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StatisztikaMaria
Összes részlet megjelenítése
Kézzel készített olajfestmény reprodukció
Kézzel festett olajvastú vászon, az Ön által választott méretben és keretben, művészeink készítik meglévőre. (
Váltás nyomtatványra Áttérés digitális képre)
P118B Ft10
P118H Ft10
P118W Ft10
P438Z Ft10
P508JH Ft12
P508YH Ft12
P805H Ft10
P805Z Ft10
P919BZ Ft10
P919G Ft10
P919XJ Ft10
P959ZH Ft10
P968JZ Ft12
W106C Ft8
W218G Ft10
W218JH Ft8
W218Y Ft10
W307PJ Ft10
W316G Ft10
W316PJ Ft8
W316Y Ft10
W398PJ Ft8
W4111J Ft10
W500HY Ft15
W500JH Ft15
W692G Ft12
W849H Ft8
W940BG Ft15
W953PJ Ft8
Válasszon előre meghatározott méreteink közül, amelyek megfelelnek a műalkotás eredeti arányainak.
Írja be a kívánt szélességet és magasságot, hogy illeszkedjen a keretéhez vagy a falához. Mivel ez kézzel festett alkotás, egy eltérő formájú méret esetén a művész akár festhet is valamivel többet a kép körül, vagy korolathat is belőle — az Ön döntésének megfelelően. A festés megkezdése előtt küldünk egy digitális tervezetet jóváhagyásra. Az oldalon látható kép nem tartalmazza a végeredményt — csak a tervezet mutatja meg a valódi eredményt.
A rendelést követően a AllPaintingsStore.com csapata e-mailt küld az ügyfélnek az instrukciókért, és biztosít egy előnézeti képet (mockup).
Világszerte elérhető szállítás () 3-4 hét alatt a szokásos 5 hét helyett. (28 október). A minőség nem kérdőjelezhető.
Ingyenes globális expressz szállítás
Prémium minőségű len vászon
Teljes körű szállítási biztosítás
Vámvisszatérítési Garancia
Hiteles színarányosság garancia
100 napos visszaküldési lehetőség (csak hibás termékek esetén)
100% pénzvisszatérítési garancia
Több darab vásárlásakor kedvezmény
Az üvegkeretes opció csak 110 cm alatti méretben érhető el
Maria
Reprodukciós technika
Reprodukció mérete
-
Összesített ár
Ft 83468
Hasonló műalkotások
A művész életrajza
A Life Sculpted by Passion and Tragedy
Filippo Antonio Cifariello was an Italian sculptor whose life story reads like a dramatic opera, marked by profound artistic talent and harrowing personal upheaval. Born in Molfetta, Italy, he was the eldest of five children born to Ferdinando Cifariello, a singer from Bari, and Giovanna Rutigliano. The family's journey took them to Naples, where poverty often shadowed their existence. It was within this struggle that the young Cifariello first began to manifest his creative spirit, finding solace and sustenance in the art of modeling small clay figurines to support his kin.
His formal artistic path led him to the Accademia di Belle Arti di Napoli, where he studied under the painter Gioacchino Toma. This academic foundation, combined with a natural inclination toward plastic arts, allowed him to refine his skills in creating small figures, busts, and ornaments. His early career was characterized by a restless energy that occasionally placed him at the center of artistic debates, particularly regarding the tension between academic traditions and the emerging verismo movement.
Artistic Mastery and International Presence
Cifariello's technical repertoire was remarkably diverse, spanning various media including bronze, marble, polychrome marble, silver, terracotta, and plaster. He possessed a unique ability to work with both the monumental and the minute, producing everything from large-scale monuments like the Mazzini to delicate, chased silver ornaments and clay figurines. His mastery of materials allowed him to capture subtle textures and emotions, a skill that earned him significant recognition on the European stage.
His career was punctuated by prestigious appearances at major international exhibitions. He achieved notable success at the Exposition Universelle in Paris in 1889, an event that brought his talent to a global audience. Throughout his life, he was a frequent participant in the Venice Biennale, exhibiting there in numerous years including 1899, 1903, 1912, 1921, 1924, and 1926. His work also found homes in esteemed institutions such as the Galleria Nazionale d'Arte Moderna in Rome and the Musée du Luxembourg in Paris, cementing his status as a significant figure in the sculptural landscape of his era.
A Legacy of Complexity
Beyond the elegance of his busts and the precision of his small-scale works, Cifariello’s biography is inextricably linked to a series of tragic events that shaped his later years. His personal life was marked by intense emotional struggles, most notably the profound tragedy in 1905 involving his first wife, the French singer Maria de Browne. This event, which led to a highly publicized trial, cast a long shadow over his reputation and remains a poignant chapter in the history of Italian art. Despite these tribulations, he continued to produce work, eventually focusing on portrait busts in his final years.
The historical significance of Filippo Antonio Cifariello lies not only in his technical contributions to Neoclassicism and the Liberty style but also in the dramatic narrative of his existence. He was an artist who navigated the heights of international acclaim and the depths of personal despair, leaving behind a body of work that reflects both the refined beauty of his training and the turbulent spirit of his life. His legacy is preserved through his many works held in major galleries across Europe, serving as a testament to a sculptor whose hands shaped both delicate art and enduring history.
Filippo Antonio Cifariello
1864 - 1936 , Italy
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