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Centre of Contemporary Art Znaki Czasu

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The picture by Aleksandra Simińska, presenting a type of podium or stage, with the wings revealing a part of the distant landscape, is painted in the oil on canvas technique. In the colour scheme, there is a prevalence of the blue tones complemented by the diverse shades of grey. As a dominant colour, red appears present in the foreground and – as ulterior ones – greens and yellows.The architectural form, which is the principal motif, with steps or footlights leading to a kind of proscenium, is closed in both upper corners by the sheets of draped, heavy curtains. In the left part of the composition there is a vertical shape resembling a squat bottle. This imbalance in the proportions and scale between the elements of a still life and a landscape, and the manner of solids modelling with their perceptible weight, is reminiscent of the creation of Giorgio de Chirico. This connotation is also evoked by the ensemble of objects from a variety of seemingly incompatible worlds, and by a sort of ambivalence, indeterminate nature and destiny. But this clue leads even further, because the rigour of the convergent perspective, characteristic for many works of Aleksandra Simińska, always resulting in the widespread landscape on the horizon and the symbiosis of architecture and scenery (Tuscan?), seem to refer directly to the Italian paintings of the fifteenth and sixteenth centuries. [F. Pręgowski]

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Aleksandra Simińska: A Painter Rooted in Tradition, Driven by Vision

Aleksandra Simińska (born September 5, 1962, Włocławek) is a Polish painter whose distinctive style blends meticulous observation of nature with profound engagement with artistic heritage. Her oeuvre explores themes of memory, landscape, and human experience—often imbued with symbolic resonance—resulting in monumental canvases that command attention and invite contemplation. Simińska’s artistic journey began at the State High School of Fine Arts in Włocławek, where she honed her foundational skills before pursuing higher education at Nicolaus Copernicus University in Toruń (1983-1988), specializing in painting under the tutelage of Janusz Karczmarski. This formative period instilled a disciplined approach to technique and an appreciation for classical aesthetics. Continuing her artistic development, Simińska served as assistant lecturer at Nicolaus Copernicus University from 1989–1993, broadening her understanding of art history and pedagogical practice. Subsequently, she joined the Faculty of Fine Arts of Warmia and Mazury University in Olsztyn (1996-2006), assuming leadership of the Painting Studio and earning the title of Professor Nadzwyczajnego – a testament to her scholarly contributions and artistic excellence. This role solidified her commitment to nurturing young talent and fostering critical engagement with art. From 2004 to 2018, Simińska embarked on extensive travels—to Vilnius, Madrid, London, Rome, New York, and Milan—expanding her visual vocabulary and encountering diverse cultural influences. These experiences fueled her artistic creativity and broadened her perspective on the role of art in conveying complex narratives. Notably, she participated in “Vanitas” exhibition at Municipal Gallery BWA in bydgoszcz, presenting monumental paintings inspired by the history of Aleppo. Her series "Aleppo" delves into themes of resilience, loss, and remembrance—reflecting a deep connection to both personal memory and collective experience. Her artistic output includes numerous solo exhibitions and group shows, garnering recognition for her innovative approach to painting and her ability to capture the essence of human emotion through color and form. Simińska’s work is characterized by a deliberate simplification of visual elements—large surfaces dominated by geometric shapes—a technique reminiscent of Constructivism but tempered with sensitivity to tonal nuances. She meticulously renders landscapes, often incorporating subtle atmospheric effects that convey mood and texture. Recurring motifs—such as architectural details, chests, empty house interiors—suggest an interest in exploring psychological space and conveying unspoken narratives. Simińska’s artistic vision draws inspiration from the masters of European painting—particularly Cézanne and Picasso—whose influence is evident in her compositions and color palettes. She strives to achieve harmony between observation and imagination, translating complex ideas into visual metaphors that resonate with viewers on an emotional level. Her paintings are not merely representations of reality; they are explorations of inner landscapes—manifestations of memory, emotion, and contemplation.

Notable Exhibitions:

“The Veil”
Museum of Romans Suta and Aleksandra Bełcova
Aleksandra Simińska | 6 Artworks at Auction | MutualArt

Key Series:

Double Landscape
Conversations with Other Painters
Islands
Interiors with a Box
Maenads
Aleppo

Further Information Available at: siminska.art/

Aleksandra Simińska

1962 - , Poland

주요 정보

Artistic Movement Or Style: Contemporary Polish Art
Artists Or Movements Influenced By This Artist: ['European Painting']
Artists Who Influenced This Artist: ['Janusz Karczmarski']
Date Of Birth: September 5, 1962
Full Name: Aleksandra Simińska
Nationality: Polish
Notable Artworks:
- The Veil
- Aleppo
Place Of Birth: Więcbork, Poland

The Veil

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