjetnička djela
Biografija umjetnika
Derwent Lees: A Painter Haunted by Light and Shadow
Derwent Lees (1884–1931) stands as a singular figure in Australian art history—a landscape painter whose prodigious talent was tragically curtailed by mental illness, leaving behind a legacy of evocative canvases imbued with both Impressionistic beauty and an unsettling glimpse into the artist’s inner turmoil. Born Desmond Lees in Hobart, Tasmania, Australia, he experienced early hardship when a riding accident resulted in amputation of his left foot at the age of nineteen. Despite this physical limitation, Lees pursued his artistic ambitions relentlessly, enrolling at Melbourne Grammar School before relocating to London in 1905 and immersing himself in the rigorous training offered by the Slade School of Fine Art. His time at Slade cemented his connection with fellow artists Augustus John and James Dickson Innes, fostering a collaborative spirit that would define much of his subsequent artistic life. The quartet spent summers together at Nant Ddu, Wales, capturing the dramatic Welsh landscape with bold brushstrokes and vibrant color palettes—a period marked by intense creative energy and intellectual exchange. Lees’s fascination with Impressionism is undeniable; he embraced the techniques pioneered by Monet and Sisley, prioritizing fleeting moments of light and atmosphere over meticulous detail. However, his work also possesses a Fauvist influence, evident in his use of jarring colors and expressive distortions—a stylistic choice that reflects both his artistic sensibilities and perhaps an unconscious desire to convey emotional intensity. The Armory Show of 1913 in New York City represented a pivotal moment for Lees’s career, marking him as the sole Australian artist participating in this groundbreaking exhibition showcasing avant-garde art from across Europe. This exposure solidified his reputation as a visionary painter and cemented his place within the burgeoning international artistic dialogue. Yet, despite his considerable achievements, Lees's life took an increasingly troubling turn following World War I. Diagnosed with schizophrenia, he voluntarily entered Ashworth Asylum in 1918 and remained there until his death in 1931, leaving behind a body of work that continues to fascinate scholars and art enthusiasts alike. His paintings—such as “Evening,” depicting a tranquil lake sunset bathed in golden light (“Along The Riverbank”), and “Lyndra, Sunset, Aldbourne”—are characterized by their luminous color harmonies and loose brushwork, capturing the essence of Australian landscapes with remarkable sensitivity. These works are not merely representations of scenery; they are imbued with an emotional depth that speaks to Lees’s profound engagement with the natural world and his struggle to reconcile beauty with inner darkness. The Lee Ungno Museum in South Korea houses a significant collection of Lees's paintings, offering visitors a chance to experience firsthand the artist’s distinctive vision. Furthermore, U.S. Department of Interior Museum showcases American landscapes and heritage, including New Deal-era murals and Ansel Adams' photography—a testament to Lees’s influence on artistic movements beyond Australia.- Notable Works: “Evening,” “Lyndra, Sunset, Aldbourne,” “Along The Riverbank”
- Influences: Impressionism, Fauvism
- Recognition: Armory Show 1913
Derwent Lees
1884 - 1931 , Australia
Osnovne informacije
- Artistic Movement Or Style: Post-Impressionism
- Artists Or Movements Influenced By This Artist: ['Fauvism']
- Artists Who Influenced This Artist:
- Augustus John
- James Dickson Innes
- Date Of Birth: 1884
- Date Of Death: 1931
- Full Name: Derwent Lees
- Nationality: Australian
- Notable Artworks:
- Evening
- Lyndra, Sunset, Aldbourne
- Place Of Birth: Hobart, Australia
