Pénzvisszatérítési Garancia · 100 nap Ingyenes világszerte történő szállítás
449 581műalkotások 30 613művészek 4 660múzeumok 32nyelv
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      Ateliér · Alapítva: 2015 · Paris, Francia
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      Megtekintés AR előnézet Kézzel festett másolat rendelése Áttérés digitális képre Küldés
      Részletek Útmutató Kedvencekhez ad Letöltés Hasonló darabok X-ray felvétel Diavetítés Statisztika

      While We Wait 1

      Intimate black and white portrait of two women by Tonia Nneji captures quiet connection; discover this evocative piece of contemporary Nigerian art today.

      Explore Tonia Nneji’s bold & intricate art! Confronting trauma & women's health through vibrant textiles & powerful patterns, her work examines identity, belonging, and cultural narratives.

      Az ezen az oldalon megjelenített műalkotások szerzői jogi védelem alatt állnak, ami azt jelenti, hogy törvényileg nem készíthetünk és nem adhatunk el belőlük pontos másolatokat. Ez a védelem olyan nemzetközi megállapodások alapján érvényesül, mint például a Berni Egyezmény és a nemzeti jogszabályok által, beleértve azokat is, amelyeket meghatározott Az USA szerzői jogi törvénye – 17. cím.

      Ez a módszer teljes mértékben megfelel a szerzői jogi szabályozásnak, mivel nem tartalmazza a védett műalkotás másolását vagy duplikálását. Ehelyett ez egy kreatív újinterpretáció – egy új festmény, amely az eredetivel való összefüggései miatt hatással van rá, de nem az az.

      Giclée / Műnyomat

      Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. ( Kézzel festett másolat rendelése Áttérés digitális képre)

      Corner sample of the P118B picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
      P118B Ft10
      Corner sample of the P118H picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
      P118H Ft10
      Corner sample of the P118W picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
      P118W Ft10
      Corner sample of the P438Z picture frame: formázott polisztirol, 5.5 cm wide and 3.5 cm thick
      P438Z Ft10
      Corner sample of the P508JH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
      P508JH Ft12
      Corner sample of the P508YH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
      P508YH Ft12
      Corner sample of the P805H picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
      P805H Ft10
      Corner sample of the P805Z picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
      P805Z Ft10
      Corner sample of the P919BZ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
      P919BZ Ft10
      Corner sample of the P919G picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
      P919G Ft10
      Corner sample of the P919XJ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
      P919XJ Ft10
      Corner sample of the P959ZH picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
      P959ZH Ft10
      Corner sample of the P968JZ picture frame: formázott polisztirol, 6 cm wide and 4 cm thick
      P968JZ Ft12
      Corner sample of the W106C picture frame: tömörfa, 5 cm wide and 3 cm thick
      W106C Ft8
      Corner sample of the W218G picture frame: tömörfa, 5 cm wide and 3 cm thick
      W218G Ft10
      Corner sample of the W218JH picture frame: tömörfa, 5 cm wide and 3 cm thick
      W218JH Ft8
      Corner sample of the W218Y picture frame: tömörfa, 5 cm wide and 3 cm thick
      W218Y Ft10
      Corner sample of the W307PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
      W307PJ Ft10
      Corner sample of the W316G picture frame: tömörfa, 6 cm wide and 3 cm thick
      W316G Ft10
      Corner sample of the W316PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
      W316PJ Ft8
      Corner sample of the W316Y picture frame: tömörfa, 6 cm wide and 3 cm thick
      W316Y Ft10
      Corner sample of the W398PJ picture frame: tömörfa, 5 cm wide and 3 cm thick
      W398PJ Ft8
      Corner sample of the W4111J picture frame: tömörfa, 6.5 cm wide and 3.5 cm thick
      W4111J Ft10
      Corner sample of the W500HY picture frame: tömörfa, 7 cm wide and 5 cm thick
      W500HY Ft15
      Corner sample of the W500JH picture frame: tömörfa, 7 cm wide and 5 cm thick
      W500JH Ft15
      Corner sample of the W692G picture frame: tömörfa, 8 cm wide and 4 cm thick
      W692G Ft12
      Corner sample of the W849H picture frame: tömörfa, 5 cm wide and 3 cm thick
      W849H Ft8
      Corner sample of the W940BG picture frame: tömörfa, 7.5 cm wide and 4.5 cm thick
      W940BG Ft15
      Corner sample of the W953PJ picture frame: tömörfa, 6 cm wide and 3.5 cm thick
      W953PJ Ft8

