The Spring
20.0 x 29.0 cm
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
The Spring
지클레 / 아트 프린트
복제본 규격
-
총 결제 금액
₩ 86630
관련 작품들
작가 소개
Early Life and Education
- Born: Geneva, Switzerland (1815)
- Died: 1893
- Parents: Louis John Menn (confectioner) and Charlotte-Madeleine-Marguerite Bodmer.
- Early artistic training began at age twelve with Jean Duboi.
- Studied at the Geneva Arts Society drawing school.
- In 1833, entered the studio of Ingres in Paris, receiving formal academic training.
- During his time in Paris, he copied works by Raphael, Titian, Veronese and Rubens.
- Spent time studying classical antiquities from Pompeii.
Artistic Development and Influences
- Early Travels: Visited Milan, Venice, Padua, Bologna, Florence, and Rome (1834-1838).
- Influence of Corot & Barbizon School: Became friends with Camille Corot and was influenced by the Barbizon school painters.
- Introduction to Plein Air Painting: Began practicing plein air painting during his time in Italy, a significant departure from traditional studio practices.
- Paysage Intime: Developed a style known as "paysage intime" (intimate landscape), characterized by simple, understated scenes of rural life.
- Destruction of Early Works: Between 1880 and 1890, Menn destroyed many of his earlier works, seeking to refine his artistic vision.
Major Themes and Style
- Focus on Nature: Menn's work primarily depicted landscapes, often featuring scenes from the Swiss countryside.
- Quiet Observation: His paintings emphasized quiet observation and a sense of tranquility.
- Rejection of Grandiloquence: Avoided dramatic or theatrical compositions, preferring understated realism.
- Influence of Classical Masters: Continued to study and copy works by classical masters like Raphael, demonstrating his respect for artistic tradition.
- Emphasis on Authenticity: Art historian Fritz Schmalenbach described Menn's style as characterized by authenticity and a disregard for superficial appearances.
Teaching Career and Legacy
- Professor at Geneva Art School (1850-1893): Held the position of director for 42 years, training two generations of Swiss painters.
- Notable Students: Among his most famous students were Eugène Burnand, Pierre Pignolat, Édouard Vallet and Ferdinand Hodler.
- Hodler's Influence: Hodler credited Menn as a pivotal influence in his artistic development, stating he "owed everything" to him.
- Emphasis on Individual Development: As an instructor, Menn encouraged students to develop their own unique artistic voices.
- Historical Significance: Recognized for introducing plein air painting and the paysage intime into Swiss art, paving the way for later generations of landscape painters.
Key Works
- Cherries: A Group of Young Women in a Landscape, One of Them Holding a Basket of Cherries (1855)
- Catching Frogs
- Children Playing with a Lamb (1850)
- The Spring
- Farm at Coinsins, Switzerland (1865)
Barthélemy Menn
1815 - 1893 , Switzerland
작가 정보 요약
- Full Name: Barthélemy Menn
- Nationality: Swiss
- Date Of Birth: 1815
- Date Of Death: 1893
- Place Of Birth: Geneva, Switzerland
- Notable Artworks:
- Cherries A Group of Young Women
- Catching Frogs
- Farm at Coinsins, Switzerland
- Artistic Movement Or Style: Plein-air painting, Paysage intime
- Artists Who Influenced This Artist:
- Ingres
- Corot
- Raphael
- Titian
- Artists Or Movements Influenced By This Artist: ['Ferdinand Hodler']

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.