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      Still life of grapes

      • 寸法18.0 x 23.0 cm

      Johann Wilhelm Preyer (1803-1889): Discover exquisite 19th-century German still life paintings of flowers & fruit. A key Düsseldorf School artist known for meticulous detail.

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      合計金額

      $ 258

      reproduction

      Still life of grapes

      複製技法

      複製画のサイズ

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      合計金額

      $ 258


      アーティストの略歴

      Johann Wilhelm Preyer: Life and Legacy

      Early Life and Education

      • Born in Düsseldorf, Germany, in 1803, Johann Wilhelm Preyer emerged from a family with artistic inclinations. His father was a merchant, and his brother, Gustav, also pursued a career as a painter.
      • Growing up in the old town of Eschweiler, Preyer displayed an early aptitude for art. A playful anecdote recounts how he and his brother, both small in stature, would occasionally disguise themselves as children to play pranks.
      • Formal training began at the Düsseldorf Art Academy in 1822, where he studied under Peter von Cornelius. He later became a master student of Wilhelm von Schadow, solidifying his foundation in classical artistic principles.

      Artistic Development and Influences

      • Preyer’s education extended beyond Düsseldorf; he embarked on extensive travels throughout Europe between 1835 and 1843. These journeys took him to the Netherlands, Munich, Northern Italy, and Switzerland, exposing him to diverse artistic styles and traditions.
      • Influences from Dutch still life masters are evident in his meticulous attention to detail and realistic depiction of textures. The Düsseldorf School’s emphasis on precise observation also shaped his approach.
      • Upon returning to Düsseldorf in 1844, Preyer dedicated himself primarily to still life painting, establishing a reputation for exceptional skill within the genre.

      Major Works and Artistic Style

      • Specialization: Preyer became renowned for his exquisitely detailed paintings of flowers and fruit. His works are characterized by their vibrant colors, realistic textures, and careful compositions.
      • Notable examples include “Fruit and a Goblet,” “Fruit Still Life with Sculpted Ceramic Bowl,” and numerous depictions of grapes and floral arrangements.
      • His style is often associated with the Biedermeier period, reflecting a focus on domesticity, simplicity, and meticulous craftsmanship.

      Achievements and Recognition

      • Preyer quickly gained recognition as one of the leading still life painters of his time. His works were highly sought after by collectors, with a significant portion eventually finding their way into American collections.
      • Founding Member: He was among the founding members of the Association of Düsseldorf Artists in 1844, demonstrating his commitment to fostering artistic community and collaboration.
      • Preyer also took on private students, including Helen Searle, an American still life painter who further disseminated his techniques and influence.

      Personal Life and Legacy

      • Around 1844, Preyer married Emilie Lachenwitz, the sister of painter Siegmund Lachenwitz. They had two children, Emilie and Paul, both of whom also became painters, continuing the family’s artistic legacy.
      • Historical Significance: Johann Wilhelm Preyer is considered one of the earliest masters of the Düsseldorf School of Painting and a pivotal figure in 19th-century German still life art.
      • In recognition of his contributions, a road in Eschweiler, where he grew up, was renamed Preyerstrasse in 1974.
      Johann Wilhelm Preyer

      Johann Wilhelm Preyer

      1803 - 1889 , Germany

      基本情報

      • Birth Date: 1803
      • Birth Place: Düsseldorf, Germany
      • Death Date: 1889
      • Influenced By:
        • Peter von Cornelius
        • Wilhelm von Schadow
      • Movement: Düsseldorf School of Painting
      • Name: Johann Wilhelm Preyer
      • Nationality: German
      • Notable Works:
        • Fruit and a Goblet
        • Fruit Still life
        • Flowers in a Jug