- 홈
- 캔버스 프린트
- bernard meadows
- The lovers, (1981)
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슬라이드 쇼The lovers, (1981)
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
수제 페인팅으로 전환하기 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
The lovers, (1981)
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
$ 64
유사한 작품들
작가 약력
Bernard Meadows: Sculptor of Angular Anxiety
Bernard Meadows (1915 – 2005) stands as a pivotal figure in British modernist sculpture, inextricably linked to the legacy of Henry Moore and the influential “Geometry of Fear” movement. Born in Norwich, his artistic journey began with formal training at Norwich School of Art before gravitating towards assisting Moore in Kent during the formative years of his career – a collaboration that would define much of Meadows’s creative output. This association wasn't merely professional; it fostered a shared aesthetic sensibility rooted in geometric abstraction and an exploration of primal forms, mirroring anxieties prevalent during the Cold War era. Meadows’s early artistic explorations encompassed surrealist influences, evident in his participation in the inaugural London Surrealist Exhibition of 1936. He continued to hone his craft at the Royal College of Art (despite initial rejection due to Moore's influence), absorbing techniques and ideas from fellow sculptors like Eduardo Paolozzi and Lynn Chadwick. The Second World War brought a brief foray into conscientious objection, swiftly superseded by duty when Nazi Germany invaded Russia in 1941 – Meadows enlisted in the RAF and served with distinction in air-sea rescue operations stationed in Cocos Island, where he found inspiration in the colossal crabs inhabiting the region. This experience profoundly impacted his artistic vision, informing subsequent sculptures characterized by monumental scale and a fascination with animal anatomy. Returning to Moore’s studio after the war, Meadows played an instrumental role in realizing ambitious projects like “Three Standing Figures” (1947) and “Family Group” (1949), cementing his position as Moore's trusted collaborator. Beyond this partnership, Meadows achieved considerable acclaim independently, notably with "Elm Figure" exhibited at Battersea Park in 1951 alongside the Festival of Britain – a testament to his ability to forge a distinctive artistic voice amidst the broader landscape of British modernism. His solo exhibitions showcased a consistent dedication to exploring angular forms and incorporating animal motifs, reflecting both personal observation and intellectual engagement with prevailing cultural concerns. Meadows’s influence extended beyond his own creations; he mentored generations of sculptors at the Royal College of Art, shaping the artistic trajectory of numerous emerging talents. The “Geometry of Fear” group, alongside Moore and Hepworth, established itself as a counterpoint to more lyrical sculptural styles of the time, capturing the pervasive sense of unease and uncertainty that characterized the postwar period. Meadows’s sculptures remain powerful embodiments of this aesthetic ethos—bold, uncompromising explorations of form and materiality that continue to resonate with viewers today.
bernard meadows
1915 - 2005
주요 정보
- Artistic Movement Or Style: Modernist Sculpture
- Artists Or Movements Influenced By This Artist: Geometry of Fear
- Artists Who Influenced This Artist: Henry Moore
- Date Of Birth: 1915
- Date Of Death: 2005
- Full Name: Bernard Meadows
- Nationality: British
- Notable Artworks:
- Startled Bird
- The Lovers
- Place Of Birth: Norwich, England
