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      Kanō Sansetsu

      Old Plum

      Dimenzije
      175.0 x 486.0 cm

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      Kano Sansetsu (1589-1651) was a leading Japanese painter of the Kanō school, known for captivating landscapes, nature scenes & masterful brushwork. Explore his serene depictions of winter, birds, and flowers—a key figure in Edo period art.
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      Ukupna cijena

      € 57

      Old Plum

      Giclée / Umjetnički otisak

      Veličina reprodukcije

      -

      Ukupna cijena

      € 57

      The massive black trunk of an ancient plum tree with bending, twisting branches spans nearly sixteen feet across four sliding panels. The reptilian old tree sprouts blossoms, which convey the atmosphere of a cold early spring morning and symbolize birth and renewal. These panels originally formed one wall of a room in the Tenshōin, a subtemple of Myōshinji, a Zen temple in Kyoto. During the 1880s, they were sold to a private collector and trimmed at the top to conform to the smaller dimensions of his home. On the reverse of these panels was a composition depicting the Chinese theme of the Eight Daoist Immortals, which formed a wall in the adjacent room. This composition was later separated and remounted, and it is now in the Minneapolis Institute of Arts.

      Pitanja i odgovori

      Kojoj tonini teži "Old Plum"?

      Dominantna nijansa djela "Old Plum" autora Kanō Sansetsu je Ochre to Sepia. Ta nijansa predstavlja osnovni ton palete.

      Jesu li boje djela "Old Plum" intenzivne ili nježne?

      Boje u djelu "Old Plum" autora Kanō Sansetsu imaju Vivid intenzitet.

      Kolika je razina kontrasta u djelu "Old Plum" autora Kanō Sansetsu?

      "Old Plum" autora Kanō Sansetsu prikazuje Statement kontrast između svojih svijetlih i tamnih područja.

      Srodna umjetnička djela

      Razdvajanje Svjetlosti Od Tame — Michelangelo, Visoka Renesansa
      Michelangelo Razdvajanje svjetlosti od tame
      Les Dieux Obscurs (tamni Bogovi) — Max Ernst, Surrealizam
      Max Ernst Les dieux obscurs (Tamni bogovi)
      The Separation Of Light And Darkness — Michelangelo, High Renaissance
      Michelangelo The Separation of Light and Darkness
      Head Of A Peasant Woman With Dark Cap 2 — Vincent Van Gogh, Post-impressionism
      Vincent Van Gogh Head of a Peasant Woman with Dark Cap 2
      Light Conquers Darkness — Nikola Roerić, Symbolism
      Nikola Roerić Light Conquers Darkness
      Dark Landscape — Sir William George Gillies, Cubist Landscape
      Sir William George Gillies Dark Landscape
      Burning The Darkness — Nikola Roerić, Symbolism
      Nikola Roerić Burning the Darkness
      Dark Blue Turban (also Known As Helene With Dark Blue Turban) — Alexej Von Jawlensky, Expressionism
      Alexej Von Jawlensky Dark Blue Turban (also known as Helene with Dark Blue Turban)
      Woman In Dark Dress, Walking — Vincent Van Gogh, Post-impressionist
      Vincent Van Gogh Woman in Dark Dress, Walking
      < Dark Is Life, Dark Is Death > To Gustav Mahler — Li Chevalier, Symbolism
      Li Chevalier < Dark is Life, Dark is Death > To Gustav Mahler

      Biografija umjetnika

      A Life Shaped by Loss and Legacy

      The story of Kanō Sansetsu begins in Hizen Province, Kyūshū, under the weight of early hardship. Born Heshiro Mitsuie, he faced the death of his father when he was only sixteen, leaving him an orphan. This early loss set him on a path that would eventually lead him into the heart of Japan's most significant artistic lineage. Through apprenticeship and later through marriage to the daughter of Kanō Sanraku, he became part of the family that would define the Kyoto branch of the Kanō school.

      His connection to the school was deepened by adoption. After the death of Sanraku’s eldest son, Sansetsu took on the mantle of the master, inheriting a position of immense responsibility. He did not merely occupy a title; he became the architect of a dynasty. His life moved alongside the shifting centers of power in Japan, from the rise of the shogunate to the importance of Kyoto as the imperial capital. This stability allowed him to focus on refining a style that would influence generations, including his son, Kanō Einō.

      The Quiet Beauty of the Natural World

      Sansetsu possessed a particular way of looking at the seasons. His name itself carries a connection to the landscape, as it translates to "Mountain Snow." This affinity for winter is visible in his brushwork, where he captured the stillness of frozen streams and the weight of snow on branches. He moved away from the purely courtly subjects of earlier painters, choosing instead to study the atmosphere of the natural world. His work often features a restrained palette, using shades of blue, gray, and white to suggest the texture of a cold morning.

      His technique relied on a careful balance between different modes of painting. He was as comfortable with large-scale works using gold and bright colors as he was with smaller, monochrome ink scrolls. In his larger compositions, such as those featuring an ancient plum tree, he used thick, twisting branches to create a sense of physical presence. In his smaller works, like the depiction of a man riding a donkey along a riverbank, he achieved a sense of solitude and quietude through precise, controlled strokes.

      A Lasting Influence on the Kanō School

      As the leader of the Kyoto branch of the Kanō school, Sansetsu helped guide the evolution of Japanese painting. He introduced new subjects and techniques that expanded what the school could express. His influence was not limited to his own hand; it lived on through the artists he trained and the family members who followed him. The traditions he helped shape remained central to Japanese art until the Meiji period.

      The works he left behind continue to be studied in collections such as the Metropolitan Museum of Art. Some of his notable subjects include:

      • Winter Landscape: A study of snowy mountains and a lone traveler.
      • Old Plum: Large sliding panels featuring an ancient, blossoming tree.
      • Crabs and Peonies: A composition balancing floral elegance with natural textures.
      • Seabirds on a Winter Coast: A screen work using ink and gold.
      Kanō Sansetsu

      Kanō Sansetsu

      1651 , Japan

      Osnovne informacije

      • Artistic Movement Or Style: Kanō School
      • Artists Or Movements Influenced By This Artist:
        • Kanō Einō
        • Kanō School
      • Artists Who Influenced This Artist: ['Kanō Sanraku']
      • Date Of Birth: 1589
      • Date Of Death: 1651
      • Full Name: Kanō Sansetsu
      • Nationality: Japanese
      • Notable Artworks:
        • Winter Landscape
        • Wang ziyou visiting dai andao
        • Crabs and peonies
      • Place Of Birth: Hizen Province, Japan