10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 80점의 프랑수아 클루에 작품 (당사 카탈로그 기준)
빠른 답변
프랑수아 클루에의 작품 중 1위는 Mary, Queen of Scots (1542-87) (1560)이며, 원작은 런던의 로열 컬렉션에 소장되어 있습니다. 2위와 3위: Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family 및 Mary, Queen of Scots (1560). 프랑수아 클루에의 작품 80점이 카탈로그에 등록되어 있습니다. 여기에 나열된 78점은 가장 유명한 작품들을 순위별로 정리한 것이며, 각 원작의 제작 연도와 소장 박물관 정보가 포함되어 있습니다.
François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…
In the grand tapestry of the French Renaissance, few works capture the sheer weight of royal lineage as profoundly as François Clouet’s "Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family." This is not merely a portrait; it is a monumental tableau of power, a meticulously orchestrated assembly of faces that serves as a window into the heart of the 16th-century Valois court. As one…
The portrait titled Mary, Queen of Scots is a work by the French artist François Clouet. Created in 1560, this Queen's Portrait captures the likeness of Mary, Queen of Scots (1542-87). The image focuses on the sovereign during a period of significant transition in her life.
The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…
In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…
In the quiet, luminous atmosphere of François Clouet’s “A Lady in Her Bath,” the viewer is not merely an observer but a silent guest invited into a moment of profound domestic intimacy. Painted around 1571, this masterpiece serves as a breathtaking window into the private lives of the French aristocracy during the late Renaissance. The composition unfolds with a theatrical grace, where heavy red satin drapes are pulled back like…
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental oil on canvas is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this work, they…
The world of 16th-century France was one of opulent courts, shifting alliances, and burgeoning artistic innovation. Within this vibrant landscape emerged François Clouet, a master portraitist whose meticulous skill and subtle psychological insight continue to captivate viewers centuries later. His “Unknown Lady,” painted around 1555, is not merely a likeness; it’s a carefully constructed tableau of observation, hinting at the woman's character and the era she inhabited. The painting, now…
Odet de Coligny, Cardinal de Châtillon is a portrait executed by François Clouet in 1548. The sitter, a prominent figure of the French Renaissance, held the positions of Bishop of Beauvais and Archbishop of Toulouse. As the nephew of Constable Anne de Montmorency, his social standing is reflected in the formal presentation of the work.
Diane de France, Duchess of Angoulême (1538-1619), natural and legitimized daughter of Henry II, King of France.1568
손그림 복제본 주문하기 from $170 →
Portrait "Unknown Lady" on wood, from the school of Francois Clouet, ca. 15701570
손그림 복제본 주문하기 from $170 →
Portrait of "Elisabeth van Habsburg" on wood, by a follower of Francois Clouet, after 15711571
손그림 복제본 주문하기 from $170 →
Portrait of François de Scepeaux1566 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
사이즈 선택 from $170 →
Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux1565 · Château de Chantilly
사이즈 선택 from $170 →
Hercule François de Valois-Angoulême, Duc d'Alençon et d'Anjou (1555–1584)Touchstones Rochdale
손그림 복제본 주문하기 from $170 →
Elisabeth of France, Queen of Spain, known as Isabella of Peace1550 · Château de Chantilly
이 작품 주문하기 from $170 →
Renée de Rieux, Marquise de Nesle, known as Guyonne, Countess of Laval1560 · Château de Chantilly
사이즈 선택 from $170 →
이 순위에서 가장 자주 등장하는 네 가지 주제와 각 주제별 대표 작품입니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 프랑수아 클루에의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Château de Chantilly |
샹티이 | 7 | Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux, Jossine de Pisseleu d |
 국립 미술관 |
워싱턴 | 4 | A Lady in Her Bath, A Lady in Her Bath, A Lady in Her Bath (detail) |
 콩데 미술관 |
샹티이 | 4 | Odet de Coligny, Cardinal de Châtillon, Elisabeth of Austria, Queen of France, Marguerite of Valois |
 루브르 박물관 |
파리 | 3 | Elisabeth of Austria, Queen of France, Portrait of Francis I, King of France, Pierre Quthe |
 빈 미술사 박물관 |
빈 | 3 | King Charles IX of France, Portrait of King Charles IX of France, Portrait of King Charles IX of France |
 로열 컬렉션 |
런던 | 2 | Mary, Queen of Scots (1542-87), Mary, Queen of Scots (1542-87) |
 우피치 미술관 |
피렌체 | 2 | Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Portrait of Francis I, King of France |
 스코틀랜드 국립 초상화 갤러리 |
Edinburgh | 2 | Sir William Kirkcaldy of Grange, Mary, Queen of Scots |
연대를 선택하여 해당 시대의 대표 작품을 확인해 보세요.
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…
The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…
François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…
In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…
Mary, Queen of Scots (1542-87) (1560)(이)가 로열 컬렉션, 런던에 전시되어 1위를 차지했으며, Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family와 Mary, Queen of Scots (1560)가 그 뒤를 이었습니다.
프랑수아 클루에의 나이는 50세였습니다. Mary, Queen of Scots (1542-87)의 제작 연도는 1560년이며, 프랑수아 클루에는 1510년에 태어났습니다.
Mary, Queen of Scots (1542-87), Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Mary, Queen of Scots, Mary, Queen of Scots (1542-1587), Portrait of Francis I, King of France, Elisabeth of Austria, Queen of France, A Lady in Her Bath, Portrait of Francis I, King of France, Unknown lady, probably an Italian, known as 및 Odet de Coligny, Cardinal de Châtillon. 각 작품의 제작 연도와 소장 미술관은 상단 순위에 기재되어 있습니다.
1527부터 1571까지 제작된 프랑수아 클루에의 작품 80점이 카탈로그에 등록되어 있습니다.
주로 Château de Chantilly (샹티이), 국립 미술관 (워싱턴) 및 콩데 미술관 (샹티이)에 소장되어 있습니다. 전체 목록은 위의 박물관 표를 참조하세요.
1560s 기간의 작품은 여기에 랭크된 78점의 회화 중 25점에 해당하며, Mary, Queen of Scots (1542-87)을(를) 포함합니다.
이 페이지의 가장 오래된 작품: Henry d'Albret, King of Navarre (1527). 가장 최근 작품: Elisabeth of Austria, Queen of France (1571).
이곳에 선정된 78점의 작품 중: Woman (21), Renaissance (19) 및 Portrait (17).
이곳에 순위가 매겨진 총 78점의 작품 중 36점의 Oil On Panel 작품입니다.
이 페이지의 작품 순위를 기반으로 한 르네상스
Château de Chantilly, 샹티이에는 Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux 및 Jossine de Pisseleu d을(를) 포함하여 여기에 랭크된 작품 중 7점이 소장되어 있습니다.
네, 이 페이지에 있는 모든 작품은 수작업 유화 복제화 또는 프린트로 주문하실 수 있습니다. 작품을 선택하신 후, 원하는 사이즈를 골라 주문해 주세요.