      Standard méret
      egyedi méretű
      CM
      INCH

      Válasszon előre meghatározott méreteink közül, amelyek megfelelnek a műalkotás eredeti arányainak.

      szélesség
      magasság

      Írja be a keretének vagy a falának megfelelő szélességet és magasságot. A nyomatot csak le lehet vágni, soha nem tehető nagyobbá, mint az eredeti kép, így egy eltérő alakú méretnél a kép egy része elveszik. Mielőtt bármit kinyatintanánk, küldünk egy digitális próbamodellt jóváhagyásra. Az oldalon látható kép nem tartalmazza a valós levágást — ezt csak a próbamodell mutatja meg.

      Világszerte történő kiszállítás területére mindössze 2 hét alatt, a szokásos 4-5 hét helyett. (28 október)

      Ingyenes globális expressz szállítás
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      Összesített ár

      Ft 20661

      While We Wait 1

      Giclée / Műnyomat

      Reprodukció mérete

      -

      Összesített ár

      Ft 20661

      Gyors információk

      • Subject or theme: Intimate interaction between women
      • Year: 2019
      • Title: While We Wait 1

      An Intimate Study in Connection

      Tonia Nneji’s "While We Wait 1" draws the viewer into a moment suspended between conversation and contemplation. The composition centers on two women seated closely together on a simple bench, their gazes meeting across the space that divides them. This immediate focus creates an atmosphere thick with unspoken narratives—a palpable sense of shared history or anticipated revelation. While the palette is dominated by the stark contrast of black and white in the figures, the background introduces a vital warmth through the suggestion of a red and yellow blanket. This juxtaposition of monochrome intimacy against bursts of earthy color elevates the scene from a mere portrait to a profound meditation on human connection.

      Symbolism of Shared Space

      The arrangement itself speaks volumes about proximity and emotional distance. The bench acts as both a physical anchor and a subtle divider, suggesting that even in moments of deep togetherness, there remains a necessary space for individual thought. Nneji, whose work often delves into themes of resilience and the body's narrative, seems to be exploring the delicate balance between mutual support and personal solitude. The partially visible figure at the far left adds an element of the peripheral—the unseen observer or the lingering presence—suggesting that these intimate moments are always witnessed by a larger, surrounding world.

      Technique and Emotional Resonance

      The technique employed allows Nneji to achieve both graphic clarity and soft emotional ambiguity. The contrast in the rendering of the figures against the backdrop suggests a masterful handling of light and shadow, giving the work a timeless, almost photographic quality while retaining the expressive brushwork characteristic of contemporary African art. For collectors and designers alike, this piece offers depth; it is not simply decorative but conversation-starting. The rich emotional undercurrent—the quiet weight of waiting—lends itself beautifully to spaces that require thoughtful grounding, such as a sophisticated living area or an artist's studio.

      A Vision Rooted in Experience

      Drawing from her background and the powerful themes woven throughout her oeuvre, "While We Wait 1" resonates with narratives of strength found within vulnerability. Nneji’s art is known for its fearless vibrancy when tackling subjects of societal dialogue and personal endurance. Here, that resilience manifests not through overt struggle, but through the quiet dignity shared between the two women. Owning a reproduction of this piece allows one to bring into an interior space not just artwork, but a contemplation on empathy, support, and the enduring power found in simply being present with another soul.

      Kérdések és válaszok

      Milyen technikával készült a(z) „While We Wait 1”, Tonia Nneji alkotása?

      Tonia Nneji a Painting technikát alkalmazta a "While We Wait 1" alkotáshoz. A technika határozza meg az eredeti mű anyagösszetételt.

      Milyen kontraszt jellemzi a „While We Wait 1”, Tonia Nneji alkotása alkotást?

      A „While We Wait 1”, Tonia Nneji alkotása Statement kontrasztot mutat a világos és sötét részek között.

      Szabad-e jogilag másolni a(z) Rele Arts Foundation gyűjteményében található „While We Wait 1”, Tonia Nneji alkotása alkotást?

      A Rele Arts Foundation gyűjteményében található „While We Wait 1”, Tonia Nneji alkotása még szerzői jog védi státuszú. Ez a státusz határozza meg, hogy a kép másolható-e.


      A művész életrajza

      The Vibrant Tapestry of Tonia Nneji

      Born in the bustling energy of Lagos State, Nigeria, in 1991, Tonia Nneji carries within her a visual language deeply rooted in the ancestral rhythms of her homeland. Her artistic lineage is inextricably linked to the traditions of carvers and the powerful presence of masquerade carriers, a heritage that breathes life into her contemporary practice. After graduating with honors from the University of Lagos in 2016, Nneji emerged not merely as a skilled painter, but as a profound storyteller capable of weaving complex societal dialogues into the very fabric of her canvases. Her work serves as a bridge between the historical weight of Nigerian craftsmanship and the urgent, pressing conversations of the modern era.

      Nneji’s creative process is an intimate exploration of resilience, often drawing from her personal navigation through significant health challenges. She utilizes the canvas to confront the heavy silences surrounding trauma and women’s health, transforming vulnerability into a site of strength and advocacy. Through her art, she champions bodily autonomy and protection against harassment, creating a visual sanctuary for dialogue. This mission is mirrored in her fascination with textile materials; she investigates commemorative fabrics as symbols of place and belonging, exploring how these woven narratives transcend geographical borders to communicate universal truths about identity and the human condition.

      A Masterful Blend of Pattern and Purpose

      The aesthetic power of Nneji’s work lies in its breathtaking fusion of abstraction and figurative elements. Her canvases are characterized by a meticulous attention to detail, where bold colors and intricate patterns pulsate with an almost rhythmic energy. This technique is deeply informed by ancestral craftsmanship, yet it remains resolutely contemporary. By interweaving geometric precision with organic, flowing forms, she creates a sense of movement that mimics the protective and enveloping nature of textiles. Each layer of color and every patterned line serves as a deliberate stroke in her larger effort to document the complexities of the female experience and the enduring spirit of cultural heritage.

      Her artistic development has been propelled by significant recognition within the international art community. Through prestigious residencies, such as those at Art Dubai, and accolades like the Ronke Ekensi Prize, Nneji has been afforded the space to expand her technical repertoire and deepen her thematic inquiries. Her presence in the global art landscape is further solidified by notable exhibitions, including:

      • Solo presentations at rele gallery in both Lagos and Los Angeles, which showcased her ability to command international attention.
      • Participation in the evocative group exhibition ‘Dancing in Dark Times’ at the Pippy Houldsworth Gallery in London.
      • The inclusion of her work in the ‘Orita Meta’ exhibition at rele gallery, highlighting her connection to cultural crossroads.

      As a significant contributor to the evolving landscape of contemporary African art, Tonia Nneji continues to push the boundaries of what painting can achieve. Her work does not simply decorate; it defends, commemorates, and illuminates. By transforming the personal into the political and the ancestral into the avant-garde, she ensures that the narratives of identity, health, and belonging are etched permanently into the collective consciousness of the art world.

      Tonia Nneji

      Tonia Nneji

      1991 - , Nigeria

      Rövid információk

      • Full Name: tonia nneji
      • Nationality: Nigerian
      • Date Of Birth: 1991
      • Place Of Birth: Lagos State, Nigeria
      • Notable Artworks:
        • OKOSISI II
        • OKOSISI
        • While We Wait 4
      • Artistic Movement Or Style: Contemporary Art