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      Atelje · Osnovano 2015. · Pariz, Francuska
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      Catalogue entry

      Dinner

      1787. Engraving, 434.0 x 570.0 cm. Ermitaž.

      Fig. 1. Tom Rowlandson, Dinner, 1787. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Opis kolekcionarskog predmeta

      Explore Thomas Rowlandson’s ‘Dinner’ (1787) – a satirical engraving of aristocratic excess! Detailed hand-coloring & dynamic composition reveal 18th-century wit. #Rowlandson #engraving #arthistory

      Biografija umjetnika

      Istražite duhoviti svijet Thomasa Rowlandsona (1756-1827), majstora georgijanske karikature! Otkrijte njegove satirične printove, društvene komentare i kultne ilustracije poput Dr. Syntaxa.

      § 3Commentary

      A Critique of Excess: Examining Thomas Rowlandson’s ‘Dinner’

      Thomas Rowlandson, born in London in 1756 amidst the burgeoning social anxieties of Georgian England, stands as a monumental figure in satirical art history. His prolific output—spanning prints, caricatures, and theatrical productions—captured the zeitgeist of his era with unparalleled precision and daring, cementing his legacy as one of Britain’s most influential artists. Rowlandson's oeuvre is characterized by an unwavering commitment to exposing hypocrisy and challenging authority, achieved through masterful manipulation of visual language and a profound understanding of human psychology. This dedication culminated in ‘Dinner,’ completed in 1787, a hand-colored engraving that continues to resonate with audiences today as a searing indictment of aristocratic decadence.

      Composition and Style: A Symphony of Chaos

      ‘Dinner’ immediately confronts the viewer with a densely populated scene rendered in Rowlandson's signature style—a deliberate orchestration of exaggeration and distortion designed to provoke contemplation. The composition is deliberately chaotic, mirroring the perceived disorderliness of the upper echelons of society. Figures jostle for space within an opulent dining room dominated by a towering chandelier adorned with elaborate floral motifs – symbols of wealth and artificial beauty. Rowlandson’s technique employs hatching and cross-hatching extensively to simulate textures like fabric and wood, lending a palpable sense of realism despite the stylized depiction. Lines are sharply defined, creating dramatic movement and emphasizing the theatrical poses adopted by two prominent figures—likely representing military officers or aristocrats—who dominate the background. These figures are presented with grotesque features, amplifying Rowlandson’s critique of arrogance and power.

      Technique: The Art of Engraving – Precision Through Line

      The engraving itself is a testament to Rowlandson's skill as an artist. Fine lines meticulously crafted by engravers build up tonal values and create astonishing detail—a remarkable feat considering the limitations of printmaking at the time. This painstaking process demanded considerable patience and precision, resulting in an image that possesses both visual richness and intellectual depth. The hand-coloring adds vibrancy to the scene, highlighting key elements and intensifying the emotional impact of Rowlandson’s commentary. Careful attention was paid to shading and highlights, enhancing the illusion of three dimensions and drawing the eye across the canvas.

      Historical Context: Satire as Social Commentary

      ‘Dinner’ emerged during a period marked by significant social upheaval—the Enlightenment challenged traditional hierarchies and fueled debates about morality and governance. Rowlandson skillfully utilized satire to expose the perceived moral failings of the aristocracy, targeting their excessive consumption and disregard for public opinion. The print circulated widely throughout London society, sparking controversy and prompting discussions about societal values. Its enduring relevance lies in its ability to capture the anxieties of a nation grappling with rapid change and questioning established norms—a timeless exploration of human folly rendered with breathtaking artistic skill.

      Symbolism: Excess and Illusion

      Beyond its formal composition and technique, ‘Dinner’ is laden with symbolic representations that underscore Rowlandson's central argument. The overflowing glasses symbolize drunkenness and indulgence – a deliberate provocation designed to ridicule the perceived moral bankruptcy of the elite. Similarly, the imposing figures represent authority and arrogance, embodying the very qualities Rowlandson sought to expose as detrimental to societal wellbeing. Ultimately, ‘Dinner’ serves as a powerful reminder that art can serve not only as aesthetic pleasure but also as a vehicle for critical reflection—a legacy firmly established by Thomas Rowlandson's enduring contribution to British artistic heritage.

      Pitanja i odgovori

      Preporučena veličina ispisa za "Dinner" je?

      Preporučena veličina tiska za "Dinner" autora Tom Rowlandson je Large.

      Za što se preporučuje korištenje printa djela "Dinner"?

      Reprodukcija djela "Dinner" autora Tom Rowlandson preporučuje se za Accent. Ovaj prijedlog proizlazi iz teme, atmosfere i boja samog djela.

      Tko je umjetnik koji stoji iza djela "Dinner"?

      "Dinner" je djelo koje je stvorio/la Tom Rowlandson. Informacije na ovoj stranici opisuju izvorni rad umjetnika Tom Rowlandson.

      § 4The artist

      Tom Rowlandson

      Tom Rowlandson

      1756 - 1827, Ujedinjeno Kraljevstvo

      Quick facts about Tom Rowlandson

      • Artistic Movement Or Style: Satira i karikatura
      • Artists Who Influenced This Artist:
        • Peter Paul Rubens
        • William Hogarth
      • Date Of Birth: 13. srpnja 1756.
      • Date Of Death: 21. travnja 1827.
      • Full Name: Thomas Rowlandson
      • Nationality: Britanski
      • Notable Artworks:
        • Tur doktorova u potrazi za pejzažom
        • Gloriosa pobjeda nizozemskog flota
      • Place Of Birth: London, UK

      Biografija umjetnika

      A Life Etched in Satire: The World of Thomas Rowlandson

      Born amidst the bustling streets of Old Jewry, London, on July 13th, 1756 (baptized July 23rd, 1757), Thomas Rowlandson emerged as a defining voice – and pen – of Georgian England. His life, initially shadowed by his father’s financial struggles that necessitated a move to Richmond, North Yorkshire in 1759, would ultimately blossom into an artistic career marked by unparalleled wit and incisive social commentary. Rowlandson wasn't merely documenting his era; he was holding a mirror to its follies, exaggerating its vanities, and immortalizing its characters with a uniquely satirical eye. From humble beginnings, nurtured by an uncle’s support that allowed him access to education at Dr. Barwis’ school in Soho Square, Rowlandson embarked on a path that would see him become one of the most celebrated – and controversial – caricaturists of his time. Even as a schoolboy, his innate talent manifested itself in playful sketches adorning the margins of his books, foreshadowing a career dedicated to visual storytelling with a mischievous edge.

      Early Artistic Training and Influences

      Rowlandson’s formal artistic training began at the Royal Academy in 1772, where he honed his skills for six years, including a period of study in Paris under Jean-Baptiste Pigalle. This exposure to continental techniques proved invaluable, laying the foundation for his distinctive style – a blend of delicate draughtsmanship and bold exaggeration. He absorbed influences from artists like Rubens and Gainsborough, whose masterful compositions instilled in him a profound understanding of visual harmony and expressive gesture. However, it was upon returning to England that Rowlandson truly found his voice. Initially attempting portraiture, he soon discovered his true calling lay not in flattering representation but in pointed satire.

      The Rise of Caricature and Collaboration

      The burgeoning popularity of caricature during the Georgian period provided Rowlandson with fertile ground for experimentation and innovation. Recognizing the potential for social critique through visual humor, he swiftly abandoned portraiture in favor of satirical prints—a decision that would propel him to artistic prominence. His partnership with publisher Rudolph Ackermann proved pivotal, yielding some of his most enduring works, including *The Schoolmaster's Tour* (1809), a series of plates accompanied by verses from Dr. William Combe, and the iconic *Tour of Dr. Syntax in Search of Consolation* (1820). These collaborations cemented Rowlandson’s reputation as a leading artist of his time.

      Notable Achievements and Legacy

      Rowlandson's artistic output spanned an impressive range of subjects—from theatrical productions to topographical landscapes—demonstrating his versatility as an illustrator. Yet, it was his satirical prints that secured his place in art history. His unflinching depictions of political figures and social customs challenged prevailing norms and provoked lively debate. Works like *Glorious Defeat of the Dutch Navy* (1797) and *The Horse Dealer* captivated audiences with their dramatic flair and masterful execution. Rowlandson’s legacy extends far beyond his individual achievements; he established a tradition of satirical art that continues to inspire artists today—a testament to the enduring power of wit and observation.

      A Timeless Voice

      Thomas Rowlandson remains one of Britain's most celebrated caricaturists, whose work continues to resonate with audiences across centuries. His distinctive style—characterized by meticulous draughtsmanship combined with audacious exaggeration—captured the spirit of Georgian England with unparalleled accuracy. Exploring his oeuvre offers a unique glimpse into the social and political landscape of an era defined by grandeur and hypocrisy—a reminder that laughter can illuminate uncomfortable truths and challenge established authority. Rowlandson’s influence can be seen in subsequent generations of cartoonists who embraced satire as a means of critique, ensuring that his voice – and vision – will endure for years to come.

      § 5Comparanda

      § 6Questions

      Osnovne informacije

      • Artistic style: Caricature; Baroque Influence
      • Location: Private Collection
      • Year: 1787
      • Movement: Satirical Printmaking
      • Notable elements or techniques: Exaggerated features; Dynamic composition; Hatching & crosshatching
      • Dimensions: 434 x 570 cm

      Kviz o umjetnosti

      Svako pitanje ima samo jedan točan odgovor.

      Pitanje 1:
      What is the primary artistic technique employed in ‘Dinner’?
      Pitanje 2:
      The artwork critiques which social aspect of Georgian England?
      Pitanje 3:
      What is prominent in the background of ‘Dinner’?
      Pitanje 4:
      Thomas Rowlandson's style is characterized by:
      Pitanje 5:
      What material was primarily used for the hand-coloring of ‘Dinner’?

      § 7Cite this entry

      AllPaintingsStore.com, “Tom Rowlandson, Dinner (1787)”, https://allpaintingsstore.com/hr/art/thomas-rowlandson-dinner-8Y3GT4-en/ (accessed 1 Listopad 2026).

      § 8The reproduction

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      Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na printove Prebacite na digitalnu sliku)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Dinner

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